291: embroidery envy

Saturday was the annual pilgrimage to Ally Pally to worship at the altar of fabrics and yarn and crafty gadgets, also known (this year at least) as Knit and Stitch. Heather and I were joined by Tor, one of her colleagues, and we had a most excellent mooch around the exhibitions and graduate shows before heading into the danger zone of trader stands.

I love the graduate shows – this year I was very taken with two who were using stitch to encode messages into their work. One had been inspired by a visit with their (very proud) mum to Bletchley Park when they were nine, and another had created Braille embroidery. I’d definitely visit an exhibition about secret messages in embroidery! I wish I had the vision and talent to do this sort of thing.

There were also many beautiful embroidered birds at The Embroiderers Guild, and some interesting materials in use – upcycled building textiles, plastics which mimicked natural forms and some Korean goblins (‘dokkaebi’) inspired by found objects like lost hats and socks.

We spotted large gatherings of Bees (the sewing kind) including some of this year’s crop, and stroked a lot of fabric as we wandered up and down the aisles. I was very restrained, coming home with some fabric for a new version of the Folkwear Basics Jacket, an embroidery kit which is all French knots and a beautiful embroidered bird brooch. I rarely wear necklaces at work as often have a lanyard, so I usually wear brooches or badges instead. I probably didn’t need another one but I really liked it…

We took our own packed lunches as the food is always disappointing and overpriced at these things – there’s never anywhere to sit and what you end up with is the world’s most expensive meal deal. A well-deserved tea in the afternoon while being charmed by an adorably smily baby was quite reasonable, and then we made it home. The magic laundry fairy hadn’t managed to finish sorting the four clean loads stuffed into the trug on my bed but what can you do?

Things making me happy this week

  • This beautiful tree on the way to the office in Islington
  • My cousin sending me pictures of toadstools from her early morning walks
  • Our third access panel meeting – we’re so lucky to have a generous group of people who are willing to share their experience and thoughts about our new Centre.
  • A personal best in the Cardiff Half last Sunday – 3 hours and 2 minutes on my Strava, and 3 hours 9 on the chip time. I really wanted to come in under 3 hours but I was very close! I was less impressed with the serious aches on Monday and Tuesday. The weather was great, and the crowd support all round the course was excellent. I was touched to see my lovely friend Jen at 13k, as no one ever comes out to see me! She even gave me a hug, despite the fact that I was a sweaty mess. My cousin Hev leapt out of the Rock Choir at mile 11 with another hug.
  • Ben and Jerry’s Minter Wonderland is back in the Co-op. It’s my favourite.

Today it’s Apple Day at Copped Hall, so Thing 2 and I will be manning my gazebo. She’s been making earrings with the content of my button tin and she’ll be selling them, while I’ll have my usual collection of crochet decorations and jewellery, including these googly-eyed sprouts.

Next Saturday you can find me in central London at the London Welsh Centre’s Autumn Market, probably also with Thing 2 in tow…

Same time next week, gang!

Kirsty x

What I’ve been reading:

The Lost Paths – Jack Cornish

A Rule Against Murder/A Trick of the Light – Louise Penny

Wine of Angels/Midwinter of the Spirit – Phil Rickman (Audible)

186: unprecedented restraint

Yesterday was our crafty annual pilgrimage to the wilds of North London for the Knitting and Stitching Show at Alexandra Palace (‘our’ meaning Heather and I, partners in crafty crime). This year we’d decided to book a workshop, and found one on free-motion embroidery led by Molly Brown. This was something neither of us had tried before, and of the available workshops it was also the one we thought we probably couldn’t teach ourselves.

Molly took us quickly through the workings of the Janome Atelier machines we’d be working with, and then explained the process she used for making the tree embroideries. We started by tracing our trees onto pelmet Vlieseline, then delving into piles of organza scraps to create our background. We enclosed these in net and stitched around to hold them all in place (in my case, I managed to stitch the instruction sheet in as well), and then flipped the piece over to embroider the basic tree shapes.

Once the trunks were stitched we turned our trees up the right way and used the thread to ‘scribble’ in the branches, fill in the trunks and add any details we wanted. I added some smaller plants on the ground, and the ninety minute session finished far too quickly. It’s a technique I’d like to try again and I know I can drop the feed dogs on one of my machines, I just need to remember which…

The rest of the show was busy – I don’t usually go on Saturdays, for this very reason, and the usual crunch spots like Black Sheep Wools were packed with people rummaging through bargain bags. Anywhere there was a wandering Bee was also busy, of course! In a moment of sensibleness we’d taken packed lunches – food is reliably overpriced and disappointing – so we picnicked overlooking the ice rink before tackling the second hall.

One of the highlights of the Autumn Show is the exhibition section: graduate showcases, quilting winners, textile galleries and more. Many of this year’s shows appealed to my inner magpie, with mixed media pieces blooming with shiny things and found objects.

The final exhibition was The Duster Project by Vanessa Marr, which you can read about here. This is a collaborative project, which explores contemporary perspectives on the everyday lives of women.

Heather and I were very restrained, coming home with only a sewing pattern each and a few bits and bobs. This was mainly because neither of us have finished the kits we bought last year, and in my case also because earlier in the week I’d used the Obby voucher that was my leaving gift from Young V&A. I now have a jesmonite casting kit and a felted pebbles kit inspired by Kettle’s Yard.

Other things making me happy this week

  • Early morning coffee with Amanda
  • Ice cream and a wander round Roath Park
  • Getting up to date on the temperature supernova
  • Breakfast and speedview session at New City College
  • The Undertones supported by The Rezillos – so good!
  • Series 5 of Ghosts

Today is Apple Day at Copped Hall, so it’s family outing time again…same time next week?

Kirsty x

What I’ve been reading:

This Is The Night They Come For You – Robert Goddard

The Dictionary of Lost Words – Pip Williams

Written in Dead Wax – Andrew Cartmel (Audible)

An Utterly Impartial History of Britain – John O’Farrell

The E. Nesbit Megapack – E.Nesbit

81: it’s showtime!

It’s been mentioned before that I’m a bit of a butterfly when it comes to making and crafting: I usually have several projects on the go that can be picked up and put down, taken on tubes, worked on as a way to help me focus in meetings or at D&D games, focused on while the TV happens in the background, that sort of things. These are alongside the ones that need more attention – things with sewing machines or full coverage cross stitches, for example.

So, imagine my delight yesterday when my crafty buddy H and I visited the Autumn Knitting and Stitching Show at Alexandra Palace – the first live craft event we’ve been to since the Waltham Abbey Wool Show in January 2020, before all those lockdowns. I’ve always liked the autumn one better than the spring one (at Olympia) for the exhibitions of quilts and students’ work. The venue is also pretty amazing, with glorious views over London. ‘Ally Pally’, as it’s known, is one of those Victorian ‘people’s palaces’ which have so much history attached to them: the BBC broadcast from there, it was used as an internment camp during the First World War, there’s an ice rink and a beautiful park.

We started with a plan to work our way around the outside stalls, which took us through (among other things) the Embroiderers’ Guild Members’ Challenge exhibition ‘Exquisite Containers‘. We spent a long time talking to the Guild member watching over the exhibition, admiring her mother’s stunning or nue book covers: after working for many years and bringing up her family, she vowed after retirement that she’d dedicate her time to her craft and did just that for the next 25 years or so. We talked about the loss of creativity in the school curriculum – she had written a stern letter to Gavin Williamson lambasting him about the destruction of the creative subjects.

‘I do believe we are muted’ – Philippa Moggridge

H is a DT teacher which gives us an excellent excuse to talk to people about techniques, and I was keeping my eyes open for makers who were working with up/recycled materials. Maria Thomas’s work ‘Relative’ explored her place in the world as a mother, daughter, aunt, niece etc through mixed media pieces like the Free Range Egg Custard Tart jacket pictured here. These pieces were inspired by the housecoats her mother put on after work to do housework and cooking, to protect her ‘good’ clothes. I loved the way books, vintage packaging and text were blended into the patchwork and quilting. I’d really like to work with her.

Onome Otite‘s textile collages filled us with joy – so much colour and movement in her pieces inspired by Cirque du Soleil, using bright ankara and batik fabrics. There were several stalls selling African wax print fabrics, and when I find the right pattern I have all their cards. Lovely bright reds and yellows called to me, but I resisted.

After the exhibitions we hit the stalls – usually H is a good influence on me, taking lots of pictures of projects we’d like to do rather than buying the kits. Yesterday we were terrible influences on each other, though at least her ‘this will be a Christmas present!’ buying was a good excuse. There are so many lovely kits and fabrics to buy, and you can squish and squash them all you like, and have chats with the stallholders. We got hopelessly overexcited when we saw Matt, Peter, Mark and Raf from the Sewing Bee, especially when Matt and Peter stopped for a photo op with us. I came home with an English Paper Piecing jewellery set, some Foundation Piecing patterns, space invaders jersey fabric (new pants coming up!), some sewing patterns from an indie maker, a lot of business cards, haberdashery bits and bobs and gadgets, a sari silk skirt in my favourite reds, and a Christmas decoration kit which I can only put down to end of day panic buying. We had a go at marbling fabric, admired woodblock printing and mini screen print kits, got carried away by puffins, hares and highland cows, lusted after high-tech sewing machines and storage furniture. I left with a lot of ideas for things I really want to make. Now to find the time….preferably before the next show!

It won’t be this week, for sure: this week I am trialling my new school session in Thing 3’s primary school, and updating a talk about play for a local FE college. My hallway is full of boxes of strange resources like model chickens and miniature blue blocks (as seen in this week’s cover photo), scraps of fabric and laminate insulation. I’m also working on the next birthday present, and playing around with a small crochet bag design.

I’d better go off and do something useful….

Kirsty x

What I’ve been reading:

Tales from Moominvalley/Finn Family Moomintroll/Comet in Moominland – Tove Jansson (Audible)

Trader/Someplace to Be Flying/Dreams Underfoot – Charles de Lint