Week twenty nine: the magic of stories

Well, this has been a pretty miserable month so far for those of us working in the museum sector. Last week the V&A announced redundancies as part of the ‘recovery programme’, and this week the Museum of London followed suit. They aren’t the first by any means, and they won’t be the last: the Museums Association have a redundancy tracker on their site which this morning stands at just under 3,000 across the UK. Thank heavens for the unions – if you aren’t in one, join now.

These initial phases overwhelmingly affect the front of house, retail and visitor experience teams: the most diverse, the lowest paid, the ones who were on the front line longest at the start of lockdown, and the ones who were first to come back when we reopened.

You know, the ones who greet you on arrival, help you around the museum, take your payment in the shop. The ones who interact with you and share their vast knowledge: not just about exhibits and displays, but where the best places are for lunch with your fractious kids, what there is for you to do, and what else you might like to see.

And they are so versatile and talented: they research objects for ‘objects in focus’ talks, based on their own passions and interests. They develop and lead family and public tours. They tell stories. They run activities. They manage school groups in their hundreds, juggling the ones who are late for their sessions with the ones who came too early, and they mop up the ones who’ve been stuck in traffic. Spare pants for a damp child? Somewhere to empty the sick bucket? No problem.

They are also the ones in the line of fire when the building is evacuated, when there’s a first aid emergency, when the object they came specifically to see is no longer on display, when the café is too expensive, when the toilets aren’t working, when the school groups are too noisy, when there’s too many children in the museum. They smooth ruffled feathers with a smile on their face (even if they then come to the learning office for hugs and emergency biscuits).

Outside their museum jobs they are artists, illustrators, poets, designers of all types, PhD students, writers, jewellery makers, textile artists. Those beautiful props and puppets that support the stories you bring your kids to? Chances are they made those.

Some are hoping that the VE role is the first step onto the museum learning ladder, and some of my favourite colleagues over the years have started here. They are the ones who have the greatest understanding of the visitors for whom they are programming content, and who are the most outward facing.

We understand that these are strange and difficult times and the choice is to shed staff or potentially face the closure of museums across the country, possibly permanently. This week the Culture Recovery Fund announced lifeline grants awarded to smaller organisations – up to a million pounds – which will make a huge difference to their survival. I was really pleased that the Epping Ongar Railway, in my village, is one of the recipients.

It seems particularly insensitive, therefore, for the Independent Parliamentary Standards Authority to announce this week that MPs would be receiving a £3,360 pay rise next year ‘in line with growth in public sector pay’. It will be interesting to see if other public sector workers – nurses, police, fireman, culture and heritage workers, street cleaners etc – are awarded rises at the same scale. I don’t think I’ll put money on it.

Seeking comfort in the familiar

Its been suggested that people with anxiety disorders or depression seek comfort in rewatching familiar films or TV series. You know what’s going to happen and you don’t need to process any new information: which, this year, when we have had so much to take in, has been particularly important. My version of this is re-reading books, and probably explains why I can only listen on Audible to books I have already read!

So this week I have been thinking about books from my childhood that I still go back to now.

I’m going to start with the wonderful Dido Twite books by Joan Aiken. Officially this series starts with The Wolves of Willoughby Chase, but I was introduced to them with Black Hearts in Battersea. These have elements of steampunk, mystery, adventure, the Arthurian legend and more. I was really pleased to discover a few years ago that there were some later books in the series that I hadn’t read. Joan Aiken also wrote magical short stories – I loved the collection A Necklace of Raindrops, illustrated by Jan Pienkowski.
The Little House books by Laura Ingalls Wilder. There’s eight of these in the original canon, and some that were published posthumously which were based on her diaries. Highly romanticised ‘autobiography’, these books follow Laura and her family from the little house in the Big Woods (Wisconsin) to the wilds of Dakota, through to her marriage to Almanzo Wilder and their move to Missouri. I introduced Thing 1 to these books when she was in primary school, and she loved them too.
The Railway Children by E.Nesbit. First serialised in 1905, this story dealt with some quite adult themes for the period – the imprisonment of the children’s father for spying, Russian dissidents – and I cry every single time I read it. Don’t even get me started on the film – I love both versions. The Psammead books are great too (Five Children and It, for example), as is The Book of Dragons.
The Anne books by L.M. Montgomery. Starting with Anne of Green Gables and finishing with Rilla of Ingleside when our disaster-prone, red-headed heroine is all grown up and sensible, I love them all. So do my youngest sister and my niece, and I have started reading them to Thing 2 when she feels the need for a bedtime story.
The Moomin books by Tove Jansson. Thing 2 is named after the author. Moomins are small, hippo-like creatures who inhabit Moominvalley. The Moominhouse is always open to wanderers and people in need – mischievous Little My, who gets left behind by the Mymble who just has too many children; Thingummy and Bob, who find the Hobgoblin’s treasure; free-spirited Snufkin; the Hemulen; the Snork and the Snorkmaiden. Moominmamma’s heart and handbag are big enough for everyone.
Susan Cooper’s The Dark is Rising sequence. Arthurian legend brought into 1960s/70s England and Wales. Magic and legend. Good versus evil. Don’t watch the film, not even Christopher Eccleston could save it.
The Weirdstone of Brisingamen by Alan Garner. I do love the way magic appears in the real world – whether that’s fairies at the bottom of the garden, or the urban fantasy that I love now, I like the idea that there’s more to the world than we can see. I recommend The Owl Service by the same author, too.
The Hounds of the Morrigan by Pat O’Shea. Pidge accidentally releases an evil serpent from a book, and he and his sister end up involved in a battle between good and evil. There’s lots of help from Celtic mythological characters, it’s funny and touching and I really, really wish the author hadn’t died before finishing the sequel.
The Sword in the Stone by T.H.White. More Arthurian legend. This is the first part of The Once and Future King set, and it’s the one most people are familiar with from the wonderful Disney adaptation. The story of The Wart, an orphan looked after by Sir Ector and bullied by his foster brother Kay, this is the early days of King Arthur, before he pulls the sword from the stone. The rest of the books are pretty wonderful too.
Honourable mentions go to The Wind in the Willows by Kenneth Grahame, The Water Babies by Charles Kingsley, Lewis Carroll’s Alice stories, Charlotte’s Web by E.B.White, C.S.Lewis’s Narnia books, the Swallows and Amazons series by Arthur Ransome, the Green Knowe stories by Lucy M. Boston, Stig of the Dump by Clive King (and more – oh, so many more!)

There, that’s made me feel much more cheerful!

Jumper weather

I finished the crochet cardigan this week, and I LOVE it. It’s so cosy and warm, and the alpaca in the yarn makes it very soft. It’s oversized so I can fit layers underneath, and I can see this getting a whole lot of wear this winter. Thing 1 kindly modelled it for me, even though she protested as it wasn’t Goth enough.

The (Corona)Virus Shawl is also complete, using three balls of Drops Fabel – it’s not huge, so will be more of a scarf. What am I going to do in queues now?

I have started a stashbuster blanket for my new portable project – tiny (three round) granny squares in DK, using up leftover yarn from a couple of other blankets. I’m going for a patchwork effect this time, with lots of bright colours. My Coast blanket has another couple of rows – it just needs to be a foot or so longer, I think. The trouble with making giant blankets is that you get so toasty that you need a nap…

As you can see from the link, the Coast blanket is by Lucy at Attic 24 who designs the most gorgeous colourways and blanket patterns. It’s a shame to keep them in the house, really, so I am tempted to make one of her bags to carry around.

Tiny magic

Thing 2 has been going out for walks this week with some of her friends and their dog – she’s growing up and is enjoying being a bit more independent. Yesterday they were out with other friends so she went for a walk with me instead. Her only stipulation was that it had to be a muddy walk, so we duly donned wellies and headed off in search of puddles.

We ended up by the rope swing after tramping through the fields, and after a bit of play we wandered back through the woods. Thing 2 spotted some hearts in the trees while I was looking at textures, and then we started seeing lots of tiny things – tree fungi, mushrooms and moss that we enjoyed taking close-up photos of.

It was lovely to have some time with her. We crunched through leaves, looked under fallen branches and she even wanted to hold my hand occasionally….

This morning the intrepid Perimenopausal Posse headed off to Redricks for our second week of winter swimming – 11.8 degrees in the water, and sunny. Colder but less rainy than last week which really made a difference! Apparently we should be practising with cold showers in between swims….ha!

So that was week 29. I wonder what week 30 has in store?

Kirsty x

What I’ve been reading

A Song for the Dark Times (Rebus) – Ian Rankin

The Postscript Murders (D.S. Harbinder Kaur) – Elly Griffiths

The Accusers/Scandal Takes a Holiday (Falco) – Lindsey Davis (Audible)

Listening to…

You’re Dead To Me (podcast) – Greg Jenner

Week twenty-seven: in defence of craft

Here I am again, having survived my first trip to Tesco in two months. Survived is the right word – I haven’t seen it so busy since March, with people stocking up on goods in case the country goes tits-up (the technical term!) again. I’d just like to say I’m not hoarding anything except chocolate malted milk biscuits. Fat chance! The freezer is full, the cupboard is overflowing….and I bet I’ll still end up in the Co-op at least once this week. How does the Horde eat so much? Will their father eventually turn into a chocolate digestive? And…what did I forget?

On Friday I virtually attended an inspiring Zoom conference run by the Craft Council, entitled ‘The Future of Craft in Education‘, which was fascinating (catering was awful though…). I didn’t think staring at a screen for the best part of six hours at the end of the week would be possible, but it was over almost too soon. The organiser ensured talks were short, breakout groups were well-organised and I am in awe of the person who managed the tech as it was seamless.

What happens when you clear a space for your tablet and notebook.

Imagine my horror when the head of one of the big academy chains declared that in order to help children ‘catch up’ with their education they would be abandoning creative subjects in favour of maths, English and. Science. The head of my daughters’ academy (who is, tellingly, from a drama background) was keen to reassure us that they would be looking at how to build core subject knowledge into the rest of the curriculum so students didn’t miss out. Much as I rant about the National Curriculum, it does set out the need for a broad and balanced education. I could wish that the cross-curricular links made explicit in Design Technology were mentioned to other subject teachers, but that’s another conversation!

However, during the pandemic ‘craft’ has come into its own, both as a source of well-being and as a way to do all those little things around the house that people haven’t had time for before: upcycling and mending clothes, cooking and baking, DIY, as well as the things we would more commonly identify as ‘crafts’. In August, Hobbycraft reported a 200% boom in online sales since the start of the pandemic, and as a dedicated online craft shopper I know that demand was high across the sector. There’s been a lot of focus across the cultural sector on the benefits of arts on well-being, and a slew of articles (like this one and this one) have been written on why craft is good for you. Lockdown – particularly for those of us on furlough – has given us permission to craft, to take up new hobbies and to revisit old pleasures. Various friends have taken up embroidery, started sourdough baking, experimented with cyanotype printing, made furniture, followed Bob Ross tutorials. I have loved seeing all their beautiful work on social media and it would be sad if these activities stopped when the world goes back to ‘normal’. The Crafts Council launched their brilliant ‘Let’s Craft’ initiative during lockdown, providing packs for families in need, via food banks and community hubs. This was really important at a time when some families were struggling to put food on their tables and luxuries were – literally – not on the menu.

The last ten years or so have seen a huge drop off in the take up of creative subjects at GCSE and above, especially Design Technology: perhaps due to the government focus on EBacc achievement, perhaps due to a belief that a ‘creative career’ isn’t one you can make a living at, and that all your education should be focused on an end goal of a ‘good job’ rather than on the transferable skills like problem-solving and team working that creative subjects can foster in children. My own secondary school pushed two routes: academic and vocational. I really wish I’d taken some creative subjects at GCSE, as I have definitely found more use for those skills than I have for French and Computer Studies!

And while this recognition of the benefits of craft is long overdue, it’s also a further threat to craft in education. Craft is currently being touted as something that can help children’s recovery, with their wellbeing, but not as a proper subject. Back in the eighties when I was in school there was a subject called ‘CDT’ or ‘DCT’ – craft, design and technology (or design, craft and technology) so craft was right there in front of us. It was in woodwork, in metalwork, in textiles. You could get an O-level with the word ‘craft’ in it – it was a proper subject. You learned how to use machinery (and hopefully how not to cut your finger off like every CDT teacher ever), how to transform a flat drawing into a 3D object, and how to make an apron. Technically the word still exists in the subject ‘Art, Craft and Design’ – but more often this also becomes just ‘art’ or ‘art and design’.

Somewhere along the line that word ‘craft’ was dropped and with it the importance of making. Design became the whole of the thing, even though even Sir Terence Conran said that

“…I have always been concerned with the practical aspects of design, and relate my work to the manufacturing process. I have never designed anything that I wouldn’t know how to make myself.“

The word craft became associated with craft fairs, with the sort of crochet your gran does, with the WI or the Mothers’ Union….with women, in fact. It became marginalised. It’s not a coincidence that the take-up of DT is mainly by boys, and the reverse is seen in art take up.

Yet…

Craft is democratic. It’s the great leveller – anyone can do it, and the past six months shows that they have. You can have a degree in it if you want – but you don’t have to. There’s so many tutorials on YouTube, on Craftsy, in books and magazines, that you don’t need to go to school to learn it. I crochet, quilt, cross stitch, make clothes – and I have taught myself to do these things.

Craft is community. Manu Maunganidwe, one of the speakers on Friday, spoke of his first experience of craft in the Somali village where he grew up. People came together to build a new house – they brought time and skills and they made a house from the ground up, because you can’t build a house by yourself. He spoke passionately about the need for children to experience tools and making.

Craft is haptic. It connects you through the sense of touch, through the experience of materials: choosing the fabric for a dressmaking project by stroking and folding it to see how it creases, squeezing the yarn at a yarn show, the squish of mud when a child makes mud pies. It is sensual. The process of making is sensory – sanding wood to make it smooth, smooth clay, the pull of embroidery floss through fabric.

Craft is resilience. You make a mistake, you try again. Later, when you begin to design your own projects, you try something out, you tweak it, you try again. This is the same iterative process that designers go through.

Craft is cross-disciplinary: You apply knowledge to solving problems: maths is invaluable across all manner of crafts (to crochet a sphere you need your times tables!), yarn dyers use science, a crochet pattern is a simple code. Last year I made a crochet model to demonstrate hyperbolic planes (negative space) for a maths session, mimicking shapes in nature.

Craft is cultural. Children from all communities grow up surrounded by traditional crafts in their homes: fabrics, art, cooking, embroidery, hairstyling. This is not reflected in the current curriculum. A key part of the day was about how craft could help with anti-racism, and my resolution is to seek out diverse makers for the new schools programme to reflect our local area.

Craft is expression: emotional and artistic. I can’t draw but I can make. No, I can’t draw yet. I will draw.

Craft is co-ordination. Barbara Hepworth, the sculptor, wrote that she had a thinking hand and a doing hand. You need hand-eye co-ordination to hit a nail with a hammer, to direct a needle to the right hole. I am a kinaesthetic learner and I learn by doing, through muscle memory. Crochet helps me focus. I can make a granny square while watching a Zoom conference without looking at my hands. If my hands are empty I find things to fidget with.

One sleeve completed during the craft conference

Craft is revolution. Not just in the William Morris Arts and Crafts Movement sense of revolution, but a quiet, beautiful revolution. Yarn bombing is a public, visual way to express an idea or an issue. After the terrorist attacks in Manchester and on London Bridge thousands of us knitted, crocheted or sewed hearts with a message of support and love for the residents of our cities as well as the victims of the atrocities. I sent some to Manchester and yarnbombed Canary Wharf and the Central line with messages of hope and love. Craftivism is a thing. This week on Radio 4’s Four Thought there was a fascinating programme on ‘gentle protest’ that you can find here.

In how many of these statements can you replace the word craft with the word art?

I know there are things I have missed here: please do share what craft is to you, and why you do it!

The last act for the conference was to make a pledge to craft education – something the Craft Council have been asking people to do for a while. Mine is to carry on pushing craft to anyone who’ll listen, and to be proud to be a ‘crafter’.

And while I’m on the subject…

Here’s the finished crochet puppy for the small girl who isn’t allowed a dog – at least she won’t have to pick up after this one! The cardigan is lacking one sleeve, but I have done the cuff so it won’t take long. We are watching the new series of Ghosts so I am staying awake long enough to finish things!

I also have a giant pile of fluffy quilted blocks – I had to make three more in the end, which still need to be quilted, but then I can start putting the bento box quilt together.

Wild wanders

I went out for an early walk this morning for the first time in a while. The weather has been a bit blustery for the last couple of days, and it really feels as if Autumn has arrived.

The clearance of scrub on the fields behind us is now finished and the brambles have been piled up in stacks all over the place, exposing the pylon anchors left when they put the power cables underground in the 90s. They reminded me this morning of standing stones – twentieth century monoliths. I am heartbroken at the damage to wildlife habitat – there were no deer to be seen this morning, though there was a prowling fox, several green woodpeckers, and lots of rabbits.

There have of course been a few swims – one late afternoon on Thursday. The light is so different at that time of day, with the sun low over the trees. The water is getting colder – around the 17 degrees mark, and I did feel it when I got out of the lake on Thursday. I am in charge of hot chocolate, which always reminds me of post-swim treats when I was young. Machine hot choc back then – I hope mine is better!

The temperature in the lake this morning was 13 degrees, the coldest we have swum and we very sensibly got out after half a lap (about 400m). I tested the DIY dry robe and I was positively toasty! However, this will be me for the rest of the day:

So that’s my week! It flew by. Next week I am going in to the office – how exciting! Is there still life west of Epping? It’s been a long time…

Kirsty x

What I’ve been reading

Breakdown/Heartbreak Hotel (Alex Delaware) – Jonathan Kellerman

A Body in the Bath House (Falco) – Lindsey Davis (Audible)

Week twenty two: faeries at the bottom of the street?

Last week’s ‘What I’ve been reading’ included the latest in Jim Butcher’s Dresden Files series, a long awaited event by the many fans of this urban fantasy series. (Side note: it ends on a cliff hanger and the second part isn’t due till September. Argh!) Urban fantasy is ‘a subgenre of fantasy in which the real world collides with the decidedly supernatural or magical world’ (blog,reedsy.com). A J Blakemont, an author, goes further and says,

“Urban fantasy is a hybrid genre that lives at the crossroads between fantasy, horror, science fiction, hardboiled, thriller, and romance. One might say that urban fantasy is a liminal genre; it exists where the other genres meet. It lives at the frontier between the mundane and the fantastical, the natural and the supernatural, between technology and magic. Every urban fantasy story involves some supernatural beings and/or humans with magical abilities; yet it’s also rooted in reality.”

Whatever it is, I love it. I don’t know whether it’s the crossover with hardboiled noir (see my girl detectives post for more ramblings on this subject) or whether its the idea that fairies and other fantastical creatures might be hiding round every corner, but I love discovering a new series – even more so if I am coming late to the discovery and there’s a lot to catch up on. Of course, then you have the problem of finishing the back catalogue and having to wait for the next one, but there we are!

I can thank my Dad for my interest in SF/Fantasy – his enormous library was where I started, with Piers Anthony’s Xanth series, Robert Heinlein’s The Cat Who Walks Through Walls and Christopher Stasheff’s Warlock series, as well as Tolkien (of course). Dad shouldn’t be left unsupervised in Forbidden Planet, and Hay-on-Wye is a treasure trove for the whole family.

So this week I’m sharing some of my favourites with you. Please do share your own recommendations, I love a good read.

Ben Aaronovitch – the Rivers of London series. River goddesses (and gods), underground societies, a whole department of the Met to deal with what one of the characters describes as ‘weird bollocks’, and all set in modern London? Aaronovitch cut his teeth on the Doctor Who team so his credentials are excellent. The graphic novels alongside the ‘main’ novels are great too.
Kim Harrison – the Hollows series. Set in Cincinnati after ‘The Turn’, this has witches, demons, pixies, vampires and all sorts of good stuff. Again, we had to wait a few years for the latest instalment in the series to land this summer but it was worth it.
Charles de Lint – the Newford series. As far as I am concerned, Charles de Lint is the grandaddy of urban fantasy. I first discovered him via my Dad who had bought Greenmantle and Moonheart – neither of which are part of the Newford world but which were my introduction to urban fantasy. His books set in Arizona are also excellent. The magic isn’t far under the surface with any of his books, but the urban settings are realistic.
Jim Butcher’s Dresden Files – set in Chicago, Harry Dresden is the only wizard listed in the Yellow Pages. Organised crime, vampires, werewolves, pizza-eating faeries and more. I’ve just started rereading from the beginning, to keep me going till September and the next instalment.
Mike Carey – Felix Castor series. Set in London, Castor is an exorcist. His tech genius is a zombie holed up in a cinema in Walthamstow, and his best friend is possessed. Not for the faint hearted, especially the last in the series (I hold out hope for more…)
Neil Gaiman – if not the grandaddy, at least the great uncle. Neverwhere, which tells the tale of what happened to a man who accidentally fell into London Below after helping someone out, is one I go back to time after time. American Gods is also a good example of the genre, and I’m going to throw in Good Omens – not strictly UF as it doesn’t have the noir elements, but it does lead me on to…
Terry Pratchett – the Watch strand of the Discworld series. Another stretch for the UF genre, but Ankh-Morpork is so close to Victorian London, and Sam Vimes is a proper alcoholic cop saved by the love of a good woman (and her dragons), and its my blog so I can say what I want. Pratchett’s characters – certainly in the later books, after the puns and comedy of the early novels – are well-drawn. They’re still funny, but a lot darker.
Kevin Hearne – the Iron Druid series. These lost the plot a bit in the later books, but the earlier ones are excellent. Set in Arizona, the druid Atticus runs into all sorts of gods, and usually manages to annoy them.
Charlaine Harris – Southern Vampire Mysteries.Yes, True Blood. Set in the American South, in a world where the vampires have come out of the coffin thanks to the invention of a synthetic blood subsitute that means they don’t have to feed on humans.
Honourable mentions: Patricia Briggs’ Mercy Thompson novels, Ilona Andrews, Tanya Huff, Faith Hunter, Seanan Mcguire, Kelley Armstrong. There’s a lot of very strong female protagonists (and authors) in this genre that haven’t historically been seen in High Fantasy or SF/F. This can only be a good thing!

Morgans and more

I started the Bento Box quilt patches this week, using a production line method which meant building every patch section by section and pressing in between. And then I ran out of fabric so have to wait for some more of the blenders. They come from Empress Mills, who are an excellent family business but orders are taking a while to process at the moment for obvious reasons. Worth the wait though!

So I decided to tackle some of my to-do pile while I’m waiting, as well as the new Adele apron dress from Alice and Co Patterns.

This is the third pattern I’ve made from this company – the Jump Up Suit and and the Intrepid boiler suit being the others – and they’re so straightforward. The instructions are clear and friendly, with good tips for fitting and customising.

I used the rigid denim left over from making my Morgan jeans a few weeks ago, and chose the crossover back strap option and to knot the straps rather than adding buckles/buttons. There’s a whole set of options for both the back and the waist ties, making this a very versatile pattern, and I can see it getting a lot of wear. Big pockets, too, which are a must!

I really need to go back to work so I can wear these things.

I made a second pair of Morgans, too, this time in a velvety soft black cord that came from Pound Fabrics. These were quicker than the first pair as – because cord doesn’t twist in the same way denim does – I could cut out the pattern on the double layer. I used leftover turquoise quilting cotton for the pocket linings, and left off the rivets, and they were finished in a day. It probably took me almost as long to remove the cat hair from the fabric as it did to sew them! Cord does attract every bit of fur and fluff for miles around…

Finally, I used a double duvet cover to make a swirly skirt using my favourite Simplicity 8446 pattern. I love duvets for this, as you get a lot of fabric that quite often doesn’t need much ironing, can be tumble dried and comes in some mad prints. I have Doctor Who and Marvel comic versions, as well as a cat one. This time I used a space print fabric. As we’ve been in lockdown for months too with its inevitable home-baked side effects, I also made the decision to forgo the side zip and hacked the pattern to use the stretch waistband from MBJM’s Four Seasons jogger pattern which is much more forgiving! It’s given the skirt a bit of extra length too, so its super swishy.

I whipped up a set of pattern weights using this tutorial at the end of the week – making use of a couple of fat quarters from the stash and some dried beans as fillers. Being superlazy, I used the overlocker for everything so it was very quick. Thing 2 has appropriated one to play with already.

My next project is the By Hand London Anna Dress which I have cut out in a yellow viscose which is very slippery – I have my doubts about how simple this will be to sew!

My new adventure pants get their first outing…

Yesterday London sister and I put on our adventure pants, dug out our walking boots and set off on a road trip to Cudmore Grove Country Park in East Mersea to blow the cobwebs away. Usually sisterly days out include Italian food, eyebrow threading and the odd cocktail, so this was a bit of a break from tradition. We left my Horde at home as we wanted a good long walk, turned on an 80s station to sing along to and headed off into the wilds of Essex.

We read a blog post earlier in the week which talked about the lack of home-nation regional foods in London – specifically the Greggs corned beef pasty which is a staple in Welsh stores but can’t be bought in London. We love corned beef pasties and I remember being able to buy them in Preston, but not down here – surprising, given the number of Welsh people who have migrated to ‘Town’ over the centuries. So, London sister whipped up a batch of pasties for a picnic (I may have mentioned her superior cooking skills in a previous post!), added some cheese rolls just in case, a Snickers bar or two and some Cardigan Bay coffee .

East Mersea (and West Mersea, of course) are on Mersea Island. Connected to mainland Essex by a causeway which disappears underwater if high tides are over five metres, it’s the most easterly inhabited island in the UK. It’s been popular as a destination since Roman times, apparently, and over the years has hosted pirates, WW2 defences, and a lot of oysters.

The country park has a large car park, the all-important toilets and a small kiosk with ice creams and coffee. We parked up, attempted to decipher the map and then decided to pick a path that went past the bird hide (closed due to subsidence). We could see a tree full of little egrets, which was quite exciting, and the path then takes you past a pillbox and on down towards the beach. We turned left first towards Brightlingsea and walked as far as we could, then hopped across some of the many little streams to rejoin the footpath. The beach is narrow but sandy, and we were amazed at the lack of windbreaks given the brisk breeze and the number of wind farms in the area. Even today we pack the windbreaks before anything else when heading off on holiday!

We then headed back into the wind towards West Mersea, following the beach as far as we could, staying well away from the crumbly clay cliff which has apparently yielded fossils and bones (hippos! in Essex!). It’s clearly unstable, and I think the whole island took a bit of a battering in the storms last year as the sea wall has been breached in several places. The wind was great for the kite surfers and we watched a couple doing amazing jumps over the waves for a while. Once we’d walked as far as we could we turned back and ate our picnic sitting on a slipway watching happy kids jumping waves.

We wandered back, found a picnic table near the adventure playground for coffee and a bit of cloudwatching, and then headed back just in time to get caught in the queue for the causeway as the tide was in. It was very exciting to drive back across the causeway with the sea still coming over the road in places!

This week’s swimming has been equally adventurous! Sue and I braved the water in ‘skins’ (without wetsuits) early in the week just to give it a try. The water was around 21 degrees at that stage, and while I loved it Sue wasn’t convinced. We also swam in high wind on Friday, where the reeds were blown flat against the water, and today I did one lap in my wetsuit and one without. The water temp was 19 degrees today and it felt great. I’m definitely keen to carry on through the winter!

We’ve been enjoying the produce from the garden this week – glorious tomatoes warm from the greenhouse, earthy chard, runner beans, potatoes, apples and blackberries. Thing 2 and I made apple and blackberry pie which was delicious, and she’s been baking them with honey and cinnamon.

And that’s been my week! This week will have to include the trauma of the school shoe shopping as the summer holidays are coming to an end. Compared to the end of the school year these six weeks have flown by.

See you at the end of week 23!

Kirsty x

What I’ve been reading

Jim Butcher’s Dresden Files series (from the beginning!)

A Dying Light in Corduba (Falco series) – Lindsey Davis (Audible)

Machine Quilting for Beginners – Carolyn S Vagts

Sarah Payne’s Quilt School

Week twenty: are you sitting comfortably? Then I’ll begin…

I have mentioned before that I’m a bit of a reader and have been since an early age. I suspect, given that my parents are also big readers, that it was partially self-defence and then it became a habit. Both parents read to us and created their own stories – Galumphus the Dragon was my dad’s character, and Jeremy John stories came from my mum. I continued to listen in when my much younger sister was being read to, and for me one of the joys of teaching was story time at the end of the day; whether that was a picture book or, further up the school, a chapter book.

One of the last sessions I created at the Museum of London Docklands was a sensory, interactive story called ‘The Cinnamon Birds’, as an introduction to the idea of international trade for Key Stage 1 and family groups. I loved telling it – from gathering my audience Pied Piper-style, moving through the museum with a beautiful dragon puppet on my shoulder, to casting a story spell with tales of cunning merchants and wafts of magical scents and treasures from a pirate chest.

At the V&A Museum of Childhood, we had a hardcore of parents and children who would come every day for the Animal Magic session at 2pm, led by the Activity Assistants who used puppets, music, projection and more to bring both classic stories and their own work to life. It didn’t matter how often the families heard We’re going on a bear hunt! – this time was part of their daily routine. (Lia, one of the former AAs, has now set up her own business with her mum creating sustainable story sacks, with all the contents and materials sourced from charity shops and community markets. I love this idea – check them out, they are Oranges and Lemons and their product is wonderful).

I still love listening to stories – when I’m commuting I can be found on the Central Line listening to audio books and crocheting my way to work. I refuse to confess to the number of times I have missed my stop as I was distracted by an exciting bit…

When my Horde were small I took the opportunity to gather the books that I had loved as a child, as well as discovering new stories. So here are some of our favourite picture books*….

The Tiger Who Came To Tea – Judith Kerr. This is more than 50 years old now and still wonderful. Also her Mog books, and her autobiographical ones. When we get back to whatever normal looks like, keep an eye out for the touring exhibition from Seven Stories.
Where the Wild Things Are – Maurice Sendak. Another classic from the 1960s, and I love it. A wild rumpus always sounds like fun.
Dear Zoo – Rod Campbell . My bunch all loved lifting the flaps and shouting along with the words, making animal noises. I bought this one at Stansted Airport on the way to France with Thing 1, and her Grandpere spent a lot of time reading it to her on that holiday.
The Very Hungry Caterpillar – Eric Carle. Another one they loved to recite with me, or finish the sentences when they were very small.
Hairy McLary from Donaldson’s Dairy – Lynley Dodd. We had a CD with these stories too, and David Tennant was perfect as the narrator. Thing 2 also loved The Dudgeon is Coming.
Is it bedtime, Wibbly Pig? – Mick Inkpen. Every parent knows the torture of bedtime! Wibbly Pig’s Silly Big Bear always makes me cry.
No Matter What – Debi Gliori – big thinking for little people.We still love them even when they’re naughty!
My Big Shouting Day – Rebecca Patterson. Another one of Thing 2’s favourites. I think she identified with the main character (so did I).
Dinosaur Roar! – Henrietta and Paul Stickland. We got this one free from Bookstart and Thing 3 LOVED it.
Tiddler – Julia Donaldson and Axel Scheffler. All this pair’s books are wonderful, but this one was their favourite.
Funnybones – Janet and Allan Ahlberg. Thing 3 thought this was hilarious. They also loved Each Peach Pear Plum and hunting for the fairytale characters in the illustrations.
Tell Me A Dragon – Jackie Morris. I fell in love with her glorious, magical illustrations through another Bookstart book – Can you see a Little Bear? – which she illustrated for James Mayhew, and when Tell Me A Dragon came out with a dedication to Terry Pratchett, I bought it for myself. Of course I read it to the children too. Her work with Robert Macfarlane in The Lost Words is exquisite and I was lucky enough to catch the exhibition at the Foundling Museum in 2018.
The Dancing Tiger – Malachy Doyle. Thing 2’s nickname is ‘Tiger’ so we read a lot of books about tigers! This is one of my favourites. We don’t stop dancing when we get old!
The Mousehole Cat – Antonia Barber.We discovered this one via a CBeebies bedtime story, read by Shobna Gulati, and bought our own copy. Thing 1 loved the Storm Cat.
That Pesky Rat – Lauren Child. Runner up here goes to Who wants to be a Poodle? I don’t – I love her collaged illustrations.
I Really Want to Eat a Child – Sylviane Donnio. Another of Thing 2’s favourites! She has always been the most anarchic, subversive child and this story really appealed to her.
Lost and Found – Oliver Jeffers. All of us loved this one – there’s a beautiful TV adaptation too.
Penguin – Polly Dunbar. This one was a library story time discovery when Thing 1 was small. Inevitably she would have fallen asleep in the buggy on the walk to the library but I always stayed for the story!
Not Now, Bernard – David McKee. Poor Bernard! And poor monster…
Whatever Next – Jill Murphy. Thing 3 solemnly informed his playschool aunty that ‘Mummy said I am allowed to go to the moon….but I can’t go up the chimney.’ That one took a bit of explaining.

Special mentions also to Mayer Mercer’s There’s a Nightmare in My Cupboard, The Bear’s Toothache by David McPhail, Green Eggs and Ham by Dr Seuss, and – finally, I promise – Lost in the Toy Museum by David Lucas. So many schools read this before visiting the museum that we eventually offered it as a session, and it was very popular.

Thing 2 still occasionally asks for a story – we read The Ordinary Princess by M M Kaye earlier this year, and we’ve started Anne of Green Gables. Thing 3 likes to listen in… he is the biggest reader of them all at the moment.

Even once children have learned to read themselves, there is magic in hearing a story well told. Reluctant readers may find their way in to reading this way, and I always told worried parents that as long as their children were reading, it didn’t matter what it was. Reading schemes, while worthy and phonically sound, are often boring. Find what they want to read and let their imaginations fly!

What are your favourites?

(*not affiliate links, just Amazon. Other book sellers are available!)

Morgan jeans finished at last…

….and they are my new favourite thing. I bought the pattern after making Closet Core’s Ginger skinny jeans, which I wrote about in Week Fourteen. The fly hadn’t gone well, but I liked the process of making the jeans and thought I’d try something in a style I wouldn’t usually wear. I bought some bargain midweight rigid denim from The Textile Centre – the first package disappeared in the post but they were really helpful in replacing it. I buy from them quite often, as they are very reasonably priced and the fabrics are always great quality.

The pattern instructions were very clear – the indie designers are far better than the Big 4 (Simplicity, Vogue, Butterick, McCalls) pattern companies at providing step by step instructions, and usually have good photographs of the process.

Well, these were a dream make, even when I put one of the pocket linings on backwards and had to frog it. I was trying to take special care with the pockets as I’d got them the wrong way last time. I even re-cut one of the pocket linings as I was using a directional print and didn’t want it upside down, even though under normal circumstances no one will be looking at the inside of my jeans! The maneki neko fabric was from Ali Express, and it’s a good 100% cotton quilting weight. Expect to see more of it in a future quilt!

In terms of sizing, I took out 5mm from the straight leg seam allowance, but I don’t think I needed to so I’ll leave it in next time. I also took out some length in the leg – 5cm, this time – and I think this was about right. I like the cropped length with my trusty Birkenstocks.

I was very careful with the fly, after last time, and this time I got it right. I also went the whole hog and added rivets, belt loops and made my own ‘brand’ patch using a woven label from The Pink Coat Club. Both the jeans buttons and the rivets came from EBay.

Overall I am pretty pleased with them, though a sewing friend suggested I made the pockets a bit smaller and placed them a bit higher to be more flattering, which I will do next time. I have some black cord that will work well with this pattern, so there *will* be a next time! I wore them on Tuesday, when I ventured onto a train to take one of my stepdaughters to an appointment, and they were so easy to wear, even as the temperature rose.

I remembered my mask, too – home made, of course.

I’m still working on my attic windows quilt, and will hopefully finish the top this week. I am going to attempt sashing between blocks, so let’s see how that goes! Here’s the different blocks laid out on the fabric I have chosen for the sashing. I’ve tried to be quite accurate with my sizing – I trimmed the single window squares to the same size and squared off the edges before putting them into the larger blocks, and the larger blocks have been squared to 11 3/4″. I’m not entirely sure how big this is going to end up! I have a double duvet cover (well, the reverse of one -the front is going to be a circle skirt) for backing, so hopefully that’ll be large enough!

As an aside – I have a Quilting board on Pinterest, and I opened up the site in a new tab to remind me to have a look at it when I’d finished writing this. An hour later, I realised I’d fallen down the rabbit hole and rather than looking at the pins on the board, I’d got about 30 tabs open, had pinned a whole new set of ideas and still hadn’t finished this post!

Adventures in the great outdoors

I haven’t done quite as much swimming this week as one of my buddies was working up in London, but we have managed a couple of early morning plunges and a late afternoon dip, which was most welcome when the temperatures were in the high 20s. We swam just as the sun was starting to go down, surrounded by damselflies and ducks, and it was quite blissful. We did about a lap and a half, so just over a kilometre.

Early morning walks have been good too – we are more than 70% of the way towards the August 30k challenge I mentioned last week. One morning we went round the fields via the flood meadow (see this week’s cover photo) which is filled with wild flowers, and on another via the farm where we finally coaxed the little black barn cat close enough to pet. There’s a lot of black cats on the farms round here! His marmalade friend joined in with the fuss too. Next time we walk we are going to take boxes and pick blackberries, as the hedges are groaning with them.

How does your garden grow?

Closer to home, the garden is looking beautiful – one of the sunflowers is now nine feet tall, and hasn’t flowered yet! The sunset-coloured one below is probably about seven feet tall (you can see the stalk of the big one behind it), and the bees love them. The squirrels will also love the seeds when the flowers are finished.

We also made a trip to the garden centre for compost and came home with more sad plants – these two Black Eyed Susans outside my shed, these flame-like celosia that look like Calcifer from Howl’s Moving Castle, and some heliotropes and calla lilies.

Bailey and Teddy are making the most of their catio, as you can see – they love being able to come outside and watch the birds close up. The catio is made of a dog cage, bits of fireguard and a lot of cable ties. We keep adding bits on to try and stop Lulu escaping, as she’s a bit of a Houdini!

Hey, what happened with that job interview?

We heard mid-week that we hadn’t been successful but the consensus view is that we don’t mind! We enjoyed the process and we can continue to work together on the project at our own museum with a new understanding of each other’s skills and experiences, and how well we work as a team. Hopefully we also started people thinking differently about how job shares can work, and got them thinking about what innovation might look like in a multi-site organisation!

You can find out more about the V&A East project here and about the Museum of Childhood transformation here.

And that’s it from me for the week – I have a kitchen full of kids causing chaos, more in the tent in the garden, and I probably ought to supervise!

Same time next week for week 21 then!

Kirsty x

What I’ve been reading

American Demon – Kim Harrison (the new Hollows novel! Yay!)

The Pearl King (Crow Investigations) – Sarah Painter

Time to Depart (Falco series) – Lindsey Davis (Audible)

Week nineteen: in which I looked tidy for the first time since March

A Tuesday interlude…

I have had a whole host of new experiences this week already! Not only my first virtual job interview, but it was the first time I’d applied for a job share, for a secondment, and for a temporary maternity cover role. It was also the first time that I’d prepared for and attended an interview as part of a team.

Keen followers of the East London museum scene will know that the V&A is branching out even further eastwards than Bethnal Green, and creating a shiny new museum on the East Bank in the Queen Elizabeth Olympic Park. There are so many parallels with our own redevelopment project, and both projects are working across the same boroughs, that we felt it would bring a new dimension to our own practice as well as a wider insight into the locality if one of us were to move a couple of stops down the Central Line for a few months.

The trouble was… none of us were keen on doing it alone, as we all have specific experiences and this role would cover all our audiences. I am formal, C is informal and H is creative. As a triumvirate (or an unholy trinity/three-headed monster depending on who you talk to!) we work very collaboratively: bouncing ideas off each other, supporting each other, representing the team and feeding back, developing ideas together (some madder than others – the Museum LARP session hasn’t come to fruition yet but there’s still time!) and bringing all our individual skills to the learning party.

That’s me on the right, by the way (Powerpuff Girls image from pngwave.com)

In a team Zoom social, someone suggested we ALL applied for it as a jobshare. “That’ll blow their minds, ha ha!” they said. We chatted about how that could work, what it might mean for each museum, and our line manager and director (I know she’s reading this!) were supportive. So…. we did.

The three of us contributed to the supporting statement and then put in our separate application forms, and crossed our fingers. We weren’t sure if we’d even get an interview, as a three-way job share might have been a step too far, but we all felt our statement was really powerful. We were fairly sure that with a combined 40+ years of experience in the culture, arts and heritage sector we could demonstrate a good understanding of what the role would require. We also proposed an outline of how the job share might work, and how the role could be managed. We are lucky, as we had a period last year in between line managers when we had to work in a similar way, sharing information and acting as one.

On Monday we were told that we’d be interviewed….on Tuesday. Cue frantic Zooming, planning our strategy and going over the job description, all the information we had to hand about the East project, trying to anticipate the questions we might be asked and challenges the panel might raise about managing the job share. We broke down the role responsibilities, decided on an order for us to answer questions so no one had more of a voice than the other two, and came up with a plan for how we’d pass the baton between us.

One of the most important things we did was to share our CVs with each other, so we could ensure the most appropriate person could answer a question. So useful – I had no idea of the breadth of experience in the team! As a team bonding and development exercise it worked really well. Going through the documentation we had access to and matching it to the role description and our skill sets – as a team and individually – was a great way to remind ourselves what a well-rounded team we are. I don’t know about C & H but my confidence in what we were trying to do was boosted immensely by this.

I usually hate internal interviews (OK, I hate all interviews) but knowing I was in this with my brilliant colleagues made it better. Three against three, and we could fill in the gaps for each other. For the first time ever I am not sitting here post-interview thinking ‘I wish I’d remembered to say that!’ The virtual format probably helped, as at no point could I see the whole panel.

Whatever the outcome, I think we acquitted ourselves pretty well! (Plus, I put make up and a dress on for the first time since March.) Can’t wait to get back to working with the team!

(Sunday update: we haven’t heard whether we were successful or not, but I still feel good that we did something that put us outside our comfort zone, helped us understand the benefits of the way we work anyway, and which put us on the wider museum radar.)

Sunday service resumes

After the interview and a debrief with the team I went for my first massage since the end of January. I hold a lot of tension in my neck and shoulders, probably from sitting in all sorts of weird positions while I crochet, cross stitch or sew; and I also suffer from migraine and tension headache. I try and have a monthly treatment with the wonderful Paula, who lives round the corner, and I have been seeing her since she was training to be a sports massage therapist.

Since qualifying as a sports therapist she has taken additional courses in cupping, facial massage and gua sha and she combines these (along with a sympathetic ear!) to create a bespoke experience for each of her clients. And it is blissful…although you do have to answer a few funny questions about cupping marks in the summer. Here in the village its like a badge of honour or membership of an exclusive club – Paula’s clients compare marks! There was a lot of interest from Bangladeshi women when I did an event at work last summer after cupping – they wanted to know where I’d had it done, and if it helped. Some said their husbands had it done regularly too.

At the moment, of course, facial massage is off the table so I had 45 minutes of work on my back and neck, including some gua sha, and I felt AMAZING afterwards. Thoroughly relaxed, and looser than I had been for several months. There’s no cupping yet, as there’s a risk of blood clots after Covid-19 (though as far as I’m aware I haven’t had it), so that’s something to look forward to.

The great outdoors

I’ve had a very active week! My swimming buddies and I have been up to Redricks Lakes three times this week – my cover image is the main lake. Sue and I went at 9am on Wednesday, and had our first independent swim in the main lake. We went back on Thursday afternoon as it was so hot and then Rachel joined us for an early dip on Saturday. There’s a nice mix of swimmers – super fast triathletes or club members who zoom about front crawling, fitness swimmers and people like us who mainly breast stroke round chatting and enjoying the process.

There’s a lot more bird life in this lake, so we encountered a mama coot with a young noisy brood of six tiny, scruffy chicks, and more coots with older chicks who are a bit more independent. There was also a grebe with her chick, who we swam quite close to. They don’t worry too much about the slow swimmers but the crawlers gave them a shock!

My walking friend Jill and I have signed up for Runkeeper’s August challenge, where we need to track 30k over the month. We are early morning walkers, except on Sunday when we have a lie-in and don’t go out until 7am. Today we knocked 8k off the 30k challenge, with a walk through the Lower Forest (aka Wintry Wood) to Epping and back via Coopersale and the Gernon Bushes nature reserve. We are not the fastest walkers but we do use it as an opportunity to clear our heads for the coming week and to put the world to rights. Both of us are subject to depression, so this is talking therapy for us.

We try and do a couple of shorter walks in the week, and then a longer one on Sundays. The summer is best as we can use the fields and woods, but in the winter they get a bit swampy – the Cripsey Brook feeder streams surround the village, though luckily we have an excellent flood alleviation scheme. This last winter we did a lot of our walks in wellies, and yes – we did jump in muddy puddles. Why should the kids have all the fun?

The great indoors

Cooking with Kevin this week included making cinnamon sugar sourdough pretzels – we love soft pretzels in this house, and there was a lot of sourdough discard to use up. We also had pizza, which is becoming a firm family favourite.

This was also the week that I put the bread in the oven for a cold bake and when I took it out an hour later the casserole was empty….. and the dough was still rising on the counter behind me. It had a normal bake instead – but don’t you think the way the ‘ear’ has baked into eyebrows makes him look a bit cross?

Thing 2 and I made chocolate fudge brownies, too, using a recipe that I have had for years – I’m not even sure where it’s from but its very easy and quite delicious.

Chocolate Fudge Brownies

50g self-raising flour (or plain flour and 1/2 tsp baking powder)
100g plain chocolate
50g butter
2 eggs, beaten
4tbsp golden syrup
1/2 tsp vanilla extract
optional: 75g walnuts, chopped

Melt the chocolate, butter and golden syrup over a gentle heat and set aside to cool.

Stir in the beaten eggs, flour, vanilla and walnuts if you’re using them.

Pour into a lined 18cm square tin and bake at 180c (Gas 4, 350f) for 25mins.

Serve warm with ice cream.

See? Super easy!

The crafting table

This week has had no finishes at all! Monday and Tuesday were so busy prepping for the interview that nothing got done.

I did make a start on the Closet Core Patterns Morgan jeans – the front is done, but I’ll leave full details for a proper review next week. I will rave about two tools I’ve been using to make them this week instead though. The first is the Clover Hot Hemmer (Long) which I’d had on my Amazon crafty wishlist for ages, and which was one of my birthday voucher purchases. It’s so useful – usually when prepping pockets I’d either spend ages with a chalk pencil, the iron and pins marking out the hems, or I’d be superlazy and guess the width which meant wonky pockets. With this ruler-type gadget you simply fold over the fabric to the right depth and iron. Brilliant, and no burned fingers either.

Hot hemmer in action – image from Clover website

The other gadget is a wool pressing mat – this gadget claims to retain heat to make pressing easier, quicker and more efficient. It seems to work – though the steam leaks through so I have been using mine on the ironing board or my cutting mat. Anything that makes ironing easier is a plus!

I have almost finished the first of the custom dolls – she needs a haircut (don’t we all right now?) and a mouth but otherwise she’s pretty complete. I’d forgotten how long it takes to do the hair! The companion doll has long hair and a beard….

I’d better get back to my crochet hook….

Same time, same place for the Week twenty update?

Kirsty x

What I’ve been reading

Dead Land by Sara Paretsky (The latest VI Warshawski novel – I am all caught up!)

Tales from the Folly – Ben Aaronovitch (a Rivers of London short story collection – too short!)

Last Act in Palmyra/Time to Depart (Falco series) – Lindsey Davis on Audible

Listening to…

Hollywood Park – The Airborne Toxic Event

American III: Solitary Man – Johnny Cash

Podcast: The Socially Distant Sports Bar (Elis James, Mike Bubbins and Steff Garrero) via Spotify