307: we’re looking for…

This week – like last week – has been very much about recruitment for our new team. Advertise, gawp at number of people applying, shortlist, interview, appoint. Straightforward, yes? Yes! We’re lovely people with a track record of building a team of people who bring new talents and perspective to our rapidly growing team. We like meeting people and we’re very relaxed in our interviews – one person said this week that they’d never been offered a cuppa in an interview before. Why not? We’re not trying to scare people. You don’t get the best out of people if they’re a bag of nerves, and the likelihood of you ever having to perform in the same way again when you’ve got the job is slim. I had a line manager in a previous role who was an absolute teddy bear, but looked so serious in interviews that everyone was scared of him. He made serious notes, never smiled, and kept the chat to a minimum. Eventually we got him to smile, which made interviews a lot less stressful all round.

I find that being human and smily is a good way to get the best out of people. The role we’ve been interviewing for this week is an early career position, so the interviewees have all been young and most don’t have a huge amount of interview experience. It’s been lovely chatting to them, watching them relax when they realised we actually want to hear about their experiences, letting some of their personality come through – these are the moments when we know whether or not we can work with them and whether they’ll be good in the welcome team. Sure, we’ve had to prompt them at times to answer the whole question – but I have lots of interview experience and these days I write the question down and blame the brain frog. We send about half our questions in advance so they have time to prepare answers, and encourage them to use their notes to answer. For some roles we send all the questions in advance – there are so many people in the arts, culure and heritage sector who have some form of neurodivergence and they really appreciate this. If one candidate asks for the questions in advance then everyone gets them, so everyone has the same opportunity.

Many of our candidates also attend our online or in-person info events, where they can meet some of team – including their potential line manager – and ask any questions they like. Almost like interviewing us, really, before they apply for the role. We’ve had questions about access, toilets, chances to use their other skills, progression routes – nothing is too daft.

Trust us – we want to give people who want to work with us every chance to get to interview stage and to get the job. Our job packs are comprehensive. We’re London Living Wage employers, we’re Disability Confident and feedback (unsolicited!) from applicants both successful and unsuccessful thanks us for making the application process open, easy and inclusive, telling us that they felt more confident about applying after the info evenings.

Inevitably some people don’t get to the interview stage, and while we obviously can’t interview 300 plus people (or 200 plus for the one closing tomorrow) and some people won’t get through, here’s my top tips for getting to the interview stage and beyond from the point of view of a shortlister/interviewer/line manager.

  • Look carefully at the essential criteria and tailor your supporting statement to these. We don’t look at your employment or education history (often they’re redacted) and this is all we shortlist on.
  • Provide examples of how your experience meets the essential criteria. Saying ‘I am a great team player’ is fine, but why are you a great team player? What in your experience makes you say that? Tell us about a time when you worked as part of a team, and how you contributed. Think about transferable skills if you’re early in your working life.
  • Use AI sparingly – it’s a useful tool, but when we’ve seen the same opening paragraph so many times we can recite it by heart and in unison, you aren’t standing out to us. If you do use it, make sure you read it through and personalise the output to your own experience. We’ve also run the job description through ChatGPT and asked it to write the job application, so we know what it looks like.
  • Don’t write ‘please see attached CV’ instead of a letter. If we’ve asked applicants to complete a form there won’t be an option to add a CV, so all your time has been wasted. And ours.
  • Writing ‘I’d be great at this job and when you interview me I’ll tell you why’ is neither big nor clever, and just ensures we won’t be interviewing you (actual example from a role in my previous job. Just don’t.)
  • Don’t write ‘I haven’t actually downloaded and read the job pack but this is what I assume will be needed to do the role’.
  • Remember that we’re looking for the right person for the job, so show us that you’re that person in a logical way.
  • If you have questions about the role and there’s an option to ask – ask!
  • If you don’t get to interview stage, we can’t always provide feedback on why – when there’s 300 plus applicants it’s just not possible. We – unlike some other places – always tell you if you’re unsuccessful, but can’t give individual responses.
  • We understand it’s frustrating not to get an interview, especially when you’ve been trying for ages to get a job and nothing is working, but my top tip here if you’re early career is to ask someone who’s in a management position, or a teacher or lecturer, to have a look at your application vs the job description and to give you some feedback. It is soul-destroying, I know, and the heritage/art sector is saturated at the moment with people looking for work.

Through to the interview stage? Well done!

  • We’ve chosen YOU out of all our applicants. This means we believe you can do the job, so show us why you’d be the best at it.
  • Smile! Not in a mad way, but be open and friendly. We’re excited to meet you.
  • Look smart – it doesn’t have to be a full-on business suit in our sector, but looking clean and shiny creates a good impression.
  • If you’ve been sent questions in advance, prepare for them – test them out on other people at home to make sure you’ve covered everything. It’s fine to use and take notes in an interview. We aren’t trying to catch you out!
  • Ask the panel to repeat the question if you need to – writing it down also gives you thinking time. Top tip.
  • Try not to patronise the panel. We notice that sort of thing. We’re quite bright underneath the friendly exterior.
  • There’s usually a chance to ask questions at the end – come with some pre-prepared ones about the organisation, that show you’re keen to work with them, that haven’t been answered in the job pack.
  • Try not to use the word ‘trainspotter’ in an interview with a well-known transport organisation. It’s all downhill from there. Trust me on this.
  • Didn’t get the job? Ask for a debrief on why – usually they’ll be happy to give feedback at this point, and if they’re not the sort of organisation who will provide it then you don’t want to work for them.

Didn’t get the job at interview? My Dad tells me it’s all good interview experience. Use the feedback and you’ll be more confident next time. The right role is out there, I promise.

Things making me happy this week

  • Turning an £8 Tesco duvet cover into a dress and a skirt, both by Sewing Therapy. Super easy to layer and wear, and the skirt came together from print to finished garment in a couple of hours.
  • Early morning coffee with an ex London Museum colleague, catching up and exchanging capital project progress – reassuring each other that photographing accessible door furniture and obsessing over chair finishes is perfectly normal
  • A long walk with Thing 2 last Sunday – almost 12k, only 8 of which she spent complaining that her face was cold
  • A short walk and mooch round the charity shops on Saturday, where I found a TARDIS and a nice pot to put things in
  • TT2 cooking dinner for us all on Thursday, when I was at my wits end about what to cook
  • M&S Movie Night popcorn flavour ice cream

That’s it from me, folks! Same time next week.

Kirsty x

What I’ve been reading:

The Vampire in the Potting Shed/The Goblin in the Sink Drain/The Mermaid in the Shot Glass – Hailey Edwards

House of Earth and Blood – Sarah J. Maas (Audible)

An Instruction in Shadow – Benedict Jacka

Direct Descendant – Tanya Huff

294: the best laid plans

There are moments where life is just too…. peopley. Last Sunday was one of those moments. It was the first weekend in what felt like months (it was months, to be fair) where I didn’t have to be anywhere, there were no plans afoot and no one required my presence. I’d booked the Monday off as Thing 1 had an appointment, I had some fabric from the Stitch show which needed to be turned into something, and my living room was not full of teenagers. I was going to cut out the fabric on the Saturday, do my ironing first thing on the Sunday and then spend the day making a new version of the Folkwear Basics jacket.

Readers, I do not need to tell you that man plans and god laughs. Oh yes, she does. Loud and long. By early evening on the Saturday I had managed to cut out the outer fabric and then one of the big girls turned up with GT2 and his daddy in tow, all of whom then slept on my living room floor so sewing was out of the question. So was the ironing. I was disgruntled and after kicking about for a bit I threw all my toys out of the pram and stomped off to Harlow to meet Miriam for a coffee. Harlow was equally peopley but none of them a) were asleep on my floor or b) required anything from me.

Work has been particularly paper-based recently, without opportunities to be creative (some months are like that). It’s been productive in terms of gettng projects started and thinking about chairs and signage and practical things, but sometimes I really need to get hands-on and create something substantial with an outcome I can see and feel. This was one of those times, but instead I drank hot chocolate at Geek Retreat and went food shopping in Lidl, where I resisted all middle-of-Lidl things (yay me!) but did get some rum and raisin ice cream. Rum and raisin is my favourite, and it’s surprisingly hard to get hold of.

The creativity had to wait until Monday – the one benefit to the clocks going back was the inability to sleep past 6am. The ironing was done by 9am, with the help of a couple of episodes of Northern Exposure, and I managed to cut out the lining pieces from a piece of deadstock fabric in sunny orange before taking Thing 1 to her appointment.

This jacket pattern comes together really quickly – the two lining pieces and the two outer pieces are stitched together down the centre back, the sides and sleeves are sewn before putting them together and bagging out through a sleeve. The sleeves are bound with a bias bind which I chose to turn fully to the inside with a deep hem. The whole thing is top-stitched and voila! One new jacket. It’s an oversized style which is great for layering over hoodies and jumpers, and I do love a layer.

I also made a bag with the leftover fabric – another quick make using the Robin & Birch Nori Kimono Bag pattern. I made the large size and omitted the central ties, mainly because I never use them on the smaller version I’ve made. The finished jacket and bag (I won’t use them together!) are really tactile thanks to the fluffy fringes, and they have a good weight to them. It also has big patch pockets. Of course.

I felt a lot better after an afternoon of making and a lot of rum and raisin ice cream.

Other things making me happy this week

  • Crocheting yet more tiny things that fit in small jars – a tiddly pud this time. It needs some work, and also some googly eyes.
  • Testing ideas for a charity event we’re taking part in in December – glowing lanterns. Now to tell my colleagues they’ll be helping me cut things out for the next few weeks…
  • Panic buying sweeties for trick or treating, and now we have to eat them as we only had two. Mmm, Drumstick lollies.
  • Making banana bread with Maltesers – I forgot to put the eggs in though but hopefully there were enough bananas to make up for it!
  • Hobbycraft with Miriam, her Thing 1 and my Thing 2. There were these notebooks…
  • Bara Brith in the oven – I have a new starter this week on my team and I haven’t baked this for a while. Even I can’t get this wrong.
  • Making a lot of crochet ‘pigs’ to go in blankets….

Today I am to the lake for the first time in aaaages, and I’m SO looking forward to it. Really.

Same time next week!

Kirsty x

What I’ve been reading:

The Lamp of the Wicked/Prayer of the Night Shepherd – Phil Rickman (Audible)

How the Light Gets In/The Beautiful Mystery – Louise Penny

292: stalling for time

This week has been all about the crochet, bookended by two different markets. Last Sunday was Copped Hall’s Family Apple Day and yesterday was the London Welsh Centre’s Autumn Market.

Copped Hall events happen outside in a tree-lined avenue leading down towards the walled garden. Luckily we had sides for the gazebo this year and the weather was sunny if a bit chilly at times. It’s so lovely to see regular faces, though I need more Doctor Who things according to one customer!

They were two very different events – Copped Hall doesn’t charge a fee but asks for a suggested donation of 10% of your takings, whereas I felt a bit of impostor at the Welsh market surrounded by potters, award winning food producers and so on. Driftwood Designs had the stall on one side of me, and they have actual shops in Aberystwyth and Aberaeron (and a strong presence on my family’s Christmas trees).

On our other side was Badcubed, who makes the most amazing stained glass-style art using aluminium drinks cans (including commissions) and who was not above accosting passing people carrying interesting cans and asking them to bring them back when they’d finished. Thing 2 spotted someone with a beautiful cider can which turned out to be Hansh Cider from Llaethlliw near Aberaeron. The can is redesigned every time there’s a new addition to the family, adding dogs, small children and so on as the family grows.

Ben, Badcubed himself, is an ADHD-fuelled creative (his words), and never makes the same thing twice – all his pieces have names and stories. He gave Thing 2 a wave piece at the end of the day, a gorgeous heart shape created from Monster cans. She hugged it to her all the way home, and wouldn’t put it down until it had a safe place in the living room. Despite leaving Brecon at 4.30am to drive up to London in time for the event he was on full energy all day, chatting to all the people who were drawn to his stall – and there were a LOT.

My stall is more of a stealth attractor – people glance at it and then do a double take. Yesterday it was split into two sections: autumn and Christmas. I love watching people walk by as you can almost see the moment their brain tells them what they’ve seen …’huh, crochet…hang on, did I just see a crocheted jammy dodger/pea pod/sprout/chilli pepper??’ Yes, yes you did.

And now you’re coming back to have another look…and you’re going to need a bigger Christmas tree.

The nine pigs in blankets sold quite quickly, as did the little harvest mice and pickled pumpkins/ghosts and as fast as I could make a Chris Mouse it sold. I tested a mouse in a Christmas blanket too, and may make a few more of them as they’re very cute. Some people take ages to decide which pig or mouse they want to adopt as the faces are never quite the same! I wonder if I can do pickled sprouts for Christmas?

When I finally got a wander round later in the day I bought some Welsh Rum & Black Jam from Black Mountains Preserves, and some hot sauces from Chilli of the Valley as Thing 2 (my helper at both events) kept nagging me. This included Merthyrstershire Sauce as my Beloved is a big fan of Worcestershire Sauce, and making something Welsh can only improve it…

Mental notes from the event – more red Christmas jumpers, more pigs, more Chris Mouses, more peapods, more mini puddings, stop being lazy and embroider the house details on your toadstools, more barrel cacti….so much! And next year, go for the bigger table…

Another thing I really enjoy about these events is the conversations – I’m always crocheting behind the stall as I’m not very good at sitting still, and this opens up chats with other crafters, or people who want to learn, and people who whip their WIP (work in progress) out of their bag to show me. As with live interpretation, you become approachable when you’re doing something seen as ‘domestic’. Even if they don’t buy anything you’ve had a good natter about things you like.

The next stalls are December, but please do contact me if you want to order. Always happy to crochet.

Other things making me happy this week

  • Not the Central Line, which caused me no end of problems on Wednesday
  • A wander back to the new office from Exmouth Market – Clerkenwell is full of funny little streets and quirks. There are a lot of clocks about too, as the area used to have a lot of clock and watchmakers.
  • Crispy autumn things
  • Coffee with TT2 and GT2 after the Welsh market
  • Booking tickets for a night at Sadlers Wells East to see Ebony Scrooge with Things 1 and 2 in December – something to look forward to

Well, that’s it from me – I’m going to do NOTHING today*

Same time next week,

Kirsty x

*well, maybe some crochet….

What I’ve been reading

A Trick of the Light/Still Life/A Fatal Grace/The Cruellest Month – Louise Penny

MIdwinter of the Spirit/A Crown of Lights/The Cure of Souls – Phil Rickman (Audible)

273: stories are a superpower

A selection of illustrated children's books

On Wednesday I attended – from the comfort of my living room – a session of the What Next? culture group. This is a wide-ranging, first-thing-in-the-morning, ‘free-to-access movement that brings together small and large organisations and freelancers to debate and shape arts & culture in the UK’. I don’t get to attend them very often as Wednesdays are usually my later-into-the-office days due to teenager wrangling responsibilities.

Anyway, this week’s was about the power and importance of reading to small children from a very early age. One of the speakers was the Children’s Laureate Frank Cottrell-Boyce who pledged at the start of his Laureateness (Laureacy?) to campaign to reduce reading inequality through the Reading Rights campaign. The first report has recently been published, calling on national and local leaders in early years, health, education and culture to come together and make reading a part of daily life for every child in the first seven years of life.

Mr C-B spoke about visiting the Babylab at Queen Mary’s in East London, where he watched in real time as a mother and baby were wired up to a brainwave thingy and the mother read a story to the baby on her knee. The act of being read to by a loved one visibly calmed the baby’s chaotic brain waves, their heart rate, and their breathing came into sync. He called it ‘love at a synaptic level’. From this mum’s point of view, too, there is nothing quite like the feeling of a warm, sleepy baby or toddler snuggling in for a story at the end of the day. I recognise, too, that the act of reading is also a privilege.

“If you’ve been read to, as a child, by someone who cares about you, you have been given an enormous invisible privilege. If you haven’t been given that privilege, then you’ve been left with an enormous mountain to climb.”

Frank Cottrell-Boyce

According to BookTrust’s research, 95% of families know that reading is really important but only 42% of children in lower-income families get a regular bedtime story. There are a whole lot of reasons for that – aside from parents possibly not having that experience themselves as a child, or lacking the confidence in their own reading skills to read a story ‘properly’ – but a key reason is that living in poverty or need is really, really hard. You spend time in meetings with benefits people. You spend time getting to places on public transport getting to meetings or the supermarket with the cheapest food, or on hold to government organisations, or sorting out housing, or working one or more minimum wage jobs, or worrying about your electric or gas or other bills. All this as well as caring for your small person…. the mental bandwidth this all takes up is enormous and things like bedtime stories aren’t always top of the list. Survival is.

Those of us who grew up with being read to nightly – and, with the benefit of younger siblings to listen in on later – for many years are lucky. I did the same with my own children – I was certainly still reading chapter books to my reluctant reader Thing 2 when she was eight or nine and Things 1 and 3 were listening in. M.M.Kaye’s The Ordinary Princess was a favourite, as was Jill Tomlinson’s The Owl Who Was Afraid Of The Dark which we took on holiday and I read a chapter a night to my three and my niece. Bedtime story time was one of the joys of being a parent, honestly, even when I was in the depths of PND and could barely function. It was a moment of peace and routine in what were some very hard days, but then books are my own go-to moment of sanity as an adult so this makes sense for me. Admittedly there were days when the fifth or sixth reading of the same book got a little wearing, but there we are.

Cottrell-Boyce also made the excellent point that children who aren’t read to at home then encounter books for the first time when they get to school and they’re suddenly being asked to sit down and decode things they have no experience of. Books become difficult and scary, and not something to be experienced as a joy: these children aren’t making the connection between the words in front of them and the pictures on the page because they don’t have the literacy capital to do so. He likened this experience of reading as being presented with a recipe to cook before you have ever experienced food – the pain without the pleasure, as it were. Illustrations are the first encounters with visual art that children have. Illustration – as I say a lot to people in my day job – is art with a job to do, it’s art that communicates.

The wonderful BookTrust are working with Cottrell-Boyce on this campaign. The BookStart scheme, which provides families with free books via health visitors and libraries, is the last man standing from the brilliant SureStart scheme that was one of the great successes of the New Labour government. Early Years provision has been steadily eroded over the last 14 years which has removed an enormous and incredibly important level of support from the people who desperately needed it. Increasing free childcare is all very well, (before someone says ‘but they’re doing this for parents’) but – in reality – that’s aimed at getting adults back into work and isn’t a benefit for the family. The other problem with increasing free childcare provision, of course, is that it’s not properly funded so early years settings are closing as they can’t actually afford to pay the staff to provide the care. That’s a rant for another day, however – another conversation this week was about the cost of childcare.

In our local Tesco’s they have a ‘free children’s books’ stand by the checkouts, which is brilliant – adult books are offered for a donation but for small people they are free. There are Little Free Libraries popping up in disused phone boxes and bus shelters and train stations. Libraries – thank the lord – are still free and anyone can use them, even if (like my local one) they’re only open two days a week. Librarians – a big shout out to this amazing bunch of people – still do free RhymeTime or Storytime sessions. But if people haven’t grown up with libraries as part of their lives they may not have the confidence to go in – like museums and galleries, there’s an ‘is this for me?’ barrier to get through. I’m not sure what the answer is, but this campaign might be a good start. I’m in a position to be part of the change as I start to plan what our Early Years and Families programme will look like when we open in 2026: there has always been a plan for regular storytime, sharing books and illustrations with our visitors, but now I can back it up with science and stuff. Hurray!

Things making me happy this week

  • A catch up with Emma T on Friday, covering cats, small people, and what’s going on in the world of museum research. She’d been to Cardiff the weekend before to visit a mutual friend, and she also got to meet one of my force-of-nature cousins. Honestly, we are EVERYWHERE.
  • An afternoon at Copped Hall last Sunday, chasing around the GT2. I am out of practice at the toddler thing!
  • Salad. I like salad. A lot.
  • This Pangolin amigurumi – I love pangolins! They always look like they need to tell you something very important.
  • A happy commuter moment on Friday when I was crocheting on the tube, finishing off a little apple amigurumi. A family opposite me were off on a day trip and the little girl was very excited watching me give the apple a leaf and a mouth. When I’d finished it I gave her the apple and I think it made my day. They were off to Paddington Station to see the bear statue and then to see the Natural History Museum, so I extracted a solemn promise that she’d say hello to Paddington and give him a marmalade sandwich. ‘We’ve GOT marmalade sandwiches!’ she said in very serious tones. I hope they had a good day – I know I did after this joyful exchange.
  • The strawberries coming ripe in the garden in large quantities.
  • Meeting Oliver Jeffers, who wrote one of our all-time favourite bedtime stories. I probably should be a bit more chilled about these things by now but I’m not. I was very well behaved though.

Things I am withholding judgement on this week include Thing 2’s prom skirt which she had a very clear plan for and which I am making from duchesse satin with an embroidered tulle overskirt, and (of course) pockets. I may try and negotiate on the pockets and provide a matching wrist bag instead. She also wants a ‘train’ so no one can see her feet, despite the invention of shoes. I’m glad I fitted a tissue paper toile on her yesterday morning as the size we’d printed going on her measurements wasn’t big enough, so I could reprint at the next size up and do another fit check before cutting the fabric. I’ve bought from this designer before and have always had to contact her about missing instructions, or fabric quantities, and the instructions always assume a lot of prior knowledge so I wouldn’t buy from her as a beginner. The one moment of joy (for me, at least) is that she was hoping a pair of my glam and presumably now vintage heels would fit her but NO, they’re all too small. Actually – I’m also quite joyful that she bought the corset top and didn’t ask me to make that. She had a very clear idea about what she wanted to wear, and what colour, and of course she couldn’t find the perfect thing in the shops… this summer I will be teaching her to use a sewing pattern. It would have been more helpful if she’d stayed home with me so I could start sewing, but nooooooo…..that’s my day gone today then!

Things not making me happy this week include the doctor’s surgery. By Wednesday evening I had spent more than two hours on hold to the surgery just waiting to speak to the reception team. Phone call one had been in mid-May, where I’d asked for a prescription to be updated to reflect an increase in my medication prescribed by their out of hours doc. The surgery just reissued the existing prescription. Phone call two – Monday – repeated request. They texted me and said the prescription had been issued. Chemist says yes but it’s two separate prescriptions so you need to pay twice, phone the surgery again and ask for them to be issued as a single script. Phone call three – explain again that I don’t actually want to pay £20 for what’s basically one prescription, could they issue this as one script with the full dose on it. This apparently made sense to me and the receptionist, but not to the doctor whose response – not to me, of course – was that they don’t make 30mg pills. I discovered this in phone call four, which was where I channelled my inner Dad and explained that I was FINE taking a 20mg and a 10mg tablet at the same time but I’d rather not be charged twice. Yes, said the receptionist, I understand and it shouldn’t have taken this many phone calls. Phone call five after waiting for eight hours wasn’t answered after 1 hr 40 minutes even though surgery was open. Phone call six, the following morning, was with YET ANOTHER receptionist (how many do they have?) who was adamant that what I was asking couldn’t be done even though I’d been assured that it could by our amazing village pharmacist – who presumably knows what can and can’t be done with a prescription and who I’d phoned in sheer desperation. He offered to send a note to the surgery explaining the problem in case it helped. I asked to speak to a doctor, who phoned me back two hours later, and three minutes and three seconds later (including pleasantries) I had the prescription, it was sent to the chemist and was ready for me when I tumbled through their door four minutes before closing. It should not have been so hard….

So, I am fully medicated, and today I will be finishing the prom skirt (I hope!). Watch this space…

Kirsty x

What I’ve been reading:

Shadowlands – Matthew Green

Woodston – John Lewis-Stempel

Between the Stops – Sandi Toksvig

Ring the Hill – Tom Cox (Audible)

Greetings from Bury Park – Sarfraz Manzoor (Audible)

232: lazing on a sunny afternoon

Last Sunday was sunny and warm and as my living room was full of teenagers and I was feeling crafty, I retreated to the garden shelter with my coffee, fabric hexies, paper templates, a glue stick, a book and an excellent playlist on Spotify. I had a lovely morning sticking things to other things and making pretty patterns until I ran out of glue and had to wait for the Amazon man to arrive.

In the meantime, I delved into the shed and found a fat quarter bundle of Makower quilting cottons in red, cream and gold and with the aid of my trusty rotary cutter cut out some diamonds using these Clover templates, with the germ of an idea for some star decorations in my head. Thing 2 joined me after her friends had gone home, bringing her book, and kept me company in the sun. She also had a go at making some hexie flowers using some orphan hexies that weren’t quite what I wanted for my project. (You can see her project if you click through on the Instagram post below), and walked both the cats on their harnesses. It was a really lovely afternoon, peaceful and creative and exactly what you want summer Sundays to be like.

My hexies are destined to become the sleeves of a Liliana jacket, and the rest will be made of a wine-red twill cotton. I decided a whole patchwork jacket would be a bit much but if I do the sleeves in hexies and add patch pockets (of course) it should work well. I’m considering adding cuffs in the twill fabric as well, to tie it back together. You can see the rough sleeve layout below, with a fade from navy through purple into red. If it works it’ll be great, if not I’ll look like some mad hippy…let’s see what happens! I need to decide what to line the sleeves with – twill might be too heavy, but I may have some lining fabric in the right colour in the shed.

Other things making me happy this week

  • An inspirational conversation with some MA students I met at the RCA in July. I’d offered to have a coffee and a chat with them, as they’re interested in participatory arts practice, and the 45 minutes I’d scheduled turned into 90.
  • Day 2 of the play co-design project – this week we went to Holland Park and had a great time in the adventure playground. This week’s illustrator was Joey Yu, and we had some new families and repeat families. We are very much looking forward to the final session this week! Thing 2 joined me for the day as well.
  • An evening swim with two new converts on Thursday evening. Many ducks and much putting the world to rights.
  • Thing 1 started her first job at the local pub. I am hoping for some transferable cooking skills.
  • Making the Named patterns Kielo dress in a paprika coloured jersey fabric which is way outside my usual wardrobe colours. I look like a carrot.
  • I finally remembered to take a photo of my current portable project. I had a long conversation with a nice old lady on the tube who was very interested in what I was up to. I love the colours in this one!
  • The new Tom Cox novel, 1983.

Today I’ll be hanging out in my little gazebo at the Copped Hall Open Day, touting my wares and carrying on putting those hexies together. Hopefully people will buy stuff, but if not I’ll have had a nice afternoon in the sun!

Kirsty x

What I’ve been reading

The Darkest Domain – Val McDermid

Honeycomb – Joanne M. Harris (Audible)

The Covent Garden Ladies – Hallie Rubenhold

Stray Cat Blues – Ben Aaronovitch etc

1983 – Tom Cox

Tackle! – Jilly Cooper. I keep reading these in case she’s regained her touch. She hasn’t. Please stop, Jilly. For all our sakes.

222: a nettle-strewn hellscape, you say?

Last Sunday afternoon London sister Tan and I went for our first long walk for aaaaages – well, since the ludicrously long one we did last July. She’s been running a lot (marathons and half marathons) while I have been doing weekend wanders and hoping that at some point the rain will stop long enough for the footpaths to dry out.

Despite her belief that Essex is a fly-blown wasteland, Tan trekked over to my ‘ends’ and we did the Moreton and the Matchings circular walk that I’d tried a couple of times last year. It takes in a few pretty churches and villages, and – as it turned out – a LOT of nettles that haven’t been cut back. These were head height in places, with added brambles, and some farmers haven’t cut the crossfield paths so many detours were taken. I spent some time on Monday morning reporting all this to the council, who may or may not get round to looking at it in an estimated nine weeks or so. Add the detours to my legendary (lack of) sense of direction, and the 17k walk came in at just under 20k.

You can just see the top of my head – this was a waymarked footpath!

We stopped for a snack break (Mini Cheddars, Snickers and coffee) on the green at Matching, next to the very pretty medieval marriage feast house and the church, facing an oak tree that was planted for Queen Victoria’s jubilee in 1887. The friendly vicar came along and very helpfully told us that they had a toilet, which made us happy. We saw kestrels, heard a lot of pheasants, snuck up on a few bunnies and a muntjac, and apart from the extremely hardcore nettles it was a good ramble. We finished with a look inside the 13th century St Mary the Virgin church in Moreton, where we’d parked the car, and then she refused to take my directions on the way home and insisted on using the satnav. Honestly!

Still, Tan’s opinion of Essex has changed – it’s now a nettle-strewn hellscape. Which is nice.

So how’s that skirt coming along?

Very well, thank you for asking! Having definitely said last week that I wasn’t going to do any boro patching as it would be too cottagecore for words, I remembered that not only did I have some Japanese prints in the stash, I had a boro inspiration pack from Japan Crafts that some lovely Secret Santa gave me a couple of years ago when the Young V&A theme was ‘blue’ so clearly DESTINY was saying DO A PATCH.

Derived from the Japanese boroboro, meaning something tattered or repaired, boro refers to the practice of reworking and repairing textiles (often clothes or bedding) through piecing, patching and stitching, in order to extend their use.

Also, the skirt doesn’t have pockets, and I NEED pockets, so I made a boro patch as a pocket. I used some of the indigo fabrics, some scraps from the V&A sample sale, and a square of cotton as a base, and lined it to make a patch pocket. That was my portable project on the tube this week, and it was clearly performance crafting as people kept watching me. As well as the running sashiko stitch, I also used some of the fabric features to embellish with lazy daisy stitch and outlining hexagons. I enjoyed it so much that I looked for other things to boro – starting with some of the zillion cotton tote bags I have collected over the years, probably! This will also encourage me to use some of the embroidery threads people keep giving me…

I gave up on all my marking tools and just used washable poster paint to mark out the final bits of stitching I wanted to do on the skirt, which was lovely and messy and a good way to spend a Saturday afternoon after a morning of ironing. While waiting for the front of the skirt to dry, I marked up a fabric pouch that I bought in a Hobbycraft sale with the Seigaiha (wave) stencil, and then used Bondaweb and more fabric scraps to create a boro panel on a tote bag. The yellow marking pencil worked on this, so I used the Sakura (cherry blossom) and Fondou (weight) stencils for a panel as well. That should keep me busy! Also, guess what everyone is getting for Christmas?

Things making me happy this week

  • Cat insurance. Lulu isn’t well and the vet quoted me £600. Once I’d stopped freaking out they helped me put the claim in so that they would be paid directly. Now we just need to get the meds down her.
  • Inter-library loans, and new colleagues who recommend books to me. The two may be connected.
  • Lots of strawberries and raspberries from the garden
  • Coffee with Brian on Thursday morning and a colleague who is leaving asking if they can join my early morning coffee roster. This is clearly now A Thing.
  • Cinnamon Bun flavoured Pretzel Flipz.

Today I am off to hang out with illustrator Skye Baker at the Little Angel Theatre community street party in Islington, where we’ll be illustrating houses.

Next week I may even have finished the skirt – the problem is always knowing when to stop with these things….

Kirsty x

What I’ve been reading:

Demolition Angel/The Forgotten Man/The Watchman/The Promise – Robert Crais

Shadowstitch – Cari Thomas

Neither Here Nor There – Bill Bryson (Audible)

221: you know they sell those, don’t you?

A few weeks ago, as you may remember (it’s fine if you don’t. Really.) A & I visited a cemetery in South London and took in a charity shop while we were there. I bought a couple of linen skirts, one in navy and one in black. This week I have been bombarded by adverts from a clothing company who sell Japanese-inspired printed dresses and skirts and sashiko-style prints featured heavily. I did a sashiko mending course last year at the V&A, so – as all crafty types have a bad habit of doing – I decided to make my own version using the navy skirt.

Sashiko (刺し子?, literally “little stabs”) is a form of decorative reinforcement stitching (or functional embroidery) from Japan. Traditional sashiko was used to reinforce points of wear, or to repair worn places or tears with patches. Today this running stitch technique is often used for purely decorative purposes in quilting and embroidery. The white cotton thread on the traditional indigo blue cloth gives sashiko its distinctive appearance, though decorative items sometimes use red thread.

https://craftatlas.co/crafts/sashiko

I have the templates, I have the threads and needles, and in theory I have a whole variety of marking tools for use on fabric. Chalk pencils, marking pencils, air-erasable chako pens, heat-erasable markers, dressmakers’ carbon paper, fabric pens…I have them all and none of them did the job, The chalk pencil snapped. The marking pencil only made tiny marks with the stencil but was good with a ruler. The chako pen disappeared within seconds. The heat-erasable marker didn’t work on the fabric. The fabric pens don’t show up. The carbon paper tears. Something that should be straightforward has turned out to be rather frustrating. The only thing I’ve found that does work with the stencils is a Derwent white blender, which washes off me and the stencil so I really hope it washes out of the fabric too….I probably should have checked…

Anyway, I have done a row of sakura blossoms and the next row will be waves, I think, though I might use some of the patterns from this book if I can find a way of marking them! I may also try some boro patches, but don’t want to lean too far over into folksy/cottage core. At least I don’t think so – my mind just recalled some Japanese cotton prints I have in the stash. Oh dear.

You’re supposed to use a running stitch but in some of the curves I found it easier to take individual stitches. You can definitely see where I started, and in which direction I travelled. Once you’re actually sewing its quite a fast craft, but the marking may defeat me!

Other things making me happy this week:

  • Visiting RIBA to talk about potential for working together, and getting a tour of the building – I have serious architecture and learning room envy.
  • And as I was in the area, I messaged my lovely ex-director and for once she was working at home. We had a walk in the sunshine round Regent’s Park and I found one of Quentin Blake’s Enormous Crocodiles in the wild.
  • Early morning coffee this week with Amanda at EL&N in St Pancras. St Pancras always makes me want to hop on the Eurostar and head off into the wilds. Sadly neither of us had our passports and we both had morning meetings. Ah well.
  • Finishing the crocheted Christmas cactus. This one was a lot of trial and error and the flowers need a bit of work.
  • Running into another friend at the station – you know that friend who gives the best hugs? That one!
  • A great kick-off meeting for a community project with The Parent House in Islington.

And now I am off to investigate the shed to see if I can lay hands on that quilting fabric…

Kirsty

What I’ve been reading:

L.A. Requiem/Chasing Darkness/The Last Detective/The First Rule/Demolition Angel – Robert Crais

Shadowstitch – Cari Thomas

The Lost Continent– Bill Bryson (Audible)

198: we’re going to need a bigger wardrobe

Traditionally this should be a round-up of all the things I have achieved since making my new year’s resolutions last year, but since I didn’t make any (see here) you get a round up of the last week instead.

In between things like Christmas and visiting the Timeshare Teenagers and being made to go to Westfield by Thing 2, I have managed to steal some time with the sewing machine making use of the great piles of fabric lurking in my house. One of the contracts that my Beloved’s firm manages is a clothing manufacturer who have a range of brands, and once they discovered that I make ‘stuff’, they send their samples and end of rolls home with him rather than to landfill. Some of it (anything with animal print, for example) gets passed on to a lady down the road who also makes stuff, and what she can’t use gets passed on to the secondary school that her grandson and the Things attend. I’ve been using some of the larger pieces to experiment with some new patterns this week.

The first piece was the Stitchless TV Sculptural Bucket Coat – I think I saw it in an Instagram post and loved the shape of it so thought I’d give it a go. This was the first time I have used a video tutorial to make something from a pattern, and it doesn’t really work for my learning style. I prefer a written pattern with diagrams that I can skim through before I start, and while I could watch the video through in the same way, I don’t want to sit through a half hour video before I start sewing. My first choice of fabric was a medium weight quilted stretch but whichever way I laid out the pieces there wasn’t quite enough and I didn’t have anything of a similar weight to colour-block with. However, while finding this out I discovered a digital print stretchy crepey something-or-other from the same source. There wasn’t quite enough of that one either but in another box I found a scrap of purple scuba which was just enough for the sleeves and the collar. I didn’t find my interfacing, however, which would have been useful.

The collar had to be pieced and is a total dog’s dinner as I didn’t follow the instructions properly (the video tutorial was not helpful here, it needs to be better ordered – or I need to watch it through first), and I sort of made up the finishing as it was all going on too long. I love the shape and the giant pockets that are formed by the seams, and if anyone ever asks me to a wedding I could see me making another. I really would rather have written instructions though and probably won’t make anything else from this company.

Next up was a couple of tops using my favourite Centerfield Raglan Tee by Greenstyle Patterns – the last set of these I made are looking a bit battered now as they’re my go-to for working at home and weekends. I used a plain black jersey for the sleeves and neckband, and for the front and back panels I chose a space invaders print that I picked up at the Knitting and Stitching show last spring, and a galaxy print that was going to be knickers but it was just too nice to hide (and once you’re over a certain age people get worried when you show them your new pants). These come together so quickly, especially with an overlocker and when you can’t be bothered to hem them. I hate hemming stretch fabric so I just overlocked the edges in black and called it a design feature.

I did find an alternative project for the quilted stretch fabric – Little Ragamuffin Patterns’ Doubledown Day Dress, which I’ve made before using a Moomin print, the assassin hood and thumbhole cuffs option. This time I went for sleeveless, as I only had enough fabric for one sleeve, and in the longest length. Again, this comes together really quickly with an overlocker. The fabric is a pain to cut but sews up quite well. I plan to wear it layered over a long sleeve tee. The neck still needs finishing and I may bind the armholes and hem as well, but it’s swishy and squishy and will be good for cold days.

After finishing the Hydrangea blanket last week I decided to make a scarf using the leftover yarns – following the same colour pattern but using the C2C method. Usually this makes a square but it can be turned into a rectangle with a little tweaking, and who doesn’t need another scarf at this time of year? It’s wide enough to double as a wrap in chilly meetings, too.

I have one more pattern cut out and ready to sew – in a lightweight merino blend fabric, also from the clothing manufacturer. The pattern is The Maker’s Atelier Unlined Raw Edged Coat which was an advent giveaway from The Fold Line. I like things that don’t require hemming! This will be more of a ‘shacket’ than a coat as the fabric isn’t windproof. So that’ll be my job for today….

Other things making me happy this week

  • A chilly swim with Sue and Jill yesterday, followed by a bacon roll and hot chocolate
  • Carols on the Green in Epping on Christmas Eve
  • Walk and coffee with Jill and Miriam
  • A lovely Christmas Day with my little family and some excellent presents
  • An equally lovely Boxing Day with the Timeshare Teenagers, and Grandthings 1 and 2
  • Turkey soup, once the ostrich had been dismembered

And now I have some sewing to do and breakfast to eat, so I will see you next week!

Kirsty x

What I’ve been reading:

The Man in the Moss/Curfew(Crybbe)/Candlenight – Phil Rickman

Lost Christmas – David Logan (Audible)

Map Addict – Mike Parker

The Man Who Died Twice – Richard Osman (Audible)

178: Somewhere Down The Crazy River

I can’t say I’m overly impressed with the weather this week, to be quite honest with you all. It’s August and I have had to wear actual socks and actual shoes and think about whether to take an umbrella. And then it gets hot but it’s cold in the morning so I have to think about layers. It’s like being on holiday in Wales and having to be prepared for all eventualities, up to and including hurricanes, tornadoes and the Central Line.

July was cool, as can be seen in the temperature supernova update – last year was all hot reds and oranges; this year cool greens and yellows dominate. September will probably be tropical. Huh.

There have been many good things about the week, however:

  • Getting to go to a workshop at All Change Arts with Alaa Alsaraji, one of our Community Illustrators, and poet Rakaya Fetuga
  • Meeting the other Community Illustrators – Grace Holliday, Jhinuk Sarkar and Lily Ash Sakula to talk about their current projects
  • A creative meeting with storyteller Olivia Armstrong about a Quentin Blake inspired session
  • A new haircut
  • Barbie. I loved it. I really loved it. I may never listen to Matchbox Twenty in the same way again.
  • Getting round to making this pair of extremely dramatic self-drafted trousers from a tutorial by Tendai Murairwa in Simply Sewing magazine in a gorgeous teal and purple wax print fabric. I even made a toile for these to test the fit.

Jukebox hero

Robbie Robertson, ex-member of The Band, Dylan stalwart and solo musician died this week aged 80. I’m not going to pretend I’m a massive fan, but rather I’m someone who sings along when his songs come on the radio – apart from his first, eponymous, solo album which I love. Featuring collaborations with U2 and Peter Gabriel, among others, it yielded his biggest hit (this week’s title) and also the gorgeous Broken Arrow which Rod Stewart had more success with.

Somewhere Down The Crazy River was a fixture on the jukebox in a village pub I used to spend a lot of time in, usually selected by one particular person. A few times in your life, if you’re lucky, you meet someone who fills a space in your soul that you don’t even know exists. They are the folded beermat underneath your wobbly table leg (and there have been times when my tables were very wobbly, believe me); someone who gets you on your level. I’ve had several of these people in my life and I thank my stars every day for them. I lost touch with this one for 13 years but reached out (with a Blues Brothers birthday card) on his 40th and we remained in contact for the last couple of years of his life. I’d bought and written a card for him every year but never sent them until this one, and I will forever be glad I did. I still raise a glass every year on his birthday – yesterday would have been his 51st. Hopefully he spent it duetting with Robbie Robertson over a lager with a lot of lime.

Same time next week!

Kirsty x

What I’ve been reading

The Echo of Old Books/The Last of the Moon Girls – Barbara Davis

Amongst Our Weapons/October Man – Ben Aaronovitch (Audible)

Paint Your Dragon – Tom Holt

The Mercenary River – Nick Higham (I keep dropping in and out of this one)

175: back in my happy corner

It has been a busy couple of months, what with all that training taking up weekends and so on, and apart from the ongoing tube crochet I haven’t done a great deal of making stuff. I started a laptop bag using this free tutorial and a yellow waxed cotton to match my beloved Fjallraven backpack, and I really must finish it off just as soon as I find where I put it.

In May I answered an open call by Tauko, a Finnish/German magazine, to be part of the Make and Share community for Issue 8’s patterns. I’d bought a couple of their patterns before, as I like their aesthetic, so the opportunity to test a new design with a free pattern was pretty irresistible.

We were sent a digital proof of the magazine and asked to choose the pattern we’d like to make up, and the deadline (but a relaxed one, as tauko means to pause or take a break) was publication date on the 18th of July. I must admit it hadn’t really occurred to me how much of June’s weekends would be taken up with training, due to being deep in denial about how far 100k actually was, so in the end it was all a bit of a rush! Day one of this project was the Tuesday following the Long Walk, so I mostly did it sitting down and watching the Great British Sewing Bee.

I chose the Kindling top, designed by Shannon McCann, as I like a structured top layer. I have a habit of working in historic buildings with erratic heating so a bit of quilting never goes amiss! I liked the wide sleeve option and the side ties, and the bias bound hems.

In my stash I had a double duvet cover in 100% cotton that I’d bought in a sale, which meant I could skip a step and cut out the lining and outer fabric at the same time. You can see the top fabric above, and the reverse is a pale sage colour. Also in the stash I had some sage green bias binding, again from a sale, and some toning grosgrain ribbon that had been handed to me as part of someone else’s clear-out. As long as I wasn’t too fussy about thread matching, the only thing I needed to buy was some cotton batting for the inner layer. I bought a fairly thin 100% cotton one to avoid too much bulk, and all the scraps went to my beloved to use either in the compost or to line plant pots. The batting was opaque which made it a bit tricky to line up the layers properly – one reason why you have a lining as well as a backing in other items, and if I make this again I’ll use an additional layer. I may make a sleeveless version, as I have enough fabric left from the jumpsuit I cut out today in a dark green otter-print fabric.

I started by cutting out the pieces and quilting them with simple vertical lines – my long acrylic quilting ruler made marking the lines easy, along with a heat-erasable pen. I spaced the lines quite widely, and stitched them with a multicoloured thread. Construction after this was very straightforward, the pattern instructions are clear and thorough, and the piece is easy to size.

Once the front and back are quilted, the shoulder seams are stitched and bound with bias binding, which gives a lovely clean finish. All the seams are supposed to be bound, in fact, but I confess I didn’t bind the inside of the sleeves as I was short on time. I used a zigzag stitch to finish them instead.

Next up was binding the edges. The pattern calls for creating your own ties using the bias binding, but as I had this pretty toning ribbon I skipped that step as well and. Binding around the outside is a single straightforward step, though I did have to unpick a few times when I forgot to tuck the ribbon out of the way.

The neckline was where I nearly threw the towel in and the sewing machine out: this should have been a very quick job but my trusty Brother LS14 is badly in need of a service and the tension keeps slipping. I tried rethreading, changing the bobbin, swearing and all other known sewing tricks, but kept getting the dreaded birds nest on the reverse and having to unpick. I gave up for the day instead. As you can see from the image above, the sleeveless version is very wearable and I gave some thought to making detachable sleeves with poppers.

I was in a much better frame of mind a few days later, and the first thing I did was to wind new bobbins and rethread, which solved the birds nest issue and the neck binding went on easily. I was tempted to leave it sleeveless but I’d already cut and quilted them, so…

The sleeve hems and heads are bound and then attached to the bodice. This was the trickiest bit: I’d marked the notches with heat-erasable pen, as the snips had been bound over….and then I’d ironed it. It took a while to work out where to start and stop sewing as obviously I needed to be able to move my arms in it, but I got there in the end! Again there was a bit of unpicking where I’d pinned wrong, but the double bindings create a structured effect so worth the effort. A quick press and try on, and then it was time to nag my beloved to take photos in the garden. Apart from making a sleeveless version, if I make it again I’ll crop the sleeves and use a thicker batting, but I can see this getting a lot of wear.

In other crafts…

The nudibranch and mushroom sprite patterns are by Crafty Intentions, and the crochet round barrel cactus is by ZoeCreates.

This week I am looking forward to a belated birthday dinner with Amanda celebrating our 50ths, and another visit to The Museum of the Order of St John.

Kirsty x

What I’ve been reading:

The Good, The Bad and The History – Jodi Taylor

Queen Charlotte – Julia Quinn & Shonda Rimes

Whispers Underground/Broken Homes – Ben Aaronovitch (Audible)

Odds and Gods/Ye Gods! – Tom Holt

The Forgotten Witch – Jessica Dodge