120: this week’s winner is…

It’s Saturday night and I’m sitting in the front room watching Glow Up with Things 1 and 2. Even my Beloved is quite enjoying this one, although he has taken a break to go and pickle some beetroots in the kitchen. Thank heavens one of us is a domestic goddess, eh? I have the same feelings towards beetroot as I do towards boiled eggs: I don’t eat them so I don’t need to know how to make them. I was deeply mentally scarred by beetroot in primary school, where it was served cold with spam and lumpy mashed potato, and the beetroot juice turned everything a uniform shade of bright pink. And, it tastes like damp smells. Ugh. Anyway.

Photo by Eva Bronzini on Pexels.com. Yuk.

So, Glow Up. We are obviously late to this particular party, and we’re definitely not wearing enough slap, but it’s the same basic format as the Great British Sewing Bee/Bake Off/Pottery Throwdown/etc where there’s a set of challenges and someone goes home in tears at the end and talks about how much they’ve learned and how they’ll nevereverever forget their new best friends. This one has the rather irritating Stacey Dooley in presenter mode – as far as I can tell, she’s basically Ross Kemp with more hair and less war zones. If Ross Kemp did hospitals and homeless people instead of wannabe warriors, that is. She does seem to have found a niche, and good on her for that, but her constant use of the phrase ‘please may you’ gets right on my nerves. She also says ‘haitch’ instead of ‘aitch’. It’s a no from me.

We are enjoying it, and it’s nice to have something that 2/3 of the Things will watch happily together which isn’t a badly-dubbed Netflix thriller or a terrible teen romance angst movie. There’s always one contestant that you really want to go home in the first week and every time they survive a ‘face off’ you get to shout at the telly, and when your favourite survives you get to cheer. Thing 1, as I said the other week, is off to do Theatrical and Media Make-up at college in September, so she’s finding this interesting; I, on the other hand, am just stunned at the sheer amount of make-up these people feel they need to wear, filled with wonder at what people do to their eyebrows, and boggling at the lip fillers. The young make-up artists are proper drama queens, and at least one rushes off in tears in every challenge which doesn’t impress the judges. It’s unprofessional, apparently.

Bake Off is Thing 2’s favourite and she can get very critical about people’s Swiss Roll swirls at times. She loves to bake and experiment, and is a dab hand with meringues as she proved with a pavlova for my birthday barbecue last weekend. It vanished in minutes: perfectly crispy on the outside and melty in the middle, it was a hit with everyone. Bake Off always has a bit more of a competitive edge to it, and the congratulations are sometimes delivered through gritted teeth.

Not so the Great British Sewing Bee, which I am hopelessly addicted to. The latest series finished this week, and for once I was absolutely in agreement with Patrick and Esme about the winner. I have had my doubts in the past and on at least one occasion they have been plain wrong and I wanted a recount. Once Annie had found her feet she was brilliant, and some of her garments were gorgeous. Man Yee was also fabulous, and I’m so pleased she made the final along with Debra – Brogan shouldn’t have been put through, as her Origami outfit in the semi-final didn’t meet the brief. At least it wasn’t gingham or floral though. I loved Debra and her model in the final, slipping in and out of Welsh as they chatted. The contestants on GBSB are always ready to help each other with techniques and figuring out strange instructions, and I love the way they all hold hands as they find out the results each week.

The Great Pottery Showdown is another favourite: I adore Keith Brymer-Jones and the way he cries when he really loves something. The dynamic between Rich Miller and Keith is great, and the critiques of the challenges are so thoughtful and constructive. Siobhan McSweeney should present everything, preferably in role as Sister Michael from Derry Girls with full sarcasm. The last series, where at one point pretty much everyone was in tears, was great. Again the contestants are kind to each other, and that’s such a lovely thing to see. If you haven’t seen Derry Girls, it’s wonderful: funny, sweet and candid. Binge it now.

I was sorely disappointed by The Great British Dig, however. With that title, I had visions of a set of amateur archaeologists and some very neat trenches, and the best find of the week (Roman villa, King Arthur, Viking burial, Saxon hoard etc) would get to stay and the one who only dug up two plastic soldiers and a ring from one of those eggs you used to get for 10p from the machine outside the paper shop would get sent home. Anyone whose trench had a soggy bottom would get be haunted by the ghost of Mick Aston or something. This was not the case: what we got was a bunch of people putting holes in suburban flower beds and Hugh Dennis being smug about stuff. I think my version was better.*

You can keep your Love Islands and I’m a Z-lister, too. Maybe just put them all on an island and just tell them the cameras are on. Pop back in a year and see if it went all Lord of the Flies when they ran out of bronzer.

(I’m really not a big TV watcher, despite the above: unless I’m ironing or GBSB is on, if I’m on my own I won’t turn the TV on – give me music or a podcast any time if I’m working on something, or I’ll be reading if not. On the tube I’m listening to The Socially Distant Sports Bar, which is wildly inappropriate for children and does tend to cause me to laugh out loud. Mike Bubbins and Elis James can reduce poor Stef Garrero to helpless giggles. Don’t be taken in by the name, this podcast is like two hours in the pub with your funniest mates and while sport does occasionally get mentioned there’s a lot more to it. Go on, you won’t regret it. It’s very sweary though. Very sweary. Don’t say I didn’t warn you.)

Speaking of competitions, another highlight of the week was the Conference News Agency Awards 2022 event this week. My friend, swimming buddy and all round fab person Isla kindly invited me along to join her company table – I’ve been freelancing for her for five years or so, helping out at awards and conferences, and I remember her making the leap and starting up her own events business. She survived the pandemic by shifting online, diversifying into online events and experiences, focusing on sustainability. The company, We Are FTW Ltd, was nominated in the Small Agency of the Year category and Isla was so convinced she hadn’t got a chance (there were 10 nominees in this category) that she didn’t bother listening to the announcement. Her face when the presenter said ‘And the winner is…. We are FTW Ltd!’ was the perfect picture of disbelief.

The event was themed around Willy Wonka’s Chocolate Factory, and the welcome reception featured strawberry daiquiri bubbles, edible balloons and cocktail mists which were great fun, but making the young women staffing the stations wear aprons printed with ‘I’m delicious, lick me!’ was a little weird…. Miriam, who also works for Isla when she’s not being a performance life coach, wore her amazing steampunk hat and looked fabulous, and there were a lot of bow ties in the room. No one dressed up as an Oompah-Loompah, sadly. I wore some completely impractical shoes, we ate very small but delicious portions of heritage beets, beef short rib and a fluffy raspberry mousse, and the afterparty was great fun.

Other things making me happy this week:

  • the final episodes of Stranger Things
  • an afternoon at the school fete, sharing my stall with Thing 2 and M’s no. 1 daughter
  • Launching the new Adventurers Assemble! assembly at one of our favourite Tower Hamlets primary schools: time travel, space hoppers, missing objects and a mission! Giggling kids and teachers, you know it’s a winner.
  • my new shed is finished and my old shed is accessible again!

*I also have a much better version of the second two Lord of the Rings films which would save us all a few hours.

Tomorrow I have to take Thing 1 to Westfield to do some shopping for her National Citizen Service thing – a week away sounds lovely, but they said I’m too old. Ah well. See you on the flipside.

Kirsty x

What I’ve been reading:

Ingathering – Zenna Henderson

Bill Bailey’s Remarkable Guide to British Birds – Bill Bailey

I Feel Bad About My Neck – Nora Ephron

73: constructing a history mystery

Previously on What Kirsty Did Next…

The pattern Irish Sister (let’s call her Steph, as it’s her name) and I chose over a Zoom call was the Cordelia skirt from Wearing History. These Resto-Vivalâ„¢ Patterns are original historic patterns that have been restored and revived, and have had pattern markings and sizings added that the modern sewer is used to seeing rather than the basic perforations that were common in early sewing patterns. While making this I was watching the Great British Sewing Bee’s early series, and I had a lot of sympathy for the sewers encountering their first 1930s pattern! We chose to make the skirt in street-length (with no train) and in a plain grey cotton sateen from Ray Stitch which I thought would have the drape and weight needed for the shape we were after. Ray Stitch offers a thread matching service, which we took advantage of, as I wasn’t sure if I’d have the right grey in my stash. We also needed ‘belting’ which turned out to be grosgrain ribbon.

Steph sent me the measurements we needed, and as she fell between sizes we chose to go slightly larger for breathing purposes, and so she could wear the correct historical layers underneath if needed. She – like me – is not blessed with great height and this is a skirt that runs long, so I had to redraft the length and then the back: the shortening had to be done at about thigh length, rather than from the bottom. As so much length was lost I was able to cut out the skirt on the cross-grain, which meant I didn’t have to piece the fabric. The original skirt was made from one piece of fabric, seamed up the back and given shape through waist darts where the side seams would sit and further darts in the belting.

How straightforward, I thought! What was I worried about?

And then I realised it called for dress weights, which I had never used before although Google tells me they are still popular with various royals who need to maintain their dignity while getting off aeroplanes in windy places. Hurray for Google, eh? Neither were there any instructions for fastening the skirt, or indeed many for making the skirt up, despite it being only one seam and some darts. Basically: sew darts, sew skirt together, add the belt.

A quick message via Etsy to the very helpful Lauren, owner of Wearing History, solved the fastening question: she added a placket with snaps and a hook and eye. After consultation with Steph we decided we could get away with adding a zip as they were invented in 1913 and the character she will be playing on film is from 1921 (the centenary of the creation of Northern Ireland). I went for an invisible zip, as it should also be hidden by her middy blouse. Originally I put it in properly, but then I had to take it out as the skirt needed to be taken in after finishing it, so then went back to my much quicker method. The pattern weights were more of an issue as I tacked them in but they didn’t want to stay tacked. Every time I shook out the skirt they fell off. I didn’t want to fix them in permanently in case Steph didn’t feel they were necessary!

For once I was good and tacked the waistband in before stitching it down – I am not a tacker usually, as I am a lazy sewer and prefer pins. I’m glad I did, as I had to adjust some width out of the waist after I’d tacked it in. My dressmaking mannequin, known as Lucy, came in very handy this week for measuring as well as for keeping in progress pieces on!

Here is the finished skirt – I think it turned out OK, and it’s in the post to NI already. I just hope it fits…

I also packed off a pair of historic pockets – I have been obsessed with making these this week. The pattern is by Hamblemouse, who is starting a pocket revolution inspired by the parlous state of pockets in women’s clothing. I love adding pockets to things, so the idea of pockets that you can just add to whatever you’re wearing is genius. Women used to wear these under their clothing, and then handbags came along – but what if you need your hands free? There’s an excellent history of pockets on the site if you’re interested – I love the idea of keeping gin and kittens in them, frankly.

I started with a couple of sets made from leftovers from other projects, and then I got overexcited and used some leftover jelly roll strips to make some single ones, which might be the most gorgeous things I have ever made. They look like sunsets and they are perfectly pressed (for a change). These are too lovely to hide, and I may make them for every conservator I know for keeping useful things (and gin and kittens) in.

I’ve also made a cross-back apron, using this fabulous free pattern and tutorial from Hey June Handmade – a colleague was wearing a calico one for a workshop last weekend and it reminded me that I had wanted to make one. Toast have one for sale for £69 – mine was made from denim leftovers and bound with home-made bias binding left over from a quilt last year. The leftovers are from the Morgan jeans I cut out weeks ago and started making this week – all done apart from buttons and rivets, as I discovered I had run out of jeans buttons.

Seven years ago I cut out a pile of Japanese knot bags, made one for a teacher gift for Thing 2’s Year 1 teacher, half finished a couple of others and then left the rest. These are also handy small bags that slip on your wrist, so I have FINALLY finished them this week (every year I have got them out and added them to the to-do pile, and every year I have put them away again…).

My final make of my week off was a dress, using the Ariana midi dress pattern from Sew Magazine – a free template download of a buffet-style dress. I used some lovely star print fabric (at least, it was lovely till I started trying to cut it) that I bought last year – I’d been going to make an Anna dress with it but it’s too fine. The bodice is lined with plain black polycotton sheeting, and for some reason the pattern calls for a lined bodice and a facing. I left out the lining fabric facing as it was totally unnecessary. Much cursing was done over the gathering of the tiered skirt – I think I should just be grateful it was only two tiers – as well as over the bodice instructions. It’s turned out OK but is definitely a maxi rather than a midi – I should have taken a few inches out of the first tier, I think. If I make it again…. oh, who am I kidding? I’m never doing that bodice again.

My last sewing job this week has been to go to a friend’s house and help get their daughter started with patchwork – she had a sewing machine for Christmas and what with Covid etc it’s taken a while to get round to the promised lesson! I started with straight line sewing on paper and then we made a simple nine-patch block, which hopefully will get her going!

Tomorrow I am back to work so the sewing machine will be getting a rest! I have two blouses cut out, from a favourite Simple Sew pattern, but they can wait….

See you next week! I have to start thinking about school uniform soon, and the annual trauma of the school shoes….

Kirsty x

What I’ve been reading:

Bill Bailey’s Remarkable Guide to Happiness – Bill Bailey

Lost for Words – Stephanie Butland

From the Shelf of Shame:

Addlands – Tom Bullough

Meadowland – John Lewis-Stempel