280: the joy of text

I’ve just wandered over here from LinkedIn — as you do — where I have been reading a post about using em dashes — or not — in writing. Apparently they are an indicator that AI has written whatever it is you’re reading. This is most definitely not the case here, I assure you.

I am a big fan of an em dash. Emily Dickinson was a big fan of the em dash. My ex-line manager at London Museum was a big remover of my em dashes, bless his little cotton socks, although I could forgive him for that. (It was harder to forgive the director who used to uncapitalise ‘Second World War’ every time he saw it in my brochure text, despite the fact that it’s a specific historical event. He annoyed me.)

‘I’m nobody! Who are you?’ Emily Dickinson, em dash lover

In this blog I have usually used the en dash (-) instead of — purely because I write on a laptop and it doesn’t have a number pad which is what you need to insert the — symbol. To get your em dash on a laptop requires pressing the windows and full stop keys to bring up the emoji menu, and there’s a ‘special characters’ menu there. I may be a lover of the — but I’m also lazy, so please forgive my grammatical quirks.

Punctuation — as well as the words I wrap it around — may be one of my favourite things. When I write talks and sessions, especially if other people will be delivering them, using dashes (and parentheses) and the odd semi-colon make my writing more human, not less; giving life to words which are going to be spoken aloud. Can you imagine how dreary things would be if everything was short sentences and full stops, with no emphasis or asides?

At the other punctuational extreme is one of my all-time favourite poets, the wonderful e e cummings, more of whose work can be found here. A literary sort once said that his poetry transformed the word to transform the world. A lot of his poems use broken, scattered or run-on lines to create emphasis, such as the one above which featured in a school poetry anthology. He played with typography, space and shape to provide tone and punctuation, and — to paraphrase his response to a critic on one of his plays — wanted to know why people couldn’t just relax and see what happened rather than demanding to know what things mean all the time. My thoughts exactly.

When I left university in 1994, after 17 years of schooling of one kind or another, I decided that I was only going to read things I wanted to; I’d been asked to analyse dozens of texts and poems over the years which stripped all the joy out of the language and the stories. What I want to read may on occasion be considered as ‘literature’ (in at least the GCSE syllabus sense) but the point is that I’m reading it for the sheer joy of it. It took me another 20-odd years to be able to not finish a book I’d started if I wasn’t enjoying it but that’s a different matter. I am not picky about genre and a good trip to the library or the local Oxfam Books & Music takes in a wander around all the shelves and an eclectic haul.

This decision to read books based on interest has led me back to books like Graham Swift’s Waterland, which as a 17-year old A-level student I thoroughly disliked but as an adult I loved: I went back to it after visiting the Fens, where it’s set, and understood it far more. I was lucky enough not to have been made to read some of the classic GCSE and A-level texts – Gatsby, Mockingbird, Catcher – so came to them independently in the school library and loved them for themselves. I have a colleague who’s also an eclectic reader and we recommend books to each other – Cahokia Jazz, by Francis Spufford, was a recommendation from him and it’s one of the best books I’ve read in years. I tried another of Spufford’s books and couldn’t get into it at all, so I took it back to the library unfinished.

2026 has been named the National Year of Reading and the idea is to encourage a love of reading for pleasure. I think this is a great idea. However, I can’t help thinking that we — this is the policy-making, government-level, educational we, not a personal we — have spent the last 12 or so years building a generation which doesn’t love reading for a very good reason.

I have a cunning plan, though. Let’s refresh the National Curriculum and allow teachers to stop stripping texts back to their component parts from a very early age in school. Stop insisting on seeing sentences as no more than examples of spelling, punctuation and grammar and then children might start to love reading for its own sake. Teachers might also be happier.

Let’s put storytelling back into teacher training courses and make it a compulsory part of the school day. Let’s dedicate some time in colleges and on SCITT schemes to sessions with professional storytellers like Olivia Armstrong and show teachers how to bring a story to life with your voice. Help them share the joy of the language and the rhymes and the jokes; the sad bits and the happy bits and the sheer pleasure of being transported to a different world for half an hour at the end of the school day. Give teachers the confidence to do the accents and the voices and to pull the faces, and leave the children wanting more – perhaps to pick up the book themselves and have a go without seeing every sentence as a challenge or a task to be completed. If a teacher isn’t confident, there’s audio books galore out there read by people who are paid to do the voices. David Tennant read a CD of all the Hairy McLairy books and it’s wonderful. Hugh Grant reading Dickens’ A Christmas Carol. And Michael Sheen reading – well, anything, up to and including a shopping list, but start with Philip Pullman’s The Book of Dust.

I wrote last month about Frank Cottrell-Boyce’s campaign as Children’s Laureate to make hearing stories part of every child’s life, and this leads on from that: give them joy not grammar. Teach them to love words, and their vocabulary will expand as a result. They’ll see punctuation as they read and will learn to use it as they go, and I guarantee you they won’t even realise they’re learning it. Tell them about libraries, where they let you take books away to read and have thousands of different ones, and they’ll never be short of entertainment. Even better, tell them about librarians, as the good ones will be able to suggest books and the really good ones will know what to read when they’ve finished that one. They’ll be unstoppable.

Things making me happy this week

  • A good ramble through the fields on Saturday morning, except for the bit where I got lost and my legs got shredded by fierce brambles.
  • This rainbow bunny – it’s the Toft Emma pattern again from Ed’s Menagerie.
  • Untamed – a new Netflix series with Eric Bana, Sam Neill and excellent scenery.
  • New haircut
  • End of term for Thing 3, so I don’t have to make sure he’s out of bed for a few weeks before I leave for work
  • A crocheted meerkat from a pattern by Planet June

That’s it from me. If no one minds, I’ll be reading my book.

Kirsty x

What I’ve been reading:

Blood Debt/Summon the Keeper/The Second Summoning – Tanya Huff

Between the Stops – Sandi Toksvig

Shadowlands – Matthew Green

Edgelands – Paul Farley & Michael Symmons Roberts

271: same blog, different river

Well, my feet have just about stopped aching after last Sunday’s Goring Gap half-marathon walk along the Thames, although stairs were definitely not my favourite thing until at least Thursday. I came in 119th out of 124 (and last in my age group!) but since I knocked 22 minutes off my predicted time I am quite happy with that. I quite like a half marathon distance as if you start in the morning you can be done by lunchtime and the rest of the day’s your own. Tan finished in two and a quarter hours, and I was in at three hours and eight minutes. There was some unscientific jogging in the first 5k (because I felt like it!) but mostly it was fast walking.

The weather was perfect for a walk – sunny and warm but not too hot, and the route was mostly flat. The worst bit of climb was the railway bridge at Purley at 10k which went up from the Thames to quite far up a steep slope. The last couple of kilometres weren’t a lot of fun either, on a flint path with a long slow climb. Even the field full of alpacas couldn’t improve it. It was a well-organised event with good signage and friendly volunteers at the two feed stations, and I got to see lots of cygnets, goslings, red kites and friendly hounds.

The cheese and ham sandwich and bag of Frazzles produced by Tan when we got back to her flat was the tastiest food ever!

Later in the week I was back over in Ealing with the rest of the team to catch a bus to Brentford for a tour of the London Museum of Water and Steam. We started with a team picnic in Waterman’s Park, watched by a the usual London throng of optimistic pigeons and overlooking the river where a heron stalked the island shallows, geese shared my crisps and a coot bobbled up and down pecking at weed.

We were taken on a tour of the steam engines which were HUGE and which raised questions about how these would have been oriented in our own little engine house in Clerkenwell. These water pumping engines have several storeys of water below ground, and rise up three storeys too. One of the water tanks has a population of goldfish, and another has a wonderful crop of ferns.

We met the museum cat, Piper, who lives in the office during the day and roams the museum at night keeping the mice down. Mice are inevitable in buildings unpopulated at night – I have never worked in a museum without them – so a cat is an excellent idea. We haven’t quite persuaded our Director yet but we’re working on it….

I was extremely excited to see the tailfeathers of one of the standpipe tower’s peregrine falcons peeking over the edge. The ‘Splashzone’ watery play area is immediately below – naturally we tested it! – and apparently the peregrines have a habit of dropping parakeet heads off the tower into the play area which can be a bit disconcerting for young visitors. You can see me below making the archimedes screw move water up – taken by one of my colleagues.

The museum is fascinating, telling the story of steam and clean water in London, and the sheer monumental size of the engines is awe-inspiring. When they were installed they apparently brought the beams in and then engineered them downwards. They have to be perfectly straight otherwise the pistons will catch on the sides and wear down so the level of precision needed for these huge machines is startling. The engines weren’t ‘in steam’ sadly but they do have steam weekends monthly which I bet are great fun. If you visit between now and October you can also see the beautiful interventions by artist-in-residence Dr Jasmine Pradissitto in the ‘Tender Machines‘ displays.

Other things making me happy this week

  • On Tuesday I joined Such Stories (aka Laura and Jo) for a family workshop, where we saw some of last year’s play project participants and made some new friends.
  • Discovering Resident Alien on Netflix (an excellent turn by Alan Tudyk) – very funny indeed.
  • Seasons 4-6 of Northern Exposure all appearing on Amazon Prime
  • A surprise parcel at work which turned out to be a Quentin Blake original from Kids in Museums – QB had drawn the ‘Museum of his Dreams’, and they thought we might like it.
  • The new Joanne Harris novel (a new sequel to Chocolat) appearing on my Kindle.
  • John Lewis-Stempel’s gorgeous nature writing. I love his books about his Herefordshire home.
  • Finishing Cahokia Jazz by Francis Spufford. A recommendation from a colleague, this has turned out to be one of the best books I’ve read in years. One of those books that – when you finish it – leaves you sitting there thinking about it. The ones that leave you feeling like Holden Caulfield in the Salinger quote below.

“What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.”

JD Salinger, The Catcher in the Rye

At some point this weekend I’ll go for a walk – I spotted a new footpath when we went up to collect Thing 3, which I looked up on my map and worked out a route back through to Ongar. I need to keep up my speed for Cardiff in October. I’d like to break the three hour mark!

Same time next week, gang. I don’t think I’ve got any river-related activities planned but you never know…

Kirsty x

What I’ve been reading:

Vianne- Joanne Harris

Demon’s Bluff – Kim Harrison

21st Century Yokel  – Tom Cox (Audible)

Cahokia Jazz – Francis Spufford

The Running Hare/The Wood – John Lewis-Stempel

266: Ferrero Rocher? Don’t mind if I do.

A three day week is an excellent thing, affording some solid naps and some good reading time – although my reading over the week has degenerated from some quite good crime novels to some absolutely rubbishy magical romances, which I have thoroughly enjoyed in a frothy sort of way. I use Kindle Unlimited and also subscribe to BookBub which sends me a daily email with lots of 99p offers, where many of these things pop up. Fairies, dragons, dashing heroes who start off extremely bad-tempered and then become reluctantly heroic. Feisty heroines. Bridgerton with mythical beasties. Jane Austen with jinxes. Alliterative titles. That sort of thing.

This is whole-box-of-Ferrero-Rocher-to-yourself sort of reading, if you know what I mean. Indulgent. Nothing that requires any brain power at all. On the other hand, I’ve also been reading a Japanese classic recommended by a colleague, set in Osaka just before the Second World War which focuses on manners, Japanese societal expectations of women, and doesn’t have cats or books in. It’s not frothy at all, and probably bears more resemblance to Austen in the way characters and society are drawn than any of the Regency-set froth I’ve been reading. One of my VI form teachers, Mr Bradley, introduced us to Austen by declaring that he’d have married her.

One of my cousins asked a few weeks ago whether he was the only person in the family who read more than one book at once, and the answer was a fairly unanimous no, we’re all at it. I always have an upstairs book, a portable book and a downstairs book on the go and quite often one I’m dipping in and out of – short stories or poetry, for example. Sometimes I’ll put a book down and circle back to it, especially if its one that takes thinking about. But one book at a time is never enough.

Other things making me happy this week

  • A family outing to Audley End. Pretty spring flowers, a walled garden, a large screw embedded in the tyre – the car jinx strikes again. Last time the suspension went.
  • Making my annual Simnel cake. I could make them more often, but I don’t.
  • Finishing the first five of the sea creature commission. I like this turtle best so far.
  • Being kidnapped by Miriam and Jill on Saturday afternoon – they were a bottle of prosecco down, I stuck to tea.
  • An excellent walk to Ongar this morning. I saw a large stag, a sparrowhawk and some baby bunnies – went to Sainsburys and got the bus home with tomorrow’s roast!
  • Binging a series called North of North which we laughed like drains at – and which led to Northern Exposure nostalgia so now I’m watching that and remembering how excellent it was (especially Chris in the Morning). I’d really like to go to Alaska. I may have to reread all the Kate Shugak novels (which all seem to have arrived on Kindle Unlimited if you haven’t read them).

Today we’re being descended on by the TTs and the GTs for an egg hunt in the back garden, which will be lots of chaotic, sugar-fuelled fun.

Another four day week to come!

Kirsty x

What I’ve been reading:

The Dark Wives – Ann Cleeves

Underscore – Andrew Cartmel

The Makioka Sisters – Tanizaki

Spells, Strings and Forgotten Things – Breanne Randall

The Geographer’s Map to Romance – India Holton

Talismans, Teacups and Trysts – K. Starling

Sourcery/The Lost Continent – Terry Pratchett (Audible)

213: impossible questions

This week one of my manymanymany cousins posed the following ridiculous question over on FB: what are your two favourite novels?

Well, honestly – where do you even start answering a question like that? I thought about it for a bit and asked for clarification along the lines of ‘what, this week or always?’ The two novels you’d most read, apparently. This did not, for some reason, narrow it down at all, even when children’s books were eliminated from the equation.

At age 10 this would still have been a hard question but I could at least have narrowed it down to a Nancy Drew, one of the Little House books or something by L.M. Montgomery. At 50 and as an avid reader this question ranks right up there with the meaning of life or one hand clapping or something equally conundrous (that’s not a word, according to the spellcheck but it’s my blog and I can make up words if I want. It’s a good word. Conundrous. Try it.)

Novels most read? I read my way through Terry Pratchett’s Discworld at least once a year, with probably Night Watch and Hogfather being most read. But then I also pick up the Moomin books with the same frequency. There are novels – series – I go back to and read through before the new one comes out (Ben Aaronovitch’s Rivers of London series, or Elly Griffith’s Ruth Galloway books.

What about novels that have stayed with you even though you’ve only read them once? The Travelling Cat Chronicles by Hiro Arikawa, for example, or The Cat and the City by Nick Bradley, both fairly recent reads but which I’ve been recommending to all my friends who like cats and/or books.

Do short story collections count? If so, some of Stephen King’s collections or any of Charles de Lint’s Newford stories have been in heavy rotation for years – and there are novels in this series too.

Also, favourite novel for what – a good mystery? For when you need a good cry? When you just need to remember that magic is out there, when you’re feeling nostalgic or in need of a good belly laugh? For when you’ve just been dumped? When you want something that you know you’re going to enjoy but don’t want to spend too much brainpower on it?

I did manage to settle on one novel – The Outsiders by S.E. Hinton.. It’s what people would call ‘YA’ these days, but is still one of my all-time favourites, and now Things 1 and 2 also love it. I’ll have to come back to you on the other one.

Other things making me happy this week:

  • Progress on new cross stitch (despite being afflicted by an unputdownable series of books)
  • Good long walk in the sunshine on Saturday morning
  • Weather warm enough to consider painting my toenails – and that they’ve all grown back now to be painted!
  • A visit to the Unravel exhibition at the Barbican with an ex-colleague – gorgeous creations and a good catch-up

What I’ve been reading

Shanghai Immortal – A.Y. Chao

House of Earth and Blood/House of Sky and Breath/House of Flame and Shadow/Throne of Glass – Sarah J. Maas

Sweets – Tim Richardson

Notes from a Small Island – Bill Bryson (Audible)

207: listen very carefully, I shall say zis only once

You may have noticed that I love an audiobook. As an accompaniment to the continuing chaos of a Central Line commute (along with a crochet project) it can’t be beaten – it’s like someone reading bedtime stories, especially with the right voice. Kobna Holdbrook-Smith is perfect for the Rivers of London series; Neil Gaiman narrating his own books is a joy; Michael Sheen could read me a shopping list, quite frankly; Esme Young reading her autobiography; Stephen Fry reading the Hitchhikers series; Zara Ramm reading The Chronicles of St Mary’s; and many others. This week I’ve started listening to Bill Bryson reading his own At Home book about the history of all the things in our houses.

The wrong reader can kill a book – the person who narrated Mike Carey’s Felix Castors series was awful, and there were a few of Lindsey Davis’s Falco books with the ‘wrong’ narrator. Tony Robinson was wrong for Discworld, Nigel Planer was a bit better, Stephen Briggs and Celia Imrie were great but the new Penguin versions with people like Richard Coyle, Andy Serkis, Katherine Parkinson, Indira Varma, Sian Clifford and others – all with Peter Serafinowicz as Death and the glorious Bill Nighy as the Footnotes – were perfect.

And then there’s accents. Sometimes – done well, and done appropriately – they can add to the listening experience, but sometimes they’re excruciatingly inappropriate and give you what the kids call ‘the ick’. Posh white readers doing ‘generic Chinese’, for example (as my lovely colleague was horrified by the other week) or posh English people doing cod Welsh, which quite ruined the final instalment of Susan Cooper’s The Dark is Rising sequence. This particular voice belonged to an actor I rather like, usually – known for playing quite posh people – but oh lord, he mangled the Welsh accents in Silver on the Tree and had clearly made no attempt to find out how to pronounce the Welsh placenames he was reading (despite the fact that in the previous book he’d narrated a section where the Welsh character taught the English one how to say them). It was painful to hear, and I apologise to anyone who saw me grimacing every time he mentioned Machynlleth or Aberdyfi.

Things making me happy this week

  • Catching up with this year’s temperature tracker cross stitch
  • Getting a good start on Country Magic Stitch ‘Welcome to Rivendell’
  • Coffee with Amanda
  • A chatty evening on Wednesday instead of D&D
  • A chilly but sunny walk on Monday morning (and a rainy one on Saturday morning)
  • Harry in Silent Witness
  • A chilly but refreshing swim at the lake

What I’ve been reading:

Hedge Witch – Cari Thomas

The Book Keeper – Sarah Painter

The Wild Rover– Mike Parker

Silver on the Tree – Susan Cooper (Audible)

The Owl Service – Alan Garner (Audible)

The Familiars – Stacy Halls

Practical Magic/The Rules of Magic – Alice Hoffman

At Home: A Short History of Private Life – Bill Bryson (Audible)

203: a wander through the realms of imagination

This week my team and I headed to the British Library to see the Fantasy: Realms of Imagination exhibition before it closes later this month. As I may have mentioned once or twice over the course of this blog, I love a bit of SF/F, so I was very excited about seeing this show.

Entering the space through a sparkling, fairy-lit forest portal (I knew it was going to be good) and avoiding the first hazard in the shape of a couple of school groups, we were immediately immersed in the very beginnings of fantasy through ‘Fairy and Folk Tales’. Highlights for me were glorious Arthur Rackham illustrations, a 1918 ‘Ancient Mappe of Fairyland’ by Bernard Sleigh and an earpiece playing Steeleye Span’s Thomas the Rhymer. It’s easy to dismiss fairy tales – especially if you grew up with the later, heavily sanitised Ladybird ‘Read it Yourself’ versions - but the original stories as written down by people like the Brothers Grimm were, well…. grim. One of my favourite childhood books, Alan Garner’s The Owl Service, was featured here along with a plate from the service which inspired it.

‘Epics and Quests’ was the second section, and of the things I liked about this exhibition was that it delved far deeper than the the European traditional forms of fantasy and ‘sword’n’sorcery’ tropes. Studio Ghibli’s Princess Mononoke appeared here, along with more of my all-time favourites in the shape of The Dark is Rising by Susan Cooper, T.H.White’s The Sword in the Stone, Tolkien in book and film (Gandalf’s staff!), and Warhammer. Tove Jansson’s illustrations for the Swedish translation of The Hobbit were included, with a rather trollish Gollum facing off with a behatted Bilbo Baggins. Apparently her depiction of Gollum caused Tolkien to amend his description to include the word ‘small’ in future editions! Dungeons and Dragons also popped up here, Livingstone and Jackson’s Fighting Fantasy series, and a marked up script for Monty Python and the Holy Grail. I refrained from quoting large swathes of the film, as I’d like my team not to think I’m a complete geek. Ha.

Section three covered ‘Weird and Uncanny’Valentina and I had great fun in the interactive wibbly wobbly space where you appeared as if by magic and went all swirly. Here there was also a game called Fallen London, a text-based RPG set in a London stolen by bats. Of course! Philippa Pearce’s Tom’s Midnight Garden was included, along with Neil Gaiman discussing The Sandman and the power of being a writer. H.P Lovecraft’s Cthulhu (that’s hard to spell) featured, and the board game A Study in Emerald based on a Neil Gaiman story.

Section four, ‘Portals and Worlds’, explored the alternative realities built by fantasy writers and artists. Here was Terry Pratchett’s Discworld Map, and a whole lot of schoolchildren building their own worlds with the help of a gallery educator. We had to step over them to see Elphaba’s costume from Wicked, as they were worldbuilding all over the floor. I felt there were some gaps - not enough urban fantasy which, given the quality of work in this genre over the last 30 years or so by people like Charles de Lint and Ben Aaronovitch, felt like a real missed opportunity. Finally there were some Live Action Role Play costumes including a spectacular dryad.

It was inevitable that I was going to leave the exhibition with a reading list! Uprooted by Naomi Novik and Gods of Jade and Shadow by Silvia Moreno-Garcia are the ones that caught my imagination.

I was quite disappointed to reach the end of the exhibition, which came far too quickly. The exhibition design was atmospheric, and managed to stay away from the whimsical in the main. It finishes later this month so get in quick!

Other things making me happy this week:

  • Mooch round the market with Miriam
  • A D&D game where I got to call down a lightning storm and be all Dr Strange
  • A birthday trip for Thing 3 on Saturday night to see My Neighbour Totoro at the Barbican, which I’ll write about next week
  • Starting a new scarf as my portable project, using this pattern. I had to adapt it as working into slip stitches all the time would be a nightmare. This is using a Stylecraft DK yarn that I bought in a sale a while ago.
  • Good progress on the temperature stitch for the year – I’m still not ready to start the books but the shelves are nearly done!

Now I must get up and make a banana cake….

Kirsty x

What I’ve been reading:

Friends of the Dusk/All of a Winter’s Night/The Fever of the World – Phil Rickman

The Chalice – Phil Rickman (Audible)

Over Sea, Under Stone– Susan Cooper (Audible)

Map Addict – Mike Parker

Draw Your Day – Samantha Dion Baker

138: back on the merry-go-round

This has been one of those weeks when – by the time Friday came around – I felt as if I’d been put through the washing machine on top spin and hung out to dry. At least I can never say my job is boring…

Monday was spent catching up with the hundreds of emails that had come in over half term, having what felt like about a dozen meetings. Taking a week off always seems to result in a lot of things that need doing, and not enough hours to do them in, as there is a whole new week of things to do when you get back. On Wednesday we were interviewing for a new role in the team, which meant another day of not getting things done (but meeting some interesting people, which is always a plus), and on Thursday we had a ‘Town Square’ event in Bethnal Green in partnership with St Margaret’s House. Friday was a day on trains: six hours, altogether, on public transport. I was speaking at Brunel University in the morning, then went back to South Kensington for a meeting and then headed home which took many hours thanks to train cancellations.

The Town Square event was a gathering of creative people held at the Tramshed, a converted (yes, you guessed it) tramshed whose architecture echoes that of our own Victorian pile – high ceilings, open space, big windows and no flipping insulation. It was cold, but we did get to hear from Maraid McEwan, our recent inclusive designer in residence and also Kazuko Hohki, who enchanted us with her tales of growing up in Japan believing in The Borrowers. We ate posh biscuits, drank a lot of coffee and brought some of the objects from our growing Learning Collection along with us – echoing the new galleries, we brought Froebel’s Gifts One and Two from the Play gallery; a maquette of Joey from the play War Horse made for us by Little Angel Theatre (Joey will be on display in the new museum, and he can currently be seen in the theatre and performance galleries at the V&A) from the Imagine gallery; and from the Design gallery we brought an outfit by Petit Pli, who feature in the case study ‘Design makes things last for longer’.

The sharp-eyed among you will be saying ‘but what about Tuesday?’. Ah, Tuesday. Tuesday was great. Despite swearing off ever getting on a coach with children again after the Spotlight trip to the V&A last February, with the mash and liquor and projectile travel sickness (amazingly, the two were not connected), I brought a class of Year 5s and their associated adults to the V&A for a very special visit.

The V&A and Penguin have published a book called Jim’s Spectacular Christmas, written by Emma Thompson (and yes mum, she did write it herself!). The star of the story is Jim, who was V&A founder Henry Cole’s dog and who is buried in the museum garden. Jim was immortalised by Henry Cole himself in a set of sketches made in Broadstairs in 1864 – a scruffy terrier type, he became the inspiration for the book. Emma Thompson met all the children, and read some of the book to them (and they all had copies to take home as well as a copy for the school).

©Victoria & Albert Museum, London

I had told the school that the children would be meeting Emma Thompson and would be having a ‘Jim experience’ as well as being in the photoshoot (all I can say is thank heavens for this school, as they are pretty much up for any mad schemes I suggest to them) but what I hadn’t told them is that the ‘Jim experience’ was going to be a drawing workshop with the – as it turned out – completely adorable Axel Scheffler. Probably most famous for his work with Julia Donaldson- The Gruffalo, Stick Man, Zog, Room on the Broom, Monkey Puzzle, Tabby McTat and so many more – he’s an absolute legend with those of us who spend a lot of time reading bedtime stories or doing story time with small people.

The kids loved it – he showed them how he had drawn Henry Cole and Jim, and then they drew along with him. He signed the two large pictures he’d drawn to the school, and signed the school’s copy of the book, answered questions and – as far as the children were concerned – he was a much bigger celebrity than the actual author. Oliver the teacher was literally hopping with excitement at meeting Axel. I packed them all back onto their coach and apparently it was ‘the best school trip ever’. I do love my job! Organising the trip (I was just in charge of locating and transporting the participants) had taken several months of back-and-forth with Penguin, our comms team, the learning team and the school, but it was worth it…

Other things making me happy this week:

  • Fun at Fireworks night – helping behind the bar at a local event
  • A very rainy but glorious swim at 10 degrees c this morning
  • Lunch at the Japanese Canteen with the team
  • Catching up with The Power of the Doctor
  • The flock of parakeets in the garden this week

Not making me happy is the pile of ironing in my very near future….

See you next week!

Kirsty x

What I’ve been reading:

Fever of the World – Phil Rickman

Fairy Tale – Stephen King

Doctor Who: Twelfth Doctor Tales (Audible)

88: 0/10, would not recommend

Well, that was a week of unparalleled misery, quite frankly – topped off by Thing 3 testing positive for Covid on Thursday. Thing 2 was off with the dreaded corona the week before last, I was knocked for six by labyrinthitis (which is not, sadly, a surfeit of David Bowie’s startling trousers) and now Thing 3. Enough already!

Labyrinthitis is a definite -1,000,000/10, do not recommend. It was so horrible I didn’t pick up a crochet hook for a week, or even a book for several days. That bad. NHS 111 recommended taking something called Buccastem, which is supposed to relieve nausea and vomiting related to migraine, and other people recommended Stugeron which made things infinitely worse. A tweet from a lovely museum person crediting my blog from a few weeks ago with making her feel reassured about her upcoming colposcopy made me cry, but so did the lovely Norwegian postal system’s Christmas advert celebrating 50 years since Norway decriminalised same-sex relationships.

Furry nurses are the best

It was Wednesday before I started feeling semi-human again, and Friday before I felt safe to go out of the house. My Beloved did a most excellent job with laundry and keeping the Horde alive, and the furry fiends did an excellent job of keeping me warm. Friends were amazing at relaying Thing 3 home from school, which at least we don’t need to worry about this week as he’ll be off with me isolating.

Lack of new output does, however, mean I can share a piece I finished a while ago but which only got handed over this week – despite the fact that I have seen Heather several times. We were supposed to have a ‘Grumpy People’s Supporters Club’ night out on Friday (well, they did, I stayed on the sofa watching Cowboy Bebop): the last time we saw each other all together was on the hen night back in June! The pattern can be found here and the seller was kind enough to offer to chart the names for me to personalise it as well. I’m told the bride liked it – she loves Art Deco and had a 1920s car to take her to the service, so it should be a good reminder of the day.

When I did manage to pick up a book again, it was with the intention of working through some of the digital shelf of shame on the Kindle – in the mood for something easy, I chose Colin Watson’s Flaxborough novels which were published between 1958 and 1982. Police procedurals which would probably be tagged with the awful ‘cosy mystery’ label these days, these are witty and terribly British, featuring the Viking-like Inspector Purbright and the eastern town of Flaxborough. I had three on my Kindle already and luckily the rest were cheap as I quickly got addicted.

Lying in bed unable to do anything meant I had a lot of time to do mental crafting, which is at least cheaper than the normal kind. I have a head full of ideas and no way to get to them, as my crafting space (OK, the dining room) is still full of stuff we haven’t put back after the heating was put in. My beloved has taken the opportunity to do small jobs upstairs while the place is already in chaos. I’m not saying I’m getting itchy fingers here but I have things that need making! Things 2 and 3 want new pants and there’s Christmas making to be done. This Hobbit Hole piece needs finishing, too: the pattern is by Vetlanka on Etsy. It’s been a while since I’ve worked on such a high count fabric, but the effect is so delicate.

I’ve taken the opportunity to set up a Facebook page for this blog as well, where I can sell the various bits and bobs I make that aren’t destined for gifts, at least from me. You’ll be able to find it here and I really need to take some photos to get things online! Watch this space.

Anyway, I must head off – there’s PCR tests to do and a book to get back to.

Kirsty x

What I’ve been reading:

Speaking in Bones – Kathy Reich

Coffin, Scarcely Used / Bump in the Night / Hopjoy Was Here / Lonelyheart 4122 / Charity Ends at Home / The Flaxborough Crab / Broomsticks over Flaxborough / The Naked Nuns / One Man’s Meat Colin Watson (Flaxborough series)

70: I promise you, you’ll love it

Sometimes you get handed a book, or a recommendation for a book, that a friend or family member has loved and you read it….and it’s okay. It’s not life changing, and you probably wouldn’t say it’s great, but it’s readable. There have been many books like that- and that’s fine, because there’s a lot of different authors and tastes in the world and as Terry Pratchett says many times it would be a funny old world if we were all alike.

Sometimes the book is so terrible you question why you’re so fond of that person.

Sometimes you recommend a book that you have absolutely loved to people you like and they think it’s….okay. Not life changing, not great but…okay. I find it’s best not to take these things personally as clearly those people are wrong, or just need to read it again properly, or aren’t in their right minds.

Sometimes a book has rave reviews, and/or a massive marketing budget, and shoots up the bestseller lists, and films are made of them starring people who you may or may not have heard of, and that’s fine too. Sometimes these are good books and terrible films, sometimes these are terrible books and okay films. Sometimes they are terrible books and you can’t bring yourself to watch the film.

Sometimes – just sometimes – you get given a book and it’s wonderful: it keeps you awake long after your bedtime and stays with you so you can’t wait to pick it back up in the morning. This can be for many reasons: the adventure, the need to know what happens next, the lyricalness of the writing, My recent read ‘Once upon a River’ by Diane Setterfield was one of these books. Others include:

  • Boy’s Life – Robert McCammon
  • Hearts in Atlantis and The Body – Stephen King
  • The Once and Future King – T.H. White
  • The Outsiders – S.E. Hinton
  • The Great Gatsby – F. Scott Fitzgerald
  • Stardust – Neil Gaiman
  • The Travelling Cat Chronicles – Hiro Arikawa
  • Ring the Hill – Tom Cox
  • The Time Traveller’s Wife – Audrey Nieffenegger

This week I have added another one to the list – a birthday gift from my colleagues but I detect the hand of my wild swimming colleague in this one. Wild Woman Swimming by Lynne Roper, which is a journal kept over five years of wild swimming in West Country waters. It’s a poignant read: Roper took up wild swimming after a double mastectomy and built a community of swimmers around her, as well as becoming a key member of the Outdoor Swimming Society. Sadly she died five years later of a brain tumour, but she filled those five years with adventure and wrote about them in exquisite, immersive prose. I’ll be recommending this one to friends, but I might not lend them my copy….

There may be many more of these magical books on my shelves of shame, or lurking on my Kindle, and I really ought to get round to reading them. I always swear I won’t buy any more books until I have finished the ones I have (I know, I laugh too) and then the BookBub daily email comes in, or I find something wonderful in a charity shop, or someone recommends a book they have loved and suddenly there’s a new addition. Perhaps I need to make a reading resolution that every other book I read is one from the shelf…. that sounds more realistic, at least!

In the meantime, if I promise not to buy them, will you tell me which are your favourite books to recommend to people?

Trial and error, error, error

You would think that if you have sewed a neckband onto something the wrong way up that it would be a straightforward job to unpick it and put it on the correct way. This was not the case with the blouse hack of the McCalls 8104 dress, which I had to unpick three times before I worked out which way was the right way, and which bits I’d sewed together wrong in the first place. I also managed to sew the bodice and lower bodice pieces together upside down when I started it on Monday, so I am amazed I got it finished at all.

The lovely turquoise cotton fabric is from Higgs and Higgs, and I bought it with my birthday Amazon vouchers – I love the statement sleeves and the slightly fitted waist on it, and the fact that there isn’t a standing collar. I’m not sure what it is with sewing patterns, but every collar I have made is just too seventies – indie or big four, it’s a bit of an issue. I shall just have to learn how to redraft them.

In the name of sorting out my shed I have gone through the hundreds of sewing patterns (mainly free magazine gifts) with a view to handing them over to a friend who has just qualified as a DT teacher – if she doesn’t want them herself she can donate them to school! My August resolution is to have a good tidy up in the shed and donate anything I really won’t use to people who will make good use of them. Things 1 and 2 have just had their ears pierced, so Thing 2 has been making earrings and jewellery with one of her friends which is making a dent in the stash already!

I haven’t done a lot else, really – my sourdough starter has been in heavy use this week as Thing 3 has decided he really likes the bread, and with the discard I have made pizza (always a hit) and cinnamon rolls which were soft and delicious. I’ll definitely be making those again!

So that’s my week! I’ll be off now to do a bit of reading over lunch and then start constructing the jeans I cut out last week….

Kirsty x

What I’ve been reading:

Wild Woman Swimming – Lynne Roper

Raising Steam/The Truth – Terry Pratchett

How to Sew Sustainably – Wendy Ward

The Ultimate Sashiko Sourcebook – Susan Briscoe

Visible Mending – Arounna Khounnoraj

Cider with Rosie – Laurie Lee (Audible)

Good Omens – Terry Pratchett and Neil Gaiman (Audible)

65: how to ruin a good book

This week’s ramblings have been brought to you because I have been listening to the audiobook of Cider with Rosie, read by Laurie Lee himself: lush, sunshine-drenched prose, set in countryside not so very far from where I grew up in Monmouthshire. There are some books which, if you mention them to people of a certain age, elicit an instant response of eye-rolling and and ‘urgh, I hate that book, we had to read it in school, it’s so boring.’ It’s true, a terrible English teacher can ruin a wonderful book (equally, a good one can bring it to life: I’m looking at you, Mr Bradley, you and your passion for Jane Austen).

Prime candidates for this, at least for people of my generation, seem to be:

  • Of Mice and Men – John Steinbeck
  • Cider with Rosie – Laurie Lee
  • The Great Gatsby – F. Scott Fitzgerald
  • To Kill a Mockingbird – Harper Lee
  • Catcher in the Rye – J.D. Salinger

All of which are classics, of course, and I love them all, but ‘studying literature’ as opposed to just reading a book can really ruin it for people. Second-guessing what the author meant, analysing their intent in using this word or that, deconstructing poetry often means that you can’t see the story for the words, to paraphrase that famous saying about forests and trees.

My own GCSE texts included a story or two from Leslie Norris’s Sliding, which I still love, Shakespeare’s A Midsummer Night’s Dream and probably some other ones but, amazingly, none of those listed above featured – probably because of the move from O-level to GCSE the previous year.

A badly-chosen text can have the same negative impact: for me this was Graham Swift’s Waterland, set in the Fens and with content so far out of my sphere of experience as an A-level student that I couldn’t engage. Mr Mills tried his best, bless him, but it was hard going. Ten years later, I found myself spending a lot of time in the Fens around March and Ely, so I went back and read the book as an adult: it’s brilliant, frankly, but it took an understanding of the area and the concerns of an adult to understand it. My youngest sister had The Remains of the Day by Kazuo Ishiguro as one of her A-level texts: my mum and I loved it, she didn’t – presumably for the same reasons I couldn’t get to grips with Waterland. It doesn’t matter how much you love books and reading, if you can’t engage with the content then you’re unlikely to enjoy it.

I suppose the point of teaching literature is to inspire a love of reading in children, but I do wonder occasionally who chooses the texts. Thing 1 is in her first year of GCSEs and is doing Macbeth and A Christmas Carol and doesn’t like either of them: she loves analysing text but hasn’t engaged with either of those. She’s just said that she likes book she can relate to: she read William Goldings Lord of the Flies before being given it at school and loved it.

I love reading, I don’t understand why they can’t just let us read it, they keep stopping us every five seconds to make us analyse why Lady Macbeth is a symbol of patriarchal society. What if he just liked Lady Macbeth? If they just gave me ‘The Outsiders’ or ‘The Perks of Being a Wallflower’ I could analyse them in about five minutes cos I can relate to them.’

Thing 1

The school Things One and Two attend practise DEAR (Drop Everything and Read) so they are expected to have a book of their choice to hand at all times, and the teachers have door signs saying what their current book is as well. I love this idea, and it’ll probably go further to instilling a love of literature in children who aren’t growing up surrounded by books than if their first encounter with great books is stripping them into their component parts without ever getting to enjoy the stories first.

The year of the handmade gift

Back to a bit of crochet for the latest gifts: I made the ladybird a leaf sleeping bag, and also made this Totoro baby comforter. Both will be going off to a colleague whose wife is expecting. The ladybird is for his older daughter, as big sisters need a present too! It’s back to the cross stitch now, while I carry on listening to Cider with Rosie even though the sun has gone away again.

Another gift is with its new owner today – I have just this minute had a text message to say thank you, so happy birthday Gina! We have always had a resident fox at the Museum, with cubs most years, so this seemed like an apt present. The pattern is from MaxStitch.

I am off now to get on with things….see you next week!

Kirsty x

What I’ve been reading:

The Glamourist/The Conjurer – Luanne G. Smith

Moonshine – Jasmine Gower

Attention All Shipping – Charlie Connelly

Cider with Rosie – Laurie Lee (Audible)