120: this week’s winner is…

It’s Saturday night and I’m sitting in the front room watching Glow Up with Things 1 and 2. Even my Beloved is quite enjoying this one, although he has taken a break to go and pickle some beetroots in the kitchen. Thank heavens one of us is a domestic goddess, eh? I have the same feelings towards beetroot as I do towards boiled eggs: I don’t eat them so I don’t need to know how to make them. I was deeply mentally scarred by beetroot in primary school, where it was served cold with spam and lumpy mashed potato, and the beetroot juice turned everything a uniform shade of bright pink. And, it tastes like damp smells. Ugh. Anyway.

Photo by Eva Bronzini on Pexels.com. Yuk.

So, Glow Up. We are obviously late to this particular party, and we’re definitely not wearing enough slap, but it’s the same basic format as the Great British Sewing Bee/Bake Off/Pottery Throwdown/etc where there’s a set of challenges and someone goes home in tears at the end and talks about how much they’ve learned and how they’ll nevereverever forget their new best friends. This one has the rather irritating Stacey Dooley in presenter mode – as far as I can tell, she’s basically Ross Kemp with more hair and less war zones. If Ross Kemp did hospitals and homeless people instead of wannabe warriors, that is. She does seem to have found a niche, and good on her for that, but her constant use of the phrase ‘please may you’ gets right on my nerves. She also says ‘haitch’ instead of ‘aitch’. It’s a no from me.

We are enjoying it, and it’s nice to have something that 2/3 of the Things will watch happily together which isn’t a badly-dubbed Netflix thriller or a terrible teen romance angst movie. There’s always one contestant that you really want to go home in the first week and every time they survive a ‘face off’ you get to shout at the telly, and when your favourite survives you get to cheer. Thing 1, as I said the other week, is off to do Theatrical and Media Make-up at college in September, so she’s finding this interesting; I, on the other hand, am just stunned at the sheer amount of make-up these people feel they need to wear, filled with wonder at what people do to their eyebrows, and boggling at the lip fillers. The young make-up artists are proper drama queens, and at least one rushes off in tears in every challenge which doesn’t impress the judges. It’s unprofessional, apparently.

Bake Off is Thing 2’s favourite and she can get very critical about people’s Swiss Roll swirls at times. She loves to bake and experiment, and is a dab hand with meringues as she proved with a pavlova for my birthday barbecue last weekend. It vanished in minutes: perfectly crispy on the outside and melty in the middle, it was a hit with everyone. Bake Off always has a bit more of a competitive edge to it, and the congratulations are sometimes delivered through gritted teeth.

Not so the Great British Sewing Bee, which I am hopelessly addicted to. The latest series finished this week, and for once I was absolutely in agreement with Patrick and Esme about the winner. I have had my doubts in the past and on at least one occasion they have been plain wrong and I wanted a recount. Once Annie had found her feet she was brilliant, and some of her garments were gorgeous. Man Yee was also fabulous, and I’m so pleased she made the final along with Debra – Brogan shouldn’t have been put through, as her Origami outfit in the semi-final didn’t meet the brief. At least it wasn’t gingham or floral though. I loved Debra and her model in the final, slipping in and out of Welsh as they chatted. The contestants on GBSB are always ready to help each other with techniques and figuring out strange instructions, and I love the way they all hold hands as they find out the results each week.

The Great Pottery Showdown is another favourite: I adore Keith Brymer-Jones and the way he cries when he really loves something. The dynamic between Rich Miller and Keith is great, and the critiques of the challenges are so thoughtful and constructive. Siobhan McSweeney should present everything, preferably in role as Sister Michael from Derry Girls with full sarcasm. The last series, where at one point pretty much everyone was in tears, was great. Again the contestants are kind to each other, and that’s such a lovely thing to see. If you haven’t seen Derry Girls, it’s wonderful: funny, sweet and candid. Binge it now.

I was sorely disappointed by The Great British Dig, however. With that title, I had visions of a set of amateur archaeologists and some very neat trenches, and the best find of the week (Roman villa, King Arthur, Viking burial, Saxon hoard etc) would get to stay and the one who only dug up two plastic soldiers and a ring from one of those eggs you used to get for 10p from the machine outside the paper shop would get sent home. Anyone whose trench had a soggy bottom would get be haunted by the ghost of Mick Aston or something. This was not the case: what we got was a bunch of people putting holes in suburban flower beds and Hugh Dennis being smug about stuff. I think my version was better.*

You can keep your Love Islands and I’m a Z-lister, too. Maybe just put them all on an island and just tell them the cameras are on. Pop back in a year and see if it went all Lord of the Flies when they ran out of bronzer.

(I’m really not a big TV watcher, despite the above: unless I’m ironing or GBSB is on, if I’m on my own I won’t turn the TV on – give me music or a podcast any time if I’m working on something, or I’ll be reading if not. On the tube I’m listening to The Socially Distant Sports Bar, which is wildly inappropriate for children and does tend to cause me to laugh out loud. Mike Bubbins and Elis James can reduce poor Stef Garrero to helpless giggles. Don’t be taken in by the name, this podcast is like two hours in the pub with your funniest mates and while sport does occasionally get mentioned there’s a lot more to it. Go on, you won’t regret it. It’s very sweary though. Very sweary. Don’t say I didn’t warn you.)

Speaking of competitions, another highlight of the week was the Conference News Agency Awards 2022 event this week. My friend, swimming buddy and all round fab person Isla kindly invited me along to join her company table – I’ve been freelancing for her for five years or so, helping out at awards and conferences, and I remember her making the leap and starting up her own events business. She survived the pandemic by shifting online, diversifying into online events and experiences, focusing on sustainability. The company, We Are FTW Ltd, was nominated in the Small Agency of the Year category and Isla was so convinced she hadn’t got a chance (there were 10 nominees in this category) that she didn’t bother listening to the announcement. Her face when the presenter said ‘And the winner is…. We are FTW Ltd!’ was the perfect picture of disbelief.

The event was themed around Willy Wonka’s Chocolate Factory, and the welcome reception featured strawberry daiquiri bubbles, edible balloons and cocktail mists which were great fun, but making the young women staffing the stations wear aprons printed with ‘I’m delicious, lick me!’ was a little weird…. Miriam, who also works for Isla when she’s not being a performance life coach, wore her amazing steampunk hat and looked fabulous, and there were a lot of bow ties in the room. No one dressed up as an Oompah-Loompah, sadly. I wore some completely impractical shoes, we ate very small but delicious portions of heritage beets, beef short rib and a fluffy raspberry mousse, and the afterparty was great fun.

Other things making me happy this week:

  • the final episodes of Stranger Things
  • an afternoon at the school fete, sharing my stall with Thing 2 and M’s no. 1 daughter
  • Launching the new Adventurers Assemble! assembly at one of our favourite Tower Hamlets primary schools: time travel, space hoppers, missing objects and a mission! Giggling kids and teachers, you know it’s a winner.
  • my new shed is finished and my old shed is accessible again!

*I also have a much better version of the second two Lord of the Rings films which would save us all a few hours.

Tomorrow I have to take Thing 1 to Westfield to do some shopping for her National Citizen Service thing – a week away sounds lovely, but they said I’m too old. Ah well. See you on the flipside.

Kirsty x

What I’ve been reading:

Ingathering – Zenna Henderson

Bill Bailey’s Remarkable Guide to British Birds – Bill Bailey

I Feel Bad About My Neck – Nora Ephron

Week twenty-eight: when is a learning collection not a learning collection?

This week I have been braving the Central Line (well, on two days at least) and going back into the museum to make a start on sorting and decanting the Learning Collection. The tube is still quite busy in the early mornings, and I am puzzled by the number of people who don’t know how to wear a mask properly.

One morning I got off the tube at Mile End and walked up the canal to Victoria Park, which meant I spotted this gorgeous kitty watching the world go by from one of the houseboats.

The learning collection, as it currently exists, is a large, unwieldy and somewhat random selection of items relating to childhood: toys and games, dolls and teddies, children’s clothing and shoes, nursery items, dollhouse items and so on.

Some things are charming – the collection of tiny mice, for example. Bride and groom mice, magician mouse, Welsh lady mouse and many more. They are dressed beautifully in Liberty fabrics, and the detail is wonderful – but what are they for? They aren’t the sort of things children would play with, being more ‘collectable’ than practical, but they are a wonderful example of a child’s collection. How does a collection like this start? How did the child display them? What can I do with them?

Some are practical – objects designed to introduce a child to the grown up world of work. Working sewing machines and typewriters, small tool kits – in solid metals and woods, not the brightly coloured plastics of today. These are objects designed to be used, to build a child’s skills.

There are, of course, hundreds of items of children’s clothing, from the ceremonial to the practical, and a lovely dressing up collection which echoes the museum’s own collection of fancy dress costumes. Some are handmade or hand embellished, some are worn and much loved. Many predate the fashion for colour as a gender identifier for children – the older clothes are white and cream and colour comes in with the more modern items. Like in many collections, it’s often the ‘fancy’ clothes that have survived – the ones bought for special occasions or ‘kept for best’. But there are so many examples – how many baby bonnets and barracoats does one collection need? And how do I decide which are the ones to keep?

And the shoes – oh, the shoes! It’s a family joke that I have too many books and too many shoes (I don’t believe either of these concepts) so to find a box of tiny footwear in the cupboards was a treat for the eyes. Party shoes in pom-pommed satin, marabou-trimmed baby slippers, practical Start-rite sandals, a single, much repaired boot, kid ankle-straps, handmade quilted pram shoes and more.

There are boxes and boxes of card games (some very non-PC) and board games, of Hornby train sets, terrifying dolls, teddies, model farms, toy cars, construction kits. Toys that children have coveted at Christmas and written hopefully on birthday lists: Weebles, Playmobil, Barbies. An excellent collection of learning toys by the designer Fredun Shapur – brightly coloured and eminently touchable. Toys that bring joy to the people that see them – but they are so rarely seen by anyone except the learning team and the odd student or researcher. These thousands of objects are stored – exquisitely wrapped and catalogued thanks to years of hard work by some very dedicated volunteers – in tissue paper, calico bags and archival quality boxes. In dark cupboards, in basement classrooms, and no one ever sees them or touches them. They don’t spark joy any more, they just get audited every so often. Occasionally I have taken a few objects out – some to sessions at the V&A, working with dementia sufferers as part of an ‘arts prescription’. Some have been to Great Ormond Street or other hospital schools, but these excursions are the exception rather than the norm.

One of my jobs at the moment – now that we have no schools in the museum – is to decant this collection, rationalising it to meet the vision and purpose for the new museum. I also want to rebrand the collection as a handling collection, not a learning collection: to make its practical purpose explicit and, most of all, to get it out of those cupboards. We’re a museum, so we have lots of cupboards full of objects that people can’t touch – both the glass ones on the visitor floors and the treasure troves below. We don’t need any more.

We need a learning collection that people can get their hands on and learn from: does that teddy feel as soft as it looks? What happens if I turn him upside down? How do I make that train set go? What does that button do? Children – and adults! – are curious by nature, and we learn best through play and experience. A learning collection that you can’t do either with isn’t living up to its name.

It’s a daunting job but an interesting one! It’s going to take a few weeks, and then I need to find homes for the objects we are not going to keep. I’d like to see them go to other museums, to schools library services, to schools and to historical interpreters. If you’re any of these things – or if you can add to this list – please do let me know!

Here’s some of my favourite odd objects from the cupboards to be going on with, taken when I was auditing the collection in 2018….

And – as a brilliant segue into this week’s crafty section – here’s a sampler…

Castles and cross stitch

A couple of weeks ago I shared a Princess Bride reference cross stitch I’d made and turned into cards for my family to make them laugh. That was someone else’s design, but it got me thinking about other quotes I’d like to see in stitches.

One of these is ‘Have fun storming the castle!’, which Valerie calls after Westley, Fezzik and Inigo leave to stop Buttercup’s wedding to Prince Humperdinck (yes, he of the to-do list). I had a look on Etsy, and there were some designs but none of the castles were quite right. Some had turrets. Some were positively Disney-esque. Some were pink. None of them looked worthy of storming, so I had a go at creating my own.

Being from South Wales gives you pretty firm ideas of what a castle should look like, and most of them have been stormed at least once in their histories and (mostly) survived to tell the tale. I grew up in Raglan, which has an excellent castle, so I knew the impression I wanted to give with my design.

Raglan Castle: worthy of storming.
(Image by Charles Taylor, http://www.ecastles.co.uk/raglan.html)

I’d mapped out the lettering a few weeks ago, using a shaded font from a book I have had for about 25 years. I remember buying it in the craft shop in Aberystwyth while I was a student there. It’s now out of print but does appear on Etsy or Ebay occasionally. I wasn’t happy with the spacing so with the aid of scissors and sticky tape I adjusted the spacing and started to transfer the pattern.

Once I’d placed the lettering on my graph paper I knew how wide the castle needed to be. I wanted towers, a big door, arrow slits, battlements. I wanted pennants. I wanted windows. (I also wanted a moat but decided that was one step too far).

I started with a main tower with a slightly smaller one on each side, but I couldn’t get the crenellations even on the central one, so I played with the widths: there’s still three towers but its a lot less symmetrical. I’m using several shades of grey to create different areas (which would have been a LOT easier if I’d been able to lay hands on my DMC shade card) and will use backstitch to highlight areas of stone. I’m using 3 strands of cotton over 14-count white aida for good coverage, and it’s coming on well so far – lettering is complete apart from backstitching. The variegated thread is DMC 115, my favourite shade.

I have put the Bento Box quilt top together this week too. As you can see, Bailey was being incredibly helpful. Not shown is him digging under each block as I laid it out, which made the whole process a lot longer!

The top row is an inch shorter than the rest and I am not quite sure how that happened! I’ll have to do a block extension in the same colours and hope no one looks too closely! I’m going to back it with a cotton double sheet and I am considering whether I need a border. I have fabric left from all the colours, so I am tempted to do a striped one if it won’t detract from the Bento Box blocks.

I also got round to picking some of my Chinese lantern plants (physalis) for drying – they look so pretty in my shed, and when they are dried I think I’ll add them to the vase with the crochet daffodils.

To-do or not to-do…

And now it’s October, and I have to work four days a week – practically full time! Back in week one I made a to-do list of things I wanted to do during lockdown. This feels like a good time to check back on that and see what I managed.

Here it is:

  • Purple jacket (a 1950s design that the sleeves wouldn’t work on, so I gave up in a huff and its been hanging from the curtain rail for about four years)
  • Crochet diploma – I made it to lesson 7, so need to pick that up again
  • Say Something In Welsh course – no progress made. Duolingo is coming on well though!
  • Coast ripple blanket (Attic24 pattern) – several rows done, and the weather is cool enough to work on this again
  • Long waistcoat – frogged the whole thing and reused the yarn in a cardigan that I only have one sleeve to go on
  • Attic window quilt (that I cut out when I only had one child)
  • Mini quilt (er, ditto)
  • Seurat cross stitch – at least I only started this last year! – ok, two years ago. I have nearly finished the whole top section, so some progress has been made.
  • Couch to 5k (again) – made it to week 4, twice, and damaged my ankle both times. I did take up open water swimming though!
  • Spring clean the shed, evicting the winter spiders…and being realistic about what I will actually use in my stash, then donating the rest

OK, I didn’t achieve everything but I don’t feel lazy – there’s been a lot of things made that weren’t on this list, and I have made a sizable dent in the stash through quilting. And I’ve really enjoyed writing this blog! The discipline of posting every week has been good for me.

So, that was week 28. Let’s see where week 29 takes us…

Kirsty x

What I’ve been reading:

Heartbreak Hotel/Night Moves (Alex Delaware) – Jonathan Kellerman

The Jupiter Myth/The Accusers (Falco) – Lindsey Davis (Audible)