A few weeks ago, as you may remember (it’s fine if you don’t. Really.) A & I visited a cemetery in South London and took in a charity shop while we were there. I bought a couple of linen skirts, one in navy and one in black. This week I have been bombarded by adverts from a clothing company who sell Japanese-inspired printed dresses and skirts and sashiko-style prints featured heavily. I did a sashiko mending course last year at the V&A, so – as all crafty types have a bad habit of doing – I decided to make my own version using the navy skirt.
Sashiko (刺し子?, literally “little stabs”) is a form of decorative reinforcement stitching (or functional embroidery) from Japan. Traditional sashiko was used to reinforce points of wear, or to repair worn places or tears with patches. Today this running stitch technique is often used for purely decorative purposes in quilting and embroidery. The white cotton thread on the traditional indigo blue cloth gives sashiko its distinctive appearance, though decorative items sometimes use red thread.
I have the templates, I have the threads and needles, and in theory I have a whole variety of marking tools for use on fabric. Chalk pencils, marking pencils, air-erasable chako pens, heat-erasable markers, dressmakers’ carbon paper, fabric pens…I have them all and none of them did the job, The chalk pencil snapped. The marking pencil only made tiny marks with the stencil but was good with a ruler. The chako pen disappeared within seconds. The heat-erasable marker didn’t work on the fabric. The fabric pens don’t show up. The carbon paper tears. Something that should be straightforward has turned out to be rather frustrating. The only thing I’ve found that does work with the stencils is a Derwent white blender, which washes off me and the stencil so I really hope it washes out of the fabric too….I probably should have checked…
Anyway, I have done a row of sakura blossoms and the next row will be waves, I think, though I might use some of the patterns from this book if I can find a way of marking them! I may also try some boro patches, but don’t want to lean too far over into folksy/cottage core. At least I don’t think so – my mind just recalled some Japanese cotton prints I have in the stash. Oh dear.
You’re supposed to use a running stitch but in some of the curves I found it easier to take individual stitches. You can definitely see where I started, and in which direction I travelled. Once you’re actually sewing its quite a fast craft, but the marking may defeat me!
Other things making me happy this week:
- Visiting RIBA to talk about potential for working together, and getting a tour of the building – I have serious architecture and learning room envy.
- And as I was in the area, I messaged my lovely ex-director and for once she was working at home. We had a walk in the sunshine round Regent’s Park and I found one of Quentin Blake’s Enormous Crocodiles in the wild.
- Early morning coffee this week with Amanda at EL&N in St Pancras. St Pancras always makes me want to hop on the Eurostar and head off into the wilds. Sadly neither of us had our passports and we both had morning meetings. Ah well.
- Finishing the crocheted Christmas cactus. This one was a lot of trial and error and the flowers need a bit of work.
- Running into another friend at the station – you know that friend who gives the best hugs? That one!
- A great kick-off meeting for a community project with The Parent House in Islington.
And now I am off to investigate the shed to see if I can lay hands on that quilting fabric…
Kirsty
What I’ve been reading:
L.A. Requiem/Chasing Darkness/The Last Detective/The First Rule/Demolition Angel – Robert Crais
Shadowstitch – Cari Thomas
The Lost Continent– Bill Bryson (Audible)
What Kirsty did next 