71: rain did not stop play

This week has felt almost normal: two days of delivery and a day in the office, drinks with colleagues on Wednesday and a noisy evening in a pub on Friday night. Never mind that one of those days of delivery was outdoors, with sessions bracketed (but not cancelled) by torrential downpours – we were doing our job, the reason we went into learning in the first place. I did have to wring out the bottom half of my dress while I was wearing it, as we cleaned 100 or so pieces of play equipment under a shelter made pointless by the rising waters and the horizontal rain, but there we are. We had a great day! It was noisy, joyful and inspiring.

British summertime…

I have mentioned the Imagination Playground Big Blue Blocks we are using before: it’s quite well-known and is used all over the world. We also have a kit designed by CO-DB which can be used to create pop-up spaces for craft workshops and more, and we had some of those pieces with us as well. As soon as we started to put out wooden structures we were surrounded by children who had some very firm ideas about how they thought it should be set out: they wanted to build a house, and when there weren’t enough pieces they collected other objects from around the playground to make their creation. They carried across tables and chairs, a giant Connect-4 game, and PE equipment. The house was initiated by a couple of small boys and others soon joined in, bringing their own ideas to the game.

My role that day was supporting our Informal Learning producer. Later in the day we were joined by an artist, Matt Shaw, who has been commissioned to create a ‘plus’ set to add to the Blue Blocks – he brought some rolls of corrugated card with him, some cut up plastic pipes and connectors and large pieces of fabric, to see how they added to the play. The Theory of Loose Parts is behind this. We introduced those about halfway through each session, when the children were evaluating their creations to see how they could add or improve them – something they did independently, rather than directed by us.

It was an interesting day: we had children ranging from Early Years to young teens, and we were presenting them all with exactly the same base equipment. We wondered whether the older ones would engage with the blue blocks or if they’d think they were too babyish for them, but we were surprised by how much they enjoyed it. All the sessions started with free play so they could see how the blocks worked together and could be connected, and then we threw in a challenge to finish off. Often this was to make the tallest structure they could, which they then enjoyed knocking down. Matt’s fabric was used to create dens and sails, and some ripstop fabric lengths became roofs for a shelter built by a team of girls called ‘the prime house’ because it was all primary colours. We asked one group to design and build a way to cross a river, so we saw some great bridges: we’d tested this with schools in early July.

The free play was interesting, as every age group made some kind of fitness equipment, often from a starting point of a dumbbell made from a noodle shape and two round pieces. The oldest group made theirs very elaborate, with a bench press and a leg machine, while the younger ones were more basic. Most groups made a marble run: if two sets of children started making one and discovered there weren’t enough pieces, we encouraged them to team up and create one large one. It was brilliant to watch them testing angles to make sure the ball would move smoothly, tweaking things to ensure it didn’t fly off, and solving problems together. The activity brought children together: this was a council play scheme which had only been open a couple of days, with children from all over the borough. Many had never met before that week, and the blue block activity got them talking to each other for the first time, according to the adults.

Of all the loose parts the children chose to add to their creations, the most popular were a set of marker cones which had been left in the playground – so much so that we will be adding them to our own kit for other events. They became decoration for houses, stoppers on the marble run, wheels, eyes and more. So simple that we wouldn’t have thought of them ourselves, but every group added them in to their creations. They also enlivened the Blue Blocks, which are otherwise just – well – blue.

The idea behind our participation in this playscheme, the school sessions I have mentioned in previous episodes, play streets and festivals is to support creativity and the skills that creativity builds: confidence, communication, collaboration and more (yes, they all begin with C) and I think we saw that in spades this week.

My other delivery day was at Spotlight, an amazing youth space in Tower Hamlets where I was supporting our Creative Producer. This was part of a local transition Summer School for Year 6s going into Year 7, and were working with School of Noise who run workshops encouraging the exploration of music and the science of sound. I learned loads – about how sound travels, chladni plates, about making sound effects and more. The students were really engaged too, and were amazed at how the sounds they could make with their bodies could create music. We tried some Foley in the afternoon, making the sound of fire with bubble wrap, tin foil and a plastic shopping bag, and we saw this video which left us in awe of Foley artists. I have had some strange requests from my Foley artist neighbour over the years but this video really put them into context.

Just having these days with the team in real life, and Friday in the office at South Kensington, reminded me why I love my job and the people I work with. We went out on Friday night to the Zetland Arms in South Ken to say a goodbye to our wonderful director. I saw people I had previously only met on Teams calls, and others I hadn’t seen since before lockdown – it made the ludicrously expensive G&Ts worthwhile. (Lovely director has just messaged me to say thank you for the letter and crocheted angel I handed her on Friday night – when she arrived two years ago we had just been through a horrible restructure and we found guardian angels on our desks waiting for us, so it seemed right to send her off with one too!)

And now it’s August. How did that happen?

Biscuit, anyone?

All this travelling on tubes has meant that I could spend some serious time crocheting daft things – more jammy dodgers, in fact. Here’s eight I made on the tube – there would have been nine, except a small girl was entranced by what I was doing so I gave her a finished one. I think it made her day. These are very satisfying to make, as other than weaving in the ends there is no construction: you join as you go. They will either end up as brooches or tree decorations – these are made with the 2mm hook, rather than the larger one, so the stitches are tighter.

The background is, of course, the Hobbit Hole – I am now onto the bottom half and will be starting a new page this evening. And now I am off to do some other sewing. I should be constructing jeans but I have a PDF that needs sticking together for a dress, so let’s see how far I get!

Kirsty x

What I’ve been reading

The Shadow Wing (Crow Investigations) – Sarah Painter

Good Omens – Terry Pratchett and Neil Gaiman (Audible)

From the shelf of shame:

Bring me the head of Sergio Garcia – Tom Cox

Jigs and Reels – Joanne Harris

Week thirty five: this week’s post is brought to you by the letter C

Stir Up Sunday is when families get together to prepare the Christmas pudding, and it’s the last Sunday before Advent*. I first heard about it from my original boss at the Museum of London Docklands – I don’t remember this being something we did when I was a child. I have a vague recollection that my grandma used to make the Christmas puddings and when she got too old we either had shop-bought ones (that were usually still in the cupboard in May – who has room for Christmas pud if dinner is done properly?) or no pudding at all. I confess to not liking Christmas pudding anyway.

There was always a Christmas cake though, mum-made and usually with a disaster story attached – my dad is partial to a fruit cake so she made them throughout the year, but the Christmas one always went a bit wrong. This year London sister has made one for the parents and sent it in the post to France, and all they have to do is feed and decorate it.

I didn’t like Christmas cake, either – I still don’t like shop-bought ones. I’m not a lover of candied peel, glace cherries in anything, or unexpected bits of nut. When I became a proper grown up, however, I decided that along with being able to stuff a turkey without wincing (I usually remember to take the neck and giblets out…) I ought to make Christmas cake too. I’d won a Mary Berry recipe book in a Christmas party raffle a few years earlier and found the Classic Victorian Christmas Cake, so thought I’d give that a go – OK, it was the only Christmas cake recipe in any of my books, so it was an easy choice! I think it’s also the only thing I have ever made from the book.

Mary Berry’s cake. Not mine.

I left out the glace cherries and almonds, replaced the cherries with more dried fruit, and rather than soaking the fruit in sherry I used rum. Then I fed the cake with more rum. Mary wasn’t clear on how often you should feed the cake, or on how much you should be feeding it, so I erred on the side of caution and that first cake was a) very moist and b) capable of putting you over the driving limit. So that’s been my go-to recipe since then – I didn’t make one last year, as I usually end up eating far too much of it myself, but this year my budding Heston Blumenthal (aka Thing 2) has been putting pressure on me to make one.

So yesterday Thing 2 and I set the fruit to soak (in the last of the cherry gin, due to a lack of rum in the house) and on Tuesday afternoon we will stir up and bake our 2020 cake. Just before Christmas we’ll decorate it – madam has very strong opinions on cake decorating so I may leave her in charge of that.

*Yes, I know Stir-Up Sunday is technically next weekend, but never mind. I’m sure there will come a time when Thing 2 doesn’t want to cook with me, so until then I’ll make the most of it.

Work is the curse of the crafting classes

This week I have been working from home – an online symposium on Monday about Creativity in Education Now, run by Creative Schools and Creative Colleges. Interesting stuff: the keynote speaker was Bill Lucas, author of Teaching Creative Thinking and my new hero. There was a poor OFSTED rep there, who was trying really hard to say that there were lots of opportunities for teaching creativity in schools as part of the new(ish) inspection framework, but she kept hammering home that everything had to start with knowledge acquisition. She wasn’t open to ‘split screen’ teaching, where creative skills are developed at the same time: as she was an ex-art teacher that surprised me.

The rest of the week was spent on meetings, and on developing a set of learning outcomes for one of the new galleries in the museum. It’s going to be an amazing space – as with the rest of the museum, focused on building creativity in children, young people and their families – and the deep dive back into our thinking over the past year or so has made me excited about the transformation project all over again. It’s been hard at times this year to remember what a brilliant thing we’re doing – losing six months to furlough meant it’s taken a while to get back to this point – but this task has reminded me.

On the subject of creativity – I love what the Natural History Museum have been doing to support audiences. This lovely free Dodo cross stitch pattern is available to download, and you can also make a giant squid or a whole set of nudibranches. The patterns come with really simple instructions, too, and are part of a suite of equally brilliant craft activities. Nice job, NHM.

You can find the V&A’s own offer here – less for kids but some gorgeous Mary Quant patterns remade by Alice and Co Patterns, as well as other projects inspired by exhibitions. You could also check out the #LetsMakeWednesdays posts on the V&A Blog.

Where was I? Oh yes, working at home – that means no progress at all has been made on the portable sock project, which has the heel flap done on sock 1 and is ready to turn when I get back on the tube tomorrow.

Sock bristling with stitch markers

The Hydrangea blanket has a few more stripes, and I have also been working on rainbow jewellery which will hopefully find their way into an experience hamper at some point. The rainbow pattern is by Ever Laughter and you can find it here. She used aran yarn to make her applique, I have used Perle no 8 for the necklace and Scheepjes Cotton 8 for the brooches. I like the pastel one just for a change up! The pile of squares is the Zoom blanket underway in Stylecraft Special DK.

I’ve managed to sew up both the dresses I cut out last weekend, too. Both were pretty quick makes and came together in just a couple of hours each, and both have proper pockets to put things in. You can’t underestimate the value of pockets!

Being at home all week – with Lulu on downstairs cat duty – has reminded me how much that cat loves my beloved. The first picture is when she heard him come through the back door – Thing 3 is currently complaining that she jumped off him as soon as her human came downstairs. She’s not a lap cat like the other two, but will lean on you or cuddle up if you’re sitting down and if my beloved is not in the room. If he is, you haven’t got a look-in….

I’ll leave you this week with a picture of a clematis in the garden still bravely struggling on. I love the colours of this one.

See you at the end of week 36, when we can see how the cake turns out! This week’s cover photo is the woods on Stonards Hill in Epping looking very autumnal.

Kirsty x

What I’ve been reading

The Penguin Killer – Ste Sharp

Enemies at Home/Deadly Election (Flavia Albia) – Lindsey Davis (Audible)

The Law of Innocence (Mickey Haller) – Michael Connelly

Gobbelino London and a Scourge of Pleasantries – Kim M. Watt