172: Piriton, Posters and Prosecco…

…both of which knock me for six these days which at least means I have slept well!

On Monday I was fifty, and while for the past few years my birthday has been celebrated in the garden with barbecues and coffee tequila, this year I’ve been training hard for the Race to the Stones so I didn’t plan anything. My lovely neighbour Sue had invited me round for a hot tub in the evening, which turned out to be a surprise mini-gathering with cake and fizz and presents, which was most unexpected and very lovely!

The cake did actually catch fire, thanks to Jill’s sparklers and decorations – not down to the number of candles: all we in the garden heard was “happy birthday to AAAARGGH!”.

Presents included a selection of plasters and a voucher for our local salon so I can book myself a post-Race pedicure or massage – bless them!

The second prosecco event was the private view of Young V&A on Wednesday evening, at which I was so excited I didn’t take any photos.

Even knowing what to expect (having worked on it for five years!) I still had a wow moment when I walked in and saw it full of colour and people. Last time I was on site, about two months ago, it was in full chaos with cases and objects being installed, and it seemed very unlikely that they’d ever be ready to open on time.

The mission – thanks to a throwaway comment by a snarky pre-teen – was to create the most joyful museum in the world. There were definitely moments during the five years that joy was in very short supply, but the end result is wondrous. At the event I attended there were adults and children interacting in the all the ways we’d hoped and my new colleague Cassie who joined me at the event was enchanted too. The museum is bright and full of colour, yet definitely not a play area. Opening up the roof lights has changed the atmosphere in what is essentially a Victorian greenhouse. The huge gallery titles bring colour and playfulness to the central space – not to mention the flying Microlino car – and there are still enough ‘I had one of those!’ moments to draw in the adults. Clever moments like the Teenage Mutant Ninja Turtles’ house being added to the dolls houses make you smile, as do the poems commissioned from people like Michael Rosen and Valerie Bloom to illustrate the letters in the ‘Apple is for A’ section.

The Design gallery – the one I worked on and which at times felt like an afterthought – does exactly what we wanted it to do: brings the stories of the design case studies to life, and highlights the work of young people. Works by teens are hung next to work by Issey Miyake and Bethany Williams, and I was sneakily thrilled to see the border panel I made as part of the quilt. The open studio was filled with people, the ‘boob carpet’ is in place (go and see what I mean) and the Shed walls were filled with amazing pieces by the resident Clara Chu.

The overall shine was tarnished for me by the discovery later in the week that for some reason the V&A’s director, Tristram Hunt, had ordered the removal of two posters from the ‘Design gives people a voice’ display and some books from the shop. The space limitations in that area of the gallery meant that every single object had to work hard to get its message across, was included after much debate and the gallery had been through multiple presentations to the directors and various trustees before this point. Our ethos throughout the project had been to reflect our audience in what we showed and to be genuinely inclusive. To have a Stonewall poster removed and the books from the shop – on the anniversary of Pride in London – denies and devalues the work we did towards this. Kristian Volsing, who was lead curator on this gallery, wrote a brilliant blog post this time last year about the pieces. Please read it and understand what our mission was.

I’d be interested to know what prompted the decision to censor objects in the gallery and in the shop mere days before opening and what apologies will be made to the communities being hidden by the V&A. I hope Hunt is challenged and the objects are reinstated. So far he has refused to retract the decision despite representations from the LGBT staff forum and the union.

As for the Piriton…bloody mosquitoes.

Next week’s blog may be late as I have to go for a walk…

Kirsty x

What I’ve been reading:

Saturnalia/Alexandria – Lindsey Davis

Amongst Our Weapons – Ben Aaronovitch (Audible)

Back When We Were Grown-ups – Anne Tyler

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