267: stop the week I want to get off

Last week’s paean to four-day weeks (or three, at least) has been overtaken by the experience of this week’s four-day week which didn’t go nearly as well. Not for any specific reason, but…

…on Tuesday I took Lulu to the vets for her annual inspection – this minimises the actual experience of my Beloved and I acting in a pincer movement to wrestle her into the cat carrier, me forcibly lifting her out again as she clings to the sides like the facehugging xenomorph from Alien so she can be weighed and checked over, and watching her slinking back in in an attempt to make herself invisible afterwards. I popped to the library to pick up my holds (another recommendation from a colleague and a couple of Ann Cleeves), came home, set up my table, logged in…..and realised I was supposed to be in the office as we were interviewing in the afternoon. Cue throwing tidy clothes and my face on, racing for the bus and heading for the office. The Central Line was misbehaving with delays on both journeys. On the way home I had to get rescued from South Woodford by my Beloved as there were no trains and luckily he wasn’t far away.

The rest of the week continued to fluster me: never quite working out what day it was, not being able to finish one thing before starting the next. Part of it is the continued joy of menopausal brain fog, part of it is just trying to do too much at once on too many different things (but they all need doing!). Whatever it is, this week wasn’t working for me. I did get to meet some interesting interview candidates – I like interviewing – and had coffee with Amanda on Thursday.

Friday was great, on the other hand. As my communities colleague was off on her holidays I got to sit in on the first session of our new co-creation project. This is the third project of four before we open the Centre next year, and this one is in partnership with Islington Centre for Refugees and Migrants and the artist MURUGIAH. These are a series of projects exploring heritage and what it means to people. MURUGIAH grew up in South Wales (like me!) with Sri Lankan parents (not like me!), and our participants yesterday came from the Ukraine, Cameroon, the Democratic Republic of Congo, Morocco and Turkey. Their co-ordinator is Polish/British so we had a broad set of heritages to draw on. MURUGIAH’s work builds worlds of colour and shape, and always reminds me of the Beatles’ Yellow Submarine.

We thought about the things that make us ‘us’ – memories, language, family, food, music, the journeys we have made, the things that have happened to us. One of the things that I love about these projects is sitting with the group, working alongside them as they’re drawing their stories. Done, from Turkey, drew her childhood garden and told me about climbing the mulberry tree to pick the fruits from the top as she sat in the branches. She drew baskets of cherries, birds coming the eat the mulberries – she liked the sour ones rather than the sweet – and the bees who’d come to the flowers. There was a green house with a red roof, and she missed the garden when they moved to the city. The Ukrainian pair drew big blowsy poppies and sunflowers, flower headdresses framing blue sky and golden wheatfields, rivers – there are always rivers, they said – and a soldier standing to attention. Herve, from Cameroon, drew flags and a monument; our Congolese participant shared her memories of beach parties where they’d dance and catch tilapia to eat cooked in banana leaf parcels, and the colourful clothes they wear. Our Moroccan lady drew things from her country and their London equivalents – taxis, trains and buses, food, flags and more. It started quietly and as they started to draw the stories came out, and our two hours flew by – I’m not usually in on Fridays but I’d quite like to drop in on these sessions. Regular readers will remember previous experiences working with refugees and asylum seekers have made a massive impact on me (and also that this is why I am doing the Cardiff Half Marathon in October for the Choose Love charity, and any pennies you can spare towards my target are much appreciated! I have £170 to go….).

I also got to catch up briefly with Jhinuk Sarkar, another of our community illustrators who is delivering a co-creation project at Bethany House – this is a supported housing project for women from Islington experiencing homelessness/houselessness for a wide variety of reasons. They’re making bunting and flags and I can’t wait to see them – enough to stretch from Bethany House to the Centre is the ambition!

Other things making me happy this week

  • An Easter Monday swim with Jill and Rachel followed by simnel cake and hot chocolate
  • More Northern Exposure – we’re up to Season 3 now and I can’t find my Season 4 box set anywhere
  • Crocheted jellyfish. Curiously satisfying to make with their curly tentacles! I like the neon green one – the photo doesn’t do it justice!
  • Running into TT2 with GT2 at the station on Wednesday – how is he two already? It’s his party today and Thing 2 has created a gorgeous birthday cake.
  • Seeing the trampoline populated by bouncing kids – next door’s small people like to come and run round our garden and see what my Beloved is up to, as well as say hi to the cats
  • A ten mile ramble through fields on Saturday in a wide loop around Toot Hill, Stanford Rivers and Tawney Common. Not too warm, with a lot of geese around for some reason, a muntjac, a bouncy deer (without benefit of trampoline) and a lot of consulting of my OS map.
  • Being talked into signing up for another half marathon next month – it took Tan all of five minutes to convince me,

That’s all, folks! Have a good week.

Kirsty x

What I’ve been reading:

The Makioka Sisters – Tanizaki

The Trouble with the Cursed/Demons of Good and Evil – Kim Harrison

A Letter to the Luminous Deep – Sylvie Cathrall

Talismans, Teacups and Trysts – K Starling

The Last Continent – Terry Pratchett

81: it’s showtime!

It’s been mentioned before that I’m a bit of a butterfly when it comes to making and crafting: I usually have several projects on the go that can be picked up and put down, taken on tubes, worked on as a way to help me focus in meetings or at D&D games, focused on while the TV happens in the background, that sort of things. These are alongside the ones that need more attention – things with sewing machines or full coverage cross stitches, for example.

So, imagine my delight yesterday when my crafty buddy H and I visited the Autumn Knitting and Stitching Show at Alexandra Palace – the first live craft event we’ve been to since the Waltham Abbey Wool Show in January 2020, before all those lockdowns. I’ve always liked the autumn one better than the spring one (at Olympia) for the exhibitions of quilts and students’ work. The venue is also pretty amazing, with glorious views over London. ‘Ally Pally’, as it’s known, is one of those Victorian ‘people’s palaces’ which have so much history attached to them: the BBC broadcast from there, it was used as an internment camp during the First World War, there’s an ice rink and a beautiful park.

We started with a plan to work our way around the outside stalls, which took us through (among other things) the Embroiderers’ Guild Members’ Challenge exhibition ‘Exquisite Containers‘. We spent a long time talking to the Guild member watching over the exhibition, admiring her mother’s stunning or nue book covers: after working for many years and bringing up her family, she vowed after retirement that she’d dedicate her time to her craft and did just that for the next 25 years or so. We talked about the loss of creativity in the school curriculum – she had written a stern letter to Gavin Williamson lambasting him about the destruction of the creative subjects.

‘I do believe we are muted’ – Philippa Moggridge

H is a DT teacher which gives us an excellent excuse to talk to people about techniques, and I was keeping my eyes open for makers who were working with up/recycled materials. Maria Thomas’s work ‘Relative’ explored her place in the world as a mother, daughter, aunt, niece etc through mixed media pieces like the Free Range Egg Custard Tart jacket pictured here. These pieces were inspired by the housecoats her mother put on after work to do housework and cooking, to protect her ‘good’ clothes. I loved the way books, vintage packaging and text were blended into the patchwork and quilting. I’d really like to work with her.

Onome Otite‘s textile collages filled us with joy – so much colour and movement in her pieces inspired by Cirque du Soleil, using bright ankara and batik fabrics. There were several stalls selling African wax print fabrics, and when I find the right pattern I have all their cards. Lovely bright reds and yellows called to me, but I resisted.

After the exhibitions we hit the stalls – usually H is a good influence on me, taking lots of pictures of projects we’d like to do rather than buying the kits. Yesterday we were terrible influences on each other, though at least her ‘this will be a Christmas present!’ buying was a good excuse. There are so many lovely kits and fabrics to buy, and you can squish and squash them all you like, and have chats with the stallholders. We got hopelessly overexcited when we saw Matt, Peter, Mark and Raf from the Sewing Bee, especially when Matt and Peter stopped for a photo op with us. I came home with an English Paper Piecing jewellery set, some Foundation Piecing patterns, space invaders jersey fabric (new pants coming up!), some sewing patterns from an indie maker, a lot of business cards, haberdashery bits and bobs and gadgets, a sari silk skirt in my favourite reds, and a Christmas decoration kit which I can only put down to end of day panic buying. We had a go at marbling fabric, admired woodblock printing and mini screen print kits, got carried away by puffins, hares and highland cows, lusted after high-tech sewing machines and storage furniture. I left with a lot of ideas for things I really want to make. Now to find the time….preferably before the next show!

It won’t be this week, for sure: this week I am trialling my new school session in Thing 3’s primary school, and updating a talk about play for a local FE college. My hallway is full of boxes of strange resources like model chickens and miniature blue blocks (as seen in this week’s cover photo), scraps of fabric and laminate insulation. I’m also working on the next birthday present, and playing around with a small crochet bag design.

I’d better go off and do something useful….

Kirsty x

What I’ve been reading:

Tales from Moominvalley/Finn Family Moomintroll/Comet in Moominland – Tove Jansson (Audible)

Trader/Someplace to Be Flying/Dreams Underfoot – Charles de Lint