…and other such middle aged concerns.
Back in the olden days (also known as the halcyon days when a good lie-in meant up in time for brunch, rather than 7am) I would wake up in the mornings, drift to the kitchen, make a cup of coffee and drink it while reading a book in blissful silence. I might have followed that coffee with more coffee and more book, perhaps even while enjoying a bath.
Mornings these days no longer look like this, not even on a Sunday. The only way I can guarantee a cup of coffee in silence is either to get up at 4.30am or, possibly, not to go bed at all. Recently Thing 1 has been waking up early and binging Chicago Med before school, and while I appreciate a hot doctor as much as the next person, I do love my early morning peace. Thing 3 has developed a penchant for asking difficult questions: Am I adopted?* What happens when cheese falls out of an aeroplane? What can I have to eat?
Today, as it was a swimming day and a Sunday, I managed to grab an hour of peace. The coffee ritual has changed so much in recent years. Now I accompany myself with difficult questions: have I taken my drugs today? What did I do with the mug I just got out? Why can I never find a teaspoon in the mornings? (and its corollary, what happened that pack of teaspoons I bought the other day?) Why does my ankle/back/neck/little toe hurt? What was I supposed to remember? Why is that song in my head? And the post-Covid classic, where am I supposed to be today?
I like to think that at least some of these questions will be answered over the course of the day, but I’m not holding my breath. Especially about the teaspoons.
(*no, sweetie, you’re stuck with us)
It’s technical fabrics week here in the
atelier studio dining room, with my first attempt at swimwear – a two piece in some funky fish fabric from Pound Fabrics. I chose the Oasis Mix and Match swimsuit by Ellie and Mac, which was one of their ‘wacky‘ patterns a few months ago. Each week they have a selection of patterns reduced to $1, which is about 77p – they also have their bestsellers reduced to $2 and a range of freebies, so well worth keeping an eye on. I have their duchess coat waiting on my to-do list, which is dramatic and swingy and I’m looking forward to swishing about in it when I get round to making it!
I used the print at home PDF pattern option, which has to be stuck together but they have trimless pages and you can also choose to just print the sizes you need which makes it easy to cut out. One reason for making this myself is that I’m different sizes on the top and the bottom, so could mix the sizes up for the best fit for both.
As with all their patterns, the pictorial instructions are step-by-step and really clear, and there’s a good range of options to make. I chose to make version one of the two-piece, with the high waist bottoms and the tie back. The thinking was that a two piece will be easier to get out of after a cold-water swim – I tested it this morning and while it was easy to get off I think next time I’ll make the extended strap version which ties at the front. I used a turquoise power mesh lining and was making it on my basic Brother LS14, which has a very limited range of stitches. It’s a great little machine but is best with wovens. I ended up doing most of the construction on the overlocker because of this, but the elastic had to be done on the Brother which meant a lot of creative cursing.
It’s not perfect but it didn’t fall apart in the lake or the washing machine so I’m counting it as a win!
I also made the Kaleidoscope dress from issue 98 of Love Sewing – dramatic sleeves and a swishy skirt. I used a 100% cotton double duvet cover I’d bought in a sale, with large Japanese-style cranes on one side and a plain dark green on the reverse. I love duvet covers for the sheer amount of fabric you get – eight square metres, so great for circle skirts. There wasn’t quite enough of the crane print for the whole dress so I used the plain side for the bodice, and print for the skirt and sleeves. I added pockets (why would anyone design a dress without them?) and pleated the sleeve head rather than gathering. The PDF pattern left a lot to the imagination – mislabelling pieces (shirt instead of skirt, for example) and very few markings so I wouldn’t advise it for a beginner. This is an issue with a lot of the craft magazines – they don’t appear to have proofreaders (or if they do they need new ones).
The dress went together quickly – I hate setting in sleeves so added them as ‘grown on’ ones, which combines a few steps. The channel for the elastic was a nightmare, and the sleeves really need to be finished better as a result. I wore it to work on Wednesday, however, and it was a showstopper: it needed a belt so I added a burgundy obi-style one, and so many people commented (the sleeves! the fact that it was made of a duvet! the dress!). The cotton fabric gives it some structure, rather than the drapey viscose the pattern recommended, and I’m glad I chose it! I can see this one coming into heavy rotation. I do love a dramatic frock!
And that’s been my week, mostly! Thing 2 had her 13th birthday on Friday, so this week I will be heading into Westfield with her and two of her buddies for a shopping trip, as well as visiting a children’s centre and an arts centre. My beloved is off for half term with them, so I get to go to work. Lucky me….
What I’ve been reading:
The Onion Girl/Dreams Underfoot/Spirits in the Wires – Charles de Lint (Newford series)