Well, this has been a pretty miserable month so far for those of us working in the museum sector. Last week the V&A announced redundancies as part of the ‘recovery programme’, and this week the Museum of London followed suit. They aren’t the first by any means, and they won’t be the last: the Museums Association have a redundancy tracker on their site which this morning stands at just under 3,000 across the UK. Thank heavens for the unions – if you aren’t in one, join now.
These initial phases overwhelmingly affect the front of house, retail and visitor experience teams: the most diverse, the lowest paid, the ones who were on the front line longest at the start of lockdown, and the ones who were first to come back when we reopened.
You know, the ones who greet you on arrival, help you around the museum, take your payment in the shop. The ones who interact with you and share their vast knowledge: not just about exhibits and displays, but where the best places are for lunch with your fractious kids, what there is for you to do, and what else you might like to see.
And they are so versatile and talented: they research objects for ‘objects in focus’ talks, based on their own passions and interests. They develop and lead family and public tours. They tell stories. They run activities. They manage school groups in their hundreds, juggling the ones who are late for their sessions with the ones who came too early, and they mop up the ones who’ve been stuck in traffic. Spare pants for a damp child? Somewhere to empty the sick bucket? No problem.
They are also the ones in the line of fire when the building is evacuated, when there’s a first aid emergency, when the object they came specifically to see is no longer on display, when the café is too expensive, when the toilets aren’t working, when the school groups are too noisy, when there’s too many children in the museum. They smooth ruffled feathers with a smile on their face (even if they then come to the learning office for hugs and emergency biscuits).
Outside their museum jobs they are artists, illustrators, poets, designers of all types, PhD students, writers, jewellery makers, textile artists. Those beautiful props and puppets that support the stories you bring your kids to? Chances are they made those.
Some are hoping that the VE role is the first step onto the museum learning ladder, and some of my favourite colleagues over the years have started here. They are the ones who have the greatest understanding of the visitors for whom they are programming content, and who are the most outward facing.
We understand that these are strange and difficult times and the choice is to shed staff or potentially face the closure of museums across the country, possibly permanently. This week the Culture Recovery Fund announced lifeline grants awarded to smaller organisations – up to a million pounds – which will make a huge difference to their survival. I was really pleased that the Epping Ongar Railway, in my village, is one of the recipients.
It seems particularly insensitive, therefore, for the Independent Parliamentary Standards Authority to announce this week that MPs would be receiving a £3,360 pay rise next year ‘in line with growth in public sector pay’. It will be interesting to see if other public sector workers – nurses, police, fireman, culture and heritage workers, street cleaners etc – are awarded rises at the same scale. I don’t think I’ll put money on it.
Seeking comfort in the familiar
Its been suggested that people with anxiety disorders or depression seek comfort in rewatching familiar films or TV series. You know what’s going to happen and you don’t need to process any new information: which, this year, when we have had so much to take in, has been particularly important. My version of this is re-reading books, and probably explains why I can only listen on Audible to books I have already read!
So this week I have been thinking about books from my childhood that I still go back to now.
- I’m going to start with the wonderful Dido Twite books by Joan Aiken. Officially this series starts with The Wolves of Willoughby Chase, but I was introduced to them with Black Hearts in Battersea. These have elements of steampunk, mystery, adventure, the Arthurian legend and more. I was really pleased to discover a few years ago that there were some later books in the series that I hadn’t read. Joan Aiken also wrote magical short stories – I loved the collection A Necklace of Raindrops, illustrated by Jan Pienkowski.
- The Little House books by Laura Ingalls Wilder. There’s eight of these in the original canon, and some that were published posthumously which were based on her diaries. Highly romanticised ‘autobiography’, these books follow Laura and her family from the little house in the Big Woods (Wisconsin) to the wilds of Dakota, through to her marriage to Almanzo Wilder and their move to Missouri. I introduced Thing 1 to these books when she was in primary school, and she loved them too.
- The Railway Children by E.Nesbit. First serialised in 1905, this story dealt with some quite adult themes for the period – the imprisonment of the children’s father for spying, Russian dissidents – and I cry every single time I read it. Don’t even get me started on the film – I love both versions. The Psammead books are great too (Five Children and It, for example), as is The Book of Dragons.
- The Anne books by L.M. Montgomery. Starting with Anne of Green Gables and finishing with Rilla of Ingleside when our disaster-prone, red-headed heroine is all grown up and sensible, I love them all. So do my youngest sister and my niece, and I have started reading them to Thing 2 when she feels the need for a bedtime story.
- The Moomin books by Tove Jansson. Thing 2 is named after the author. Moomins are small, hippo-like creatures who inhabit Moominvalley. The Moominhouse is always open to wanderers and people in need – mischievous Little My, who gets left behind by the Mymble who just has too many children; Thingummy and Bob, who find the Hobgoblin’s treasure; free-spirited Snufkin; the Hemulen; the Snork and the Snorkmaiden. Moominmamma’s heart and handbag are big enough for everyone.
- Susan Cooper’s The Dark is Rising sequence. Arthurian legend brought into 1960s/70s England and Wales. Magic and legend. Good versus evil. Don’t watch the film, not even Christopher Eccleston could save it.
- The Weirdstone of Brisingamen by Alan Garner. I do love the way magic appears in the real world – whether that’s fairies at the bottom of the garden, or the urban fantasy that I love now, I like the idea that there’s more to the world than we can see. I recommend The Owl Service by the same author, too.
- The Hounds of the Morrigan by Pat O’Shea. Pidge accidentally releases an evil serpent from a book, and he and his sister end up involved in a battle between good and evil. There’s lots of help from Celtic mythological characters, it’s funny and touching and I really, really wish the author hadn’t died before finishing the sequel.
- The Sword in the Stone by T.H.White. More Arthurian legend. This is the first part of The Once and Future King set, and it’s the one most people are familiar with from the wonderful Disney adaptation. The story of The Wart, an orphan looked after by Sir Ector and bullied by his foster brother Kay, this is the early days of King Arthur, before he pulls the sword from the stone. The rest of the books are pretty wonderful too.
- Honourable mentions go to The Wind in the Willows by Kenneth Grahame, The Water Babies by Charles Kingsley, Lewis Carroll’s Alice stories, Charlotte’s Web by E.B.White, C.S.Lewis’s Narnia books, the Swallows and Amazons series by Arthur Ransome, the Green Knowe stories by Lucy M. Boston, Stig of the Dump by Clive King (and more – oh, so many more!)
There, that’s made me feel much more cheerful!
I finished the crochet cardigan this week, and I LOVE it. It’s so cosy and warm, and the alpaca in the yarn makes it very soft. It’s oversized so I can fit layers underneath, and I can see this getting a whole lot of wear this winter. Thing 1 kindly modelled it for me, even though she protested as it wasn’t Goth enough.
The (Corona)Virus Shawl is also complete, using three balls of Drops Fabel – it’s not huge, so will be more of a scarf. What am I going to do in queues now?
I have started a stashbuster blanket for my new portable project – tiny (three round) granny squares in DK, using up leftover yarn from a couple of other blankets. I’m going for a patchwork effect this time, with lots of bright colours. My Coast blanket has another couple of rows – it just needs to be a foot or so longer, I think. The trouble with making giant blankets is that you get so toasty that you need a nap…
As you can see from the link, the Coast blanket is by Lucy at Attic 24 who designs the most gorgeous colourways and blanket patterns. It’s a shame to keep them in the house, really, so I am tempted to make one of her bags to carry around.
Thing 2 has been going out for walks this week with some of her friends and their dog – she’s growing up and is enjoying being a bit more independent. Yesterday they were out with other friends so she went for a walk with me instead. Her only stipulation was that it had to be a muddy walk, so we duly donned wellies and headed off in search of puddles.
We ended up by the rope swing after tramping through the fields, and after a bit of play we wandered back through the woods. Thing 2 spotted some hearts in the trees while I was looking at textures, and then we started seeing lots of tiny things – tree fungi, mushrooms and moss that we enjoyed taking close-up photos of.
It was lovely to have some time with her. We crunched through leaves, looked under fallen branches and she even wanted to hold my hand occasionally….
This morning the intrepid Perimenopausal Posse headed off to Redricks for our second week of winter swimming – 11.8 degrees in the water, and sunny. Colder but less rainy than last week which really made a difference! Apparently we should be practising with cold showers in between swims….ha!
So that was week 29. I wonder what week 30 has in store?
What I’ve been reading
A Song for the Dark Times (Rebus) – Ian Rankin
The Postscript Murders (D.S. Harbinder Kaur) – Elly Griffiths
The Accusers/Scandal Takes a Holiday (Falco) – Lindsey Davis (Audible)
You’re Dead To Me (podcast) – Greg Jenner