222: a nettle-strewn hellscape, you say?

Last Sunday afternoon London sister Tan and I went for our first long walk for aaaaages – well, since the ludicrously long one we did last July. She’s been running a lot (marathons and half marathons) while I have been doing weekend wanders and hoping that at some point the rain will stop long enough for the footpaths to dry out.

Despite her belief that Essex is a fly-blown wasteland, Tan trekked over to my ‘ends’ and we did the Moreton and the Matchings circular walk that I’d tried a couple of times last year. It takes in a few pretty churches and villages, and – as it turned out – a LOT of nettles that haven’t been cut back. These were head height in places, with added brambles, and some farmers haven’t cut the crossfield paths so many detours were taken. I spent some time on Monday morning reporting all this to the council, who may or may not get round to looking at it in an estimated nine weeks or so. Add the detours to my legendary (lack of) sense of direction, and the 17k walk came in at just under 20k.

You can just see the top of my head – this was a waymarked footpath!

We stopped for a snack break (Mini Cheddars, Snickers and coffee) on the green at Matching, next to the very pretty medieval marriage feast house and the church, facing an oak tree that was planted for Queen Victoria’s jubilee in 1887. The friendly vicar came along and very helpfully told us that they had a toilet, which made us happy. We saw kestrels, heard a lot of pheasants, snuck up on a few bunnies and a muntjac, and apart from the extremely hardcore nettles it was a good ramble. We finished with a look inside the 13th century St Mary the Virgin church in Moreton, where we’d parked the car, and then she refused to take my directions on the way home and insisted on using the satnav. Honestly!

Still, Tan’s opinion of Essex has changed – it’s now a nettle-strewn hellscape. Which is nice.

So how’s that skirt coming along?

Very well, thank you for asking! Having definitely said last week that I wasn’t going to do any boro patching as it would be too cottagecore for words, I remembered that not only did I have some Japanese prints in the stash, I had a boro inspiration pack from Japan Crafts that some lovely Secret Santa gave me a couple of years ago when the Young V&A theme was ‘blue’ so clearly DESTINY was saying DO A PATCH.

Also, the skirt doesn’t have pockets, and I NEED pockets, so I made a boro patch as a pocket. I used some of the indigo fabrics, some scraps from the V&A sample sale, and a square of cotton as a base, and lined it to make a patch pocket. That was my portable project on the tube this week, and it was clearly performance crafting as people kept watching me. As well as the running sashiko stitch, I also used some of the fabric features to embellish with lazy daisy stitch and outlining hexagons. I enjoyed it so much that I looked for other things to boro – starting with some of the zillion cotton tote bags I have collected over the years, probably! This will also encourage me to use some of the embroidery threads people keep giving me…

I gave up on all my marking tools and just used washable poster paint to mark out the final bits of stitching I wanted to do on the skirt, which was lovely and messy and a good way to spend a Saturday afternoon after a morning of ironing. While waiting for the front of the skirt to dry, I marked up a fabric pouch that I bought in a Hobbycraft sale with the Seigaiha (wave) stencil, and then used Bondaweb and more fabric scraps to create a boro panel on a tote bag. The yellow marking pencil worked on this, so I used the Sakura (cherry blossom) and Fondou (weight) stencils for a panel as well. That should keep me busy! Also, guess what everyone is getting for Christmas?

Things making me happy this week

Cat insurance. Lulu isn’t well and the vet quoted me £600. Once I’d stopped freaking out they helped me put the claim in so that they would be paid directly. Now we just need to get the meds down her.
Inter-library loans, and new colleagues who recommend books to me. The two may be connected.
Lots of strawberries and raspberries from the garden
Coffee with Brian on Thursday morning and a colleague who is leaving asking if they can join my early morning coffee roster. This is clearly now A Thing.
Cinnamon Bun flavoured Pretzel Flipz.

Today I am off to hang out with illustrator Skye Baker at the Little Angel Theatre community street party in Islington, where we’ll be illustrating houses.

Next week I may even have finished the skirt – the problem is always knowing when to stop with these things….

Kirsty x

What I’ve been reading:

Demolition Angel/The Forgotten Man/The Watchman/The Promise – Robert Crais

Shadowstitch – Cari Thomas

Neither Here Nor There – Bill Bryson (Audible)

221: you know they sell those, don’t you?

A few weeks ago, as you may remember (it’s fine if you don’t. Really.) A & I visited a cemetery in South London and took in a charity shop while we were there. I bought a couple of linen skirts, one in navy and one in black. This week I have been bombarded by adverts from a clothing company who sell Japanese-inspired printed dresses and skirts and sashiko-style prints featured heavily. I did a sashiko mending course last year at the V&A, so – as all crafty types have a bad habit of doing – I decided to make my own version using the navy skirt.

I have the templates, I have the threads and needles, and in theory I have a whole variety of marking tools for use on fabric. Chalk pencils, marking pencils, air-erasable chako pens, heat-erasable markers, dressmakers’ carbon paper, fabric pens…I have them all and none of them did the job, The chalk pencil snapped. The marking pencil only made tiny marks with the stencil but was good with a ruler. The chako pen disappeared within seconds. The heat-erasable marker didn’t work on the fabric. The fabric pens don’t show up. The carbon paper tears. Something that should be straightforward has turned out to be rather frustrating. The only thing I’ve found that does work with the stencils is a Derwent white blender, which washes off me and the stencil so I really hope it washes out of the fabric too….I probably should have checked…

Anyway, I have done a row of sakura blossoms and the next row will be waves, I think, though I might use some of the patterns from this book if I can find a way of marking them! I may also try some boro patches, but don’t want to lean too far over into folksy/cottage core. At least I don’t think so – my mind just recalled some Japanese cotton prints I have in the stash. Oh dear.

You’re supposed to use a running stitch but in some of the curves I found it easier to take individual stitches. You can definitely see where I started, and in which direction I travelled. Once you’re actually sewing its quite a fast craft, but the marking may defeat me!

Other things making me happy this week:

Visiting RIBA to talk about potential for working together, and getting a tour of the building – I have serious architecture and learning room envy.
And as I was in the area, I messaged my lovely ex-director and for once she was working at home. We had a walk in the sunshine round Regent’s Park and I found one of Quentin Blake’s Enormous Crocodiles in the wild.
Early morning coffee this week with Amanda at EL&N in St Pancras. St Pancras always makes me want to hop on the Eurostar and head off into the wilds. Sadly neither of us had our passports and we both had morning meetings. Ah well.
Finishing the crocheted Christmas cactus. This one was a lot of trial and error and the flowers need a bit of work.
Running into another friend at the station – you know that friend who gives the best hugs? That one!
A great kick-off meeting for a community project with The Parent House in Islington.

And now I am off to investigate the shed to see if I can lay hands on that quilting fabric…

Kirsty

What I’ve been reading:

L.A. Requiem/Chasing Darkness/The Last Detective/The First Rule/Demolition Angel – Robert Crais

Shadowstitch – Cari Thomas

The Lost Continent– Bill Bryson (Audible)

209: casting about

I should make it clear that there are no cats in this post, despite the cover image – it came up when I searched for ‘cast concrete’. Cats are nice, though, as Terry Pratchett’s Death memorably said. It was the anniversary of his passing this week, so it feels right to reference him here, as one of the only public figures whose death has made me cry.

Last Sunday I finally got round to trying one of the craft kits I’d bought with the Obby voucher my lovely Young V&A colleagues gave me as a leaving gift last year. I had great fun choosing some things I’d never tried before – a wet felting pebble kit inspired by one of the artworks at Kettle’s Yard, which I’d fallen in love with on my team outing last August, and a jesmonite casting kit from Creators Cabinet which was the one I tried out. I’d hoped to do a live and in-person workshop but there weren’t any available or scheduled when I was looking, sadly.

Jesmonite is a environmentally friendly resiny concretey stuff (probably) that one of my ex-colleagues Haidee Drew uses to make beautiful jewellery, and which can be used for HUGE and small things. The kit I bought was for making three small pots – a bronze nugget pot, a marbled pot and a split pour. The kit came in a lovely box which made it feel like a present (I like presents), and an email accompanies them with a link to a video workshop.

All poured and setting for however long it was

In the kit you get a bottle of the jesmonite liquid, a mixing stick and paper cup, the silicone mould, three pre-weighed packets of the jesmonite powder, tiny pots of bronze powder and black ink, and a pair of gloves. It all feels a bit like a science experiment, measuring and mixing and stirring and adding things and swirling!

The video, presented by a nice pair of people in aprons, shows you how to do all three pots step by step. I could have done with a few more close-ups on the pouring process and when the man said ‘leave this to cure’ it would have been helpful for him to have added ‘for 30 – 40 minutes’ but otherwise the process was straightforward and Google had the answer. The paper mixing cup provided started leaking by the fourth and final mix so I had to quickly transfer it to a plastic pot, but otherwise I liked the principle of ensuring all the packaging is biodegradable. The silicone mould is reusable, and their bottles are made from sugarcane.

It wasn’t too messy, and I enjoyed the mixing process and mucking around with bronze and black pigment. The bronze nugget one (the first one I made) isn’t perfect as I think I used too much bronze but I still love them and would happily have another go, They feel lovely, heavy and smooth like stone, and I’ve put tealights in them for now.

Other things making me happy this week

Getting to see a bit more of Islington on my way to and from a network meeting (with hot cross buns)
Making everybody squish the new scarf I’m making out of the lovely Drops Alpaca yarn that was a birthday present a couple of years ago. Sorry team but it’s JUST SO FLUFFY.
Cinnamon buns made by Thing 2 – she’s a handy child to have around
Joining a ‘visioning day’ with the Pollocks Toy Museum team at Holy Trinity Dalston – the church where they hold the clown service. There was excellent home made cake and I made a new friend – it’s lovely when you hit it off with someone!
Canneloni for dinner on Saturday – such a faff but so worth it
A sensible thought process: I need to go for a walk and I need to buy something for dinner, therefore I shall walk to Tesco. It was sunny and warm, for a change.
Good progress on the latest cross stitch – I’m using an app called Pattern Keeper which is SO much better than paper charts. I have a unfinished paper chart piece so I might try scanning the pages in for the rest of it and see if that works, as there’s lots of ‘confetti’ (single scattered stitches) in the piece and PK makes this easier.
Coffee and a catch-up with Heather
The water at the lake breaking double figures again – spring has sprung!

This week I am off to Pallant House Gallery in Chichester for a conference – a new place and a train journey! I do love a train.

See you next Sunday then,

Kirsty x

What I’ve been reading

A Boy of Chaotic Making – Charlie N Holmberg

Killing the Shadows – Val McDermid

The Cat and the City – Nick Bradley

At Home – Bill Bryson (Audible)

Sweets: A History of Temptation – Tim Richardson

198: we’re going to need a bigger wardrobe

Traditionally this should be a round-up of all the things I have achieved since making my new year’s resolutions last year, but since I didn’t make any (see here) you get a round up of the last week instead.

In between things like Christmas and visiting the Timeshare Teenagers and being made to go to Westfield by Thing 2, I have managed to steal some time with the sewing machine making use of the great piles of fabric lurking in my house. One of the contracts that my Beloved’s firm manages is a clothing manufacturer who have a range of brands, and once they discovered that I make ‘stuff’, they send their samples and end of rolls home with him rather than to landfill. Some of it (anything with animal print, for example) gets passed on to a lady down the road who also makes stuff, and what she can’t use gets passed on to the secondary school that her grandson and the Things attend. I’ve been using some of the larger pieces to experiment with some new patterns this week.

The first piece was the Stitchless TV Sculptural Bucket Coat – I think I saw it in an Instagram post and loved the shape of it so thought I’d give it a go. This was the first time I have used a video tutorial to make something from a pattern, and it doesn’t really work for my learning style. I prefer a written pattern with diagrams that I can skim through before I start, and while I could watch the video through in the same way, I don’t want to sit through a half hour video before I start sewing. My first choice of fabric was a medium weight quilted stretch but whichever way I laid out the pieces there wasn’t quite enough and I didn’t have anything of a similar weight to colour-block with. However, while finding this out I discovered a digital print stretchy crepey something-or-other from the same source. There wasn’t quite enough of that one either but in another box I found a scrap of purple scuba which was just enough for the sleeves and the collar. I didn’t find my interfacing, however, which would have been useful.

The collar had to be pieced and is a total dog’s dinner as I didn’t follow the instructions properly (the video tutorial was not helpful here, it needs to be better ordered – or I need to watch it through first), and I sort of made up the finishing as it was all going on too long. I love the shape and the giant pockets that are formed by the seams, and if anyone ever asks me to a wedding I could see me making another. I really would rather have written instructions though and probably won’t make anything else from this company.

Next up was a couple of tops using my favourite Centerfield Raglan Tee by Greenstyle Patterns – the last set of these I made are looking a bit battered now as they’re my go-to for working at home and weekends. I used a plain black jersey for the sleeves and neckband, and for the front and back panels I chose a space invaders print that I picked up at the Knitting and Stitching show last spring, and a galaxy print that was going to be knickers but it was just too nice to hide (and once you’re over a certain age people get worried when you show them your new pants). These come together so quickly, especially with an overlocker and when you can’t be bothered to hem them. I hate hemming stretch fabric so I just overlocked the edges in black and called it a design feature.

I did find an alternative project for the quilted stretch fabric – Little Ragamuffin Patterns’ Doubledown Day Dress, which I’ve made before using a Moomin print, the assassin hood and thumbhole cuffs option. This time I went for sleeveless, as I only had enough fabric for one sleeve, and in the longest length. Again, this comes together really quickly with an overlocker. The fabric is a pain to cut but sews up quite well. I plan to wear it layered over a long sleeve tee. The neck still needs finishing and I may bind the armholes and hem as well, but it’s swishy and squishy and will be good for cold days.

After finishing the Hydrangea blanket last week I decided to make a scarf using the leftover yarns – following the same colour pattern but using the C2C method. Usually this makes a square but it can be turned into a rectangle with a little tweaking, and who doesn’t need another scarf at this time of year? It’s wide enough to double as a wrap in chilly meetings, too.

I have one more pattern cut out and ready to sew – in a lightweight merino blend fabric, also from the clothing manufacturer. The pattern is The Maker’s Atelier Unlined Raw Edged Coat which was an advent giveaway from The Fold Line. I like things that don’t require hemming! This will be more of a ‘shacket’ than a coat as the fabric isn’t windproof. So that’ll be my job for today….

Other things making me happy this week

A chilly swim with Sue and Jill yesterday, followed by a bacon roll and hot chocolate
Carols on the Green in Epping on Christmas Eve
Walk and coffee with Jill and Miriam
A lovely Christmas Day with my little family and some excellent presents
An equally lovely Boxing Day with the Timeshare Teenagers, and Grandthings 1 and 2
Turkey soup, once the ostrich had been dismembered

And now I have some sewing to do and breakfast to eat, so I will see you next week!

Kirsty x

What I’ve been reading:

The Man in the Moss/Curfew(Crybbe)/Candlenight – Phil Rickman

Lost Christmas – David Logan (Audible)

Map Addict – Mike Parker

The Man Who Died Twice – Richard Osman (Audible)

186: unprecedented restraint

Yesterday was our crafty annual pilgrimage to the wilds of North London for the Knitting and Stitching Show at Alexandra Palace (‘our’ meaning Heather and I, partners in crafty crime). This year we’d decided to book a workshop, and found one on free-motion embroidery led by Molly Brown. This was something neither of us had tried before, and of the available workshops it was also the one we thought we probably couldn’t teach ourselves.

Molly took us quickly through the workings of the Janome Atelier machines we’d be working with, and then explained the process she used for making the tree embroideries. We started by tracing our trees onto pelmet Vlieseline, then delving into piles of organza scraps to create our background. We enclosed these in net and stitched around to hold them all in place (in my case, I managed to stitch the instruction sheet in as well), and then flipped the piece over to embroider the basic tree shapes.

Once the trunks were stitched we turned our trees up the right way and used the thread to ‘scribble’ in the branches, fill in the trunks and add any details we wanted. I added some smaller plants on the ground, and the ninety minute session finished far too quickly. It’s a technique I’d like to try again and I know I can drop the feed dogs on one of my machines, I just need to remember which…

The rest of the show was busy – I don’t usually go on Saturdays, for this very reason, and the usual crunch spots like Black Sheep Wools were packed with people rummaging through bargain bags. Anywhere there was a wandering Bee was also busy, of course! In a moment of sensibleness we’d taken packed lunches – food is reliably overpriced and disappointing – so we picnicked overlooking the ice rink before tackling the second hall.

One of the highlights of the Autumn Show is the exhibition section: graduate showcases, quilting winners, textile galleries and more. Many of this year’s shows appealed to my inner magpie, with mixed media pieces blooming with shiny things and found objects.

The final exhibition was The Duster Project by Vanessa Marr, which you can read about here. This is a collaborative project, which explores contemporary perspectives on the everyday lives of women.

Heather and I were very restrained, coming home with only a sewing pattern each and a few bits and bobs. This was mainly because neither of us have finished the kits we bought last year, and in my case also because earlier in the week I’d used the Obby voucher that was my leaving gift from Young V&A. I now have a jesmonite casting kit and a felted pebbles kit inspired by Kettle’s Yard.

Other things making me happy this week

Early morning coffee with Amanda
Ice cream and a wander round Roath Park
Getting up to date on the temperature supernova
Breakfast and speedview session at New City College
The Undertones supported by The Rezillos – so good!
Series 5 of Ghosts

Today is Apple Day at Copped Hall, so it’s family outing time again…same time next week?

Kirsty x

What I’ve been reading:

This Is The Night They Come For You – Robert Goddard

The Dictionary of Lost Words – Pip Williams

Written in Dead Wax – Andrew Cartmel (Audible)

An Utterly Impartial History of Britain – John O’Farrell

The E. Nesbit Megapack – E.Nesbit

175: back in my happy corner

It has been a busy couple of months, what with all that training taking up weekends and so on, and apart from the ongoing tube crochet I haven’t done a great deal of making stuff. I started a laptop bag using this free tutorial and a yellow waxed cotton to match my beloved Fjallraven backpack, and I really must finish it off just as soon as I find where I put it.

In May I answered an open call by Tauko, a Finnish/German magazine, to be part of the Make and Share community for Issue 8’s patterns. I’d bought a couple of their patterns before, as I like their aesthetic, so the opportunity to test a new design with a free pattern was pretty irresistible.

We were sent a digital proof of the magazine and asked to choose the pattern we’d like to make up, and the deadline (but a relaxed one, as tauko means to pause or take a break) was publication date on the 18th of July. I must admit it hadn’t really occurred to me how much of June’s weekends would be taken up with training, due to being deep in denial about how far 100k actually was, so in the end it was all a bit of a rush! Day one of this project was the Tuesday following the Long Walk, so I mostly did it sitting down and watching the Great British Sewing Bee.

I chose the Kindling top, designed by Shannon McCann, as I like a structured top layer. I have a habit of working in historic buildings with erratic heating so a bit of quilting never goes amiss! I liked the wide sleeve option and the side ties, and the bias bound hems.

In my stash I had a double duvet cover in 100% cotton that I’d bought in a sale, which meant I could skip a step and cut out the lining and outer fabric at the same time. You can see the top fabric above, and the reverse is a pale sage colour. Also in the stash I had some sage green bias binding, again from a sale, and some toning grosgrain ribbon that had been handed to me as part of someone else’s clear-out. As long as I wasn’t too fussy about thread matching, the only thing I needed to buy was some cotton batting for the inner layer. I bought a fairly thin 100% cotton one to avoid too much bulk, and all the scraps went to my beloved to use either in the compost or to line plant pots. The batting was opaque which made it a bit tricky to line up the layers properly – one reason why you have a lining as well as a backing in other items, and if I make this again I’ll use an additional layer. I may make a sleeveless version, as I have enough fabric left from the jumpsuit I cut out today in a dark green otter-print fabric.

I started by cutting out the pieces and quilting them with simple vertical lines – my long acrylic quilting ruler made marking the lines easy, along with a heat-erasable pen. I spaced the lines quite widely, and stitched them with a multicoloured thread. Construction after this was very straightforward, the pattern instructions are clear and thorough, and the piece is easy to size.

Once the front and back are quilted, the shoulder seams are stitched and bound with bias binding, which gives a lovely clean finish. All the seams are supposed to be bound, in fact, but I confess I didn’t bind the inside of the sleeves as I was short on time. I used a zigzag stitch to finish them instead.

Next up was binding the edges. The pattern calls for creating your own ties using the bias binding, but as I had this pretty toning ribbon I skipped that step as well and. Binding around the outside is a single straightforward step, though I did have to unpick a few times when I forgot to tuck the ribbon out of the way.

The neckline was where I nearly threw the towel in and the sewing machine out: this should have been a very quick job but my trusty Brother LS14 is badly in need of a service and the tension keeps slipping. I tried rethreading, changing the bobbin, swearing and all other known sewing tricks, but kept getting the dreaded birds nest on the reverse and having to unpick. I gave up for the day instead. As you can see from the image above, the sleeveless version is very wearable and I gave some thought to making detachable sleeves with poppers.

I was in a much better frame of mind a few days later, and the first thing I did was to wind new bobbins and rethread, which solved the birds nest issue and the neck binding went on easily. I was tempted to leave it sleeveless but I’d already cut and quilted them, so…

The sleeve hems and heads are bound and then attached to the bodice. This was the trickiest bit: I’d marked the notches with heat-erasable pen, as the snips had been bound over….and then I’d ironed it. It took a while to work out where to start and stop sewing as obviously I needed to be able to move my arms in it, but I got there in the end! Again there was a bit of unpicking where I’d pinned wrong, but the double bindings create a structured effect so worth the effort. A quick press and try on, and then it was time to nag my beloved to take photos in the garden. Apart from making a sleeveless version, if I make it again I’ll crop the sleeves and use a thicker batting, but I can see this getting a lot of wear.

In other crafts…

June updated on the Supernova – hottest June on record, apparently

The nudibranch and mushroom sprite patterns are by Crafty Intentions, and the crochet round barrel cactus is by ZoeCreates.

This week I am looking forward to a belated birthday dinner with Amanda celebrating our 50ths, and another visit to The Museum of the Order of St John.

Kirsty x

What I’ve been reading:

The Good, The Bad and The History – Jodi Taylor

Queen Charlotte – Julia Quinn & Shonda Rimes

Whispers Underground/Broken Homes – Ben Aaronovitch (Audible)

Odds and Gods/Ye Gods! – Tom Holt

The Forgotten Witch – Jessica Dodge

154: oh, darn

This week has been all about learning new skills, in the spirit of my New Year’s revolutions: an online course in pattern cutting on Sunday, with Monisola Omotoso of Pattern Cutting Deconstructed, and two in-person courses on Visible Mending with Hannah Porter of Restoration London. All of them were part of the V&A Academy offer.

Pattern cutting was a completely new skill for me, as usually I use ready made patterns from either the ‘Big Four’ pattern companies or smaller indie designers. I didn’t know what pattern cutting was or how it translated to the bits of paper I apply to fabric and cut out, so the theoretical aspects were interesting, and it also introduced me to a new fabric called aso oke, a hand woven West African material used to make gorgeous traditional wraps and robes.

Starting with a look at Moni’s own career working within the fashion industry and as a freelance cutter at companies like Alexander McQueen, the course took us through how draping in 3D translates to 2D paper patterns, how aso oke is being used on the catwalk today, before taking us through the process of creating a pattern for a top using our own measurements. Aso oke is woven in fairly narrow strips, so you work within the width of these, although the pattern could then be used with any fabric. It also comes ready hemmed, so you don’t have to finish your garment in the same way as you would a ‘by-the-metre’ fabric. I bought my fabric at Metro Textiles.

As the garment is symmetrical, you only create half a pattern which you then cut on the fold of the fabric. Moni took us through the process of pattern marking (darts, notches etc), and even managed to do a bit of on-screen sewing using the paper pattern which was apparently a first for the V&A Academy! I’d highly recommend one of these courses – short tasters, which at £15 for 90 minutes is very good value.

The second two courses – Visible Mending – were in person at the V&A yesterday, which meant I got out of the house and spent a lovely day being peacefully crafty. There were only 16 people on each course, so Hannah was able to give one-to-one help where necessary, and all materials were provided along with tea, coffee and biscuits. At £35 per course this is very reasonable.

The first 90-minute course was on Sashiko stitching. I had done this course online previously, and enjoyed the opportunity to learn how to do it in person with proper materials as opposed to those I scrounged out of the shed (it says something about me that I had all the things I needed in the shed, but let’s not go there). The course covered sashiko – beautiful Japanese traditional stitching patterns – alongside satin stitch patching and boro. Sashiko means ‘little stabs’, we were told, and refers to the running stitches used to create the designs. Satin stitch is a dense coverage stitch which is used to fix patches behind holes as well as for decorative embroidery, while boro means ‘ragged’ or ‘tattered’ and refers to layering fabric patches to add warmth and strength to garments as well as for repair. Old garments would traditionally be used to create the rags when they were beyond repair, giving them further useful life. You can see my attempts below!

The second Visible Mending course was on darning, which I haven’t tried before but which is a handy skill to have if you’re going to make your own socks. Again, we were taught three techniques over the session with varying degrees of success! Materials provided included various coloured yarn, knitted samples to practice on and a square of stockinette stitch fabric.

Swiss darning was first up – also known as ‘duplicate stitch’, it can be used to add surface details to knitted pieces as well as to mend and reinforce knitted fabrics. Once I’d got the hang of it it wasn’t too tricky, but my first attempts kept going off the straight line of base knit and off on tangents.

We also tried woven darns, creating a warp and weft from yarn to cover and reinforce the holes we’d cut in the perfectly good squares. Mine were messy but did the trick which I suppose is the point! The houndstooth darn with tassels was a proper dog’s dinner, and I don’t think I’m quite ready to wear my darns with pride, but at least I can fix my socks….

Other things making me happy this week:

Two days with the wonderful DT classes at Ursuline Academy, retesting our ‘Design Can’ sessions and the ‘If the Shoe Fits’ session
A day at St Andrew’s primary in North Weald, working with the asylum seeking families currently staying in the village – so much fun and creativity
Walking therapy with Miriam putting my head back together
The Ninja Foodi thing. It’s my new best friend.
Finishing my dragon scale socks (then realising a) they were two different sizes and b) neither of them fitted me so I have frogged both of them back to before the heel to redo them)

Now I have to go for a training walk! Same time next week…

Kirsty x

What I’ve been reading:

Small Favour/White Knight – Jim Butcher

The Fifth Elephant/Snuff – Terry Pratchett (Audible)

150: make, do, and mend.

Another week which has zoomed (or at least MS Teamsed) by in a whirl of meetings and emails. The high point of the week was a day at the Wellcome Collection, host for the Endangered Materials Knowledge Programme’s two-day workshop on the role of Mending and Making in museums. I attended day one in person, and dropped in to the morning of day two online. EKMP is a programme set up to research and capture the skills, technology, knowledge and values being lost as processes become more and more industrialised. It explores how these skills are being passed on, and connects source communities with museum objects. One of the speakers spoke about the annexing of the ‘make do and mend’ ethos from WW2: it’s not all about making do, it’s about making new, learning new skills and mending to extend or repurpose. Just the addition of commas changes the sense of the phrase (much like the ‘let’s eat, grandma/let’s eat grandma’ example).

In museums (in my head, anyway, I am sure conservators will tell me I am wrong), I have always assumed that damage is part of the story of an object: the evidence of being buried as grave goods, the reason something was thrown away, the story of on object surviving centuries underground. You know, the stuff that ends up on archaeological display in the British Museum – helmets with bloody great blunt instrument damage, for example.

As we know from Instagram and so on, ‘visible’ mending – sashiko, boro, kintsugi, darning, etc – is enjoying a moment in the limelight as a reaction to the rise of fast fashion and consumer culture. In my explorations of the handling collection before we sent it off to other museums, invisible mending was more apparent: the ricrac braid covering the tell-tale line where a dress had been taken up or down, miniscule stitching on tears or holes in baby clothing. The attendees of the conference – fabulous people like Kate Sekules and Bridget Harvey, and Celia Pym who was lurking online – wore clothes with gorgeous rainbow darns and embroidery highlighting and reinforcing holes. Catherine Reinhart was darning socks and Catherine Howard brought vintage textiles and encouraged people to tear and mend squares in any way they liked, to add to a collective project. There were lots of links made between making, mending and mental health and wellbeing – both collective and individual. I was secretly thrilled when several people commented on the dress I was wearing (one of my repurposed duvet covers) and my quilted jacket (ditto). Talks on yurts in Kyrgyzstan and fishing nets, on how saris are repurposed, explored how fabrics are remade to support new pieces when they are too far gone to repair.

Of course, it wasn’t only textiles, though this was what had attracted me in the first place. There was a talk on why miniature artists make using repurposed household objects, patchwork and bricolage in southern Africa, and from someone who used an old French horn to give his lawnmower a new lease of life. All of these were basically a justification for never getting rid of things which may come in useful (my Beloved would agree with this: he was thrilled when making our deck to use a piece of oak which had been in the garage for 30 years, in case it was handy).

I was particularly interested in a talk on damage and repair in Iron Age shields, which challenged the theory that things like the Battersea Shield and other objects previously thought to have been made purely for ritual purposes or flashy display had actually been used in battle until they were no longer repairable. X-rays and scientific testing showed craftsman-level repairs of small damage presumably caused in day-to-day use, perhaps training – and when damage was inflicted in battle the repairs were deliberately obvious, maybe to say ‘OK, I survived this – come and have a go if you think you’re hard enough’. Only when the shield or helmet’s owner was dealt a death blow were the objects consigned to grave or the liminal spaces of the rivers and lakes.

There was, of course, lots of interest in the museum reopening and the work I have been doing with Spotlight and Scott Ramsay Kyle on sustainable fashion and mending. I also caught up with Scott this week, over coffee and a tour of his department at Central St Martins. I’d have loved to have had a go on the looms and spinning wheels, as well as spent time talking to the students. They had a swap shop going on, where students could bring materials left over from projects and swap for something they needed. UCL have a Repair Cafe, part of a worldwide movement, which helps people mend and repurpose.

Later today I’ll be catching up with an online session from the Textiles Skills Centre – find their YouTube channel here – from their Tea ‘n Chat series. After I have defrosted a bit from my ice swim this morning…

Other things making me happy this week…

First training walk done for the Race to the Stones. Just under 9km, negotiating swamps and electric fences. Only six months to get up to speed! https://www.justgiving.com/team/Gwrachod-Ar-Daith for more info on who we are and what we’re doing.
Nice conversation with an older lady on the tube about crochet
An update on the museum’s progress.

Now I must go and defrost a bit…. same time next week!

Kirsty x

What I’ve been reading:

Summer Knight/Brief Cases/Death Masks – Jim Butcher

Guards! Guards!/Men at Arms – Terry Pratchett (Audible)

149: spinning around

Disclaimer: before I begin, any typos are the fault of trying to type at an angle due to having a lap full of cats. Attempts to dislodge them proved futile, as they just sat on the laptop. You have been warned.

As mentioned last week, my partner in woolly crime Heather and I were off to the Waltham Abbey Wool Show on Sunday to fondle yarn and to have a go at spinning on a drop spindle – something I have wanted to try for a while. An excuse to have a go at using all those gorgeous piles of fluff and colour and sparkle that are on offer at the shows, and also to learn a new skill.

Led by Michele Turner, aka Craftyheffalumpus, it was 90 minutes of woolly happiness: fluff and squish and colour and interesting crafty gadgetry. Many of these gadgets are surprisingly spiky (hackles and wool combs, for example) and I wouldn’t be at all surprised to find them popping up in a gruesomely bucolic (bucolically gruesome?) episode of Midsomer Murders. The Midsomer Weavers and Spinners Guild could be a force to be reckoned with. You read it here first.

There’s also a whole lexicon of new vocabulary: as well as the aforementioned hackles, there are batts, punis, roving, staple, noils, tops, rolags, slubs, and of course the fabulous niddy-noddy. We had a go at using some different types of spindle, working with different forms of fluff (assorted sheep! sparkly things!) and we all went away with small balls of yarn and a new excuse to go and squish (and sniff) different sorts of yarn at the stalls. My favourite was YarnTings with beautiful hand-dyed batts inspired by photos the dyer had taken.

I came home with some lovely things to spin, some sock yarns (of course) inspired by Doctor Who, and a spindle. There were some stalls missing from previous years but many new ones – I have some linen yarn to try making some jewellery with, which I haven’t seen before, and it looks as if it may need less starching than cotton thread. You’ll see from this week’s reading list that I have been doing some research, but so far I haven’t convinced my beloved that we need an alpaca/small flock of sheep for the garden.

Further adventures with Evri

Well, the missing parcels finally arrived! Having been declared lost in the previous week, they then reappeared and re-entered the delivery process on Monday with a ‘your parcels are out for delivery’ notification. They were not delivered. Tracking on Tuesday showed them as actually going backwards in the system to the sender’s local depot. They finally arrived on Thursday. Ordering something this weekend, I was offered the option of free delivery with Evri, or £3.50 for DPD. Want to guess which one I picked?

Swimming with the (frozen) fishes

Between starting this post and now, I have been up to Redricks Lake for a swim – well, a dip. The lake is covered in an inch-thick skin of ice in the dipping spot, and we did have to talk ourselves into getting in there today! I went up in my wetsuit for the first time since last March, and then took it off before I got in as the thought of wrestling it off again was daunting to say the least. I wore 5mm boots and my 3mm boots on my hands which looked very silly but meant I didn’t have to struggle getting the winter gloves off.

It was definitely only for the hardy today at a surface temperature of 1 degree and an air temp of -5…! Thanks to another swimmer for taking pics of Jill and I in the water…I have my new sparkly red bobble hat on, made by Jill’s mum, and my skin matched it when I got out! I lasted about two minutes and then made a dash for the hot choc and my heated gilet. My foresight in putting my pants and thermal leggings into my hot water bottle cover was excellent and I feel amazing now, honest…

Other things making me happy this week

Kick off meeting to sort out the handling collection before we move back to Young V&A
Omelette at The Full Monty in Bethnal Green
Going public with our plan to do Race to the Stones in July to raise money for Parkinsons UK in memory of David Anderson (my Uncle David)
New shoes, finally delivered by Evri.
Starting to construct the Sew Different Sunrise Jacket – happiness tarnished by discovering that I’d cut one set of panels out the wrong way round. There was swearing.

And that’s it – I’m going to go and defrost in a hot bath now!

Kirsty x

What I’ve been reading:

Fool Moon/Grave Peril/Summer Knight – Jim Butcher

Hand Spinning – Pam Austin

Spin to Weave – Sara Lamb

Spin Art – Jacey Boggs

The Practical Spinner’s Guide: Wool – Kate Larson

Thud! – Terry Pratchett (Audible)

134: What goes on in Cardiff in the dark

My left shin is currently sporting an impressive bruise, just at the height a medium sized dog’s head might reach if – say – they were overexcited by the the scent of a fox, it was dark, and raining, and the aforementioned shin was wearing dark jeans and boots. It’s an excellent bruise which is still changing colour and I do hope the poor hound in question – Kalie, who belongs to Jane, one of my Cardiff cousins – didn’t suffer concussion from the collision.

But why were you hanging about in the rainy dark in Cardiff, I hear you cry? Well, last Sunday London sister was running the Cardiff half marathon, so I went along for the ride and to give her a bit of support in the last couple of miles. My hound-owning cousin was also supporting, in several more places thanks to her speedy cycling, but it’s the thought that counts and I did see her at two places thanks to a bit of speedy lurching across Roath Park. The week before she had run the Ealing half marathon and today she is running the postponed (thanks to the Queen) Richmond half marathon. Mad but impressive. Anyway.

Apart from the extremely lengthy M4-avoiding detour through Newbury, Reading and other probably scenic bits of Berkshire on the way back, it was a lovely weekend. The detour on the way down, skirting Cirencester and Gloucester and through the Forest of Dean, was rather nice as we ended up in Monmouth without sitting in M4 traffic – which was where we were planning on stopping for lunch anyway. We had a bacon roll in Estero Lounge, which we felt we had to try as we’d seen it soooo many times on a local Facebook page. Usually asking when it was open, which luckily it was. It’s definitely a step up from Maureen’s caff and Buster’s the bus station caff, which were the options when we were younger at that end of town! We had a wander up Monnow Street, entertained the ladies in Salt & Pepper with our sisterly double act (but came away with a hat which didn’t make London Sister look like a) a mushroom or b)the Witchfinder General), and marvelled at Boots the chemist closing for lunch.

Dinner was in Cardiff at La Dolce Vita on Wellfield Road, where we had done a lot of shopping on weekends as children as we’d started life in Lakeside. Six of us met there for various pizzas, pastas, puddings and Prosecco-based cocktails* – representing most of the female cousins, apart from Irish sister who said Cardiff was too far for dinner and the other one. It was good to be reassured that the ability to carry on six different conversations at once is clearly a family thing (and going by the photos we are quite definitely family) – I was complimented the other week when I was running a registration desk at a forum on my ability to hold several conversations, remember a spelling and write at the same time, and this is clearly where it comes from. The restaurant runs ‘sittings’ in the evening, much like school lunches but with less custard, and they were very keen to get rid of us as we neared the end of our allotted time. They brought us the bill without being asked, and whipped all plates and glasses away as soon as they were empty. Cousin Sal took great delight in taking the longest time ever to eat a tiramisu… we then repaired to the pub to finish off conversations before walking back through Roath Park.

Roath Park was a very big part of my childhood: I remember walking through it on Sundays to ‘the Kiosk’ (now a coffee shop) to get the papers with Dad, and getting a Drumstick lolly to keep us going on the way back. It’s got a very nice lake, with plenty of bird life, pleasure gardens, rose gardens, a wild garden (that’s the dark one where Kalie ran into my leg) where the foxes live, a play area which was notable for having a massive metal slide when I was young, a cafe and various other things that any decent park wouldn’t be without.

After I’d raced across the park to see Tan at mile 12 (before ‘the Widowmaker’ as the final hill is as known) I rewarded myself with a rather nice ‘caramelised biscuit’ ice cream (Biscoff, by any other name) and wandered through the rose garden to the Conservatory which is a HUGE greenhouse type affair that we used to occasionally visit as children. I got bitten by a fish there once. Last time I went there were baby terrapins which I think had been retrieved from the main lake where they’d been released after Teenage Mutant Ninja Turtle fever had worn off. The terrapins are still there but a LOT bigger now, and one of them was doing yoga on the edge of the pool while the rest were just lounging about on a rock. The plants are also a lot bigger, and there is a pair of whistling ducks. I wouldn’t like to get bitten by one of the fish now, they’re enormous.

I did a bit of crochet as I sat on a bench (because I can) and then wandered back to Jane’s for a most delicious lunch cooked by her husband Jason – Moroccan Lamb with Apricots, Almonds and Mint which I cooked for my beloved on Thursday as he’s partial to a bit of lamb too. I’m looking forward to heading a bit further into Wales for half term in a couple of weeks.

*Other cocktails were available and indeed drunk, but they ruined my alliterative streak.

Ooh, bees!

Yesterday one of my crafty friends and I made our annual pilgrimage to Ally Pally to the Knitting and Stitching Show where we squished yarn, stroked fabric, marvelled at gadgets and furniture and spotted Sewing Bee contestants wandering about the place. We got there about half an hour after opening and left just before they threw us out, and we had a great time – Heather and I are butterfly crafters who like to try all sorts of things and often have many things on the go at once, so we take our craft shows very seriously. Before we went in we hit the Toft Metamorphosis space where we crocheted a circle to add to the HUGE butterfly.

This year we started at the far end of the show and worked our way back which meant we avoided all the mad old ladies with shopping trolleys and pointy elbows and had the chance to actually get into stalls. Heather is a DT teacher so we started with the quilting guild show and the gallery spaces, before heading into the stalls for some inspiration.

We had a fish finger sandwich for lunch and cake at 3pm (so disciplined!) – there was much more choice of food this year. At the cake stop we sat with two elderly ladies and we all showed off our hauls, so at least Heather and I know what our future in craft shows looks like! I also ran into one of my favourite freelancers from my Museum of London Docklands days which was lovely!

I came home feeling crafty and made a couple of Christmas decorations using this pattern and Paintbox cotton yarn.

Today I think we are off to Copped Hall Autumn Family Day, with as many children as we can drag out of bed, and this evening it’s the Full Moon Swim at the lake. And I really must do the ironing…. See you next week!

Kirsty x

What I’ve been reading:

I Believe in Yesterday – Tim Moore

Believe Me! – Eddie Izzard

Twelfth Doctor Tales/Tales from Trenzalore (Audible)